Together
Directed
by: Chen Kaige
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There's
a disarming quality to Chen Kaige's new film Together that
might confuse some into believing that it's merely intended to pull and
pluck on the heartstrings. It is undeniable that this yarn of a musical
protégé and his self-sacrificing peasant father plays well
and simply as a sentimental yarn. However, the film is also a truly subversive
work, rife with irony and a scathing eye glancing on the rapidly changing
landscape of modern China.
The title itself
resonates with contradiction. On the one hand it is a reference to family.
However, father Liu Cheng (Lui Peiqi) and son Liu Xiaochun (Tang
Yun) have only each other and thus the notion of union is precarious
in light of the man's willingness to give up everything that his son
might advance in station.
The other significance
is musical. The concept of "together" in that arena is to
be at the service of a piece or its composer or interpreter. Yet, the
film's focus is on a violin soloist, suggesting that its director and
co-writer has some mischief in mind with his story.
Liu Cheng has brought
his son from an Eastern rural area to audition for a musical scholarship
in Beijing. While the boy plays well, he fails to make the cut. However,
the father overhears the judges praise his son and realizes their decision
was based more on politics than talent. Though unworldly and minimally
educated, he is savvy and determined.
Shut out from the
school, he convinces one of the judges - the eccentric Prof. Jiang (Wang
Zhiween) - to become the boy's private tutor. They find lodging
through the good graces of Lili (Chen Hong), a call girl they
meet at the train station, and the elder Liu takes on work as a bicycle
delivery man.
While the thrust
of the film is finding a place for the boy that is fulfilling and secure,
that journey will not unfold in a straight line. The curves along the
way are not jarring or invasive; they are simply the verisimilitudes
of life and, rather than diverting its forward momentum, provides it
with texture and context.
The film explores
an odd niche not only because of its rarefied musical pursuit but in
the way a non-biological family unit evolves. The father represents
one part of China that is the past while Lili is here and now and the
boy may be its future. For Chen Kaige, none exists particularly
well without the others and each possesses a narrow perspective by dint
of education or experience.
Beijing itself is
even a character. The historic location of the Forbidden City is also
a venue where one can get lost at a seemingly soulless shopping mall.
The humanity of
the piece embraces all contradictions. Together is so beautifully
crafted and performed that one might mistake the work as simple or easy
- two criticisms that are abjectly untrue. Neither is it sentimental,
possessing a conclusion that reverses all that has come before. Yet,
the film has been made in such a clever manner to hide its seams that
we are disarmed and held rapt by all the notes of the maestro's human
symphony.
An
Interview With Chen Kaige
Email
Leonard Klady