It ain’t easy being
reloaded….
Remember that moment
in the original Matrix when Neo, newly re-birthed from The Matrix to
the Real World, sits in that barber chair and a big, thick, sharp cable
is jammed into the port of the back of his neck, clicking in with the
clankiest of mechanical sounds? Remember how that made you flinch, like
someone was sticking that thing in your neck?
The Matrix Reloaded
puts you right in that chair. Only this time, you are not given the
distance that you were in the first film. Reloaded plugs you right in
and shoves you into the leap program.
The idea of The
Matrix, an artificial reality in which human life lives, unconscious
of the greater, more horrifying reality, was explained and re-explained
in the original, verbally and visually, until is was as comfortable
as a really cool new, but somehow pre-worn-in pair of sneakers. The
box was relatively simple. The comfort was that we all could understand
it the first time out… and there were really cool new effects in there
as well.
The Matrix
was created as a stand-alone movie. Yes, the Wachowskis had the idea
of a trilogy in their heads. But back then, in 1999, word was that the
first sequel would be the prequel and the third film, the final battle.
Fortunately, The Animatrix does a magnificent job of establishing
the history of The Matrix in The Second Renaissance, Parts 1 &
2. The new challenge of a pair of Matrix sequels required a serious
reload, challenging almost every idea of the original with a different
way of looking at the characters we knew and loved.
Reloaded starts
more than six months after the original film ended. The minds freed
from The Matrix have risen from tens of thousands to hundreds of thousands
in that time. (There are about 250,000 free humans, to quote the film.)
The threat to Zion’s existence, which is quickly established as the
home of the human species near the core of the earth, is now days away.
Neo, Trinity and Morpheus are still together. And the debate in Zion
rages on… prophecy or practicality? Is Neo a man or a God or something
else altogether?
Indeed, Reloaded
is a movie of expansive questions about all of the ideas that we found
so comfortable the first time around. Some of them seem to be answered.
Some lead to more questions. And some just stubbornly stay inexplicable.
There are few things
a modern day critic hates more than having to say, “I’m not sure.” Like
a child, this unknowingness will lead to bad behavior, as the child/critic
attacks the filmmaker/parent for daring to ask questions for which they
will not be given easy answers. Later, the same child/critic will write
about how the studios and movie stars have screwed up Hollywood and
that more complex films have to be made. And then, when someone dares
again to make such a film, the child/critic will attack again, angrily
denouncing the filmmaker for overreaching. This would be, in my opinion,
the modern critic’s contribution to the fear of raising the bar on commercial
films in this era. Physician heal thyself.
The corrosive argument
that The Matrix was a kind of perfect mixture of classic story
telling and philosophy with which we could all connect and that The
Matrix Reloaded is a step backwards is simply absurd. I felt that
The Matrix was the most accessible piece of quality popular entertainment
in the last decade. I still do. But let us chew on where the film leaves
us…
Billions of humans
are in their mechanical wombs. The tens of thousands of humans who are
free live in a hole, deep underground. One human seems to have superhero-like
powers. He is The One. He threatens the machines, warning them that
they must do the right thing or he will expose them and, one supposes,
put them out of business.
Well, that’s pretty
simple mythology, isn’t it? Compare it to the journey of Luke Skywalker
or Frodo Baggins, who do not end the first movie seeming to be in control
of their futures. I’m not saying that I don’t love the films. But the
hero emerges and we assume that he’s going to clean up this very dark
mess like John Wayne or Superman. Neo may be able to kick
ass in The Matrix, but the murderous machines still outnumber
human life in the real world by infinite multiples, they theoretically
can kill the billions of people under their control without much trouble
and, outside of The Matrix, Neo is as vulnerable as any other flesh
and blood human.
The Matrix Reloaded
is not nearly as comforting. What happens to free humans when you put
The One in their midst? Do all humans think the same way? Cypher may
have been killed, but his real world betrayal was a signal of the possibilities
to come.
There are other
first film issues that demand us to consider them in the new movie.
Neo meets The Oracle in The Matrix, not in Zion. Why? Neo seems to have
destroyed Agent Smith at the end of The Matrix, but as you have
seen in the commercials, he’s back… how can the Matrix ever be destroyed
if agents are indestructible? If Morpheus is the man who brought Neo
out of the Matrix, what is his journey after he seems to be proven correct
that Neo is The One?
We spend much of
the first act in Zion, considering the value of human life. The human
world is not limited to a handful of people on a ship, running in and
out of The Matrix. This Zion is full of the leaders and followers, pontificators
and preachers, spiritual and surface humans that we recognize from our
daily lives. The clock is now ticking as the machines seem ready to
bring the battle to Zion.
Back in The Matrix,
there are a lot more questions to be answered. Perhaps the machines
have become as complex in their society as humans are. Perhaps the awareness
that came with the red pill and the ability to see the code has left
Neo ready to learn more about the machines than the first film even
considered.
In the third act,
some of the rules we think are set are going to change, in a fairly
subtle way. But these changes are clearly creating the story arc that
will lead us to the third film and to the close of the series.
The final reality
is that The Matrix Reloaded is an overload in a single screening.
I’m sure there are a few who can do the trick, but the balance of thought
and simple relaxed enjoyment of a film leans towards thought the first
time out, even for experienced critics. There are so many new ideas
and concepts between truly breakthrough action sequences that while
you may enjoy every minute, you will need a little time for it to settle
in your mind. Then you will be ready to load up again. And trust me,
the comfortable clarity that made the first film so accessible will
be there for you too.
Another great part
of Reloaded, as it was for The Matrix, is the casting. The first
time out, the choice of Gloria Foster as The Oracle was the wild
card that paid off big. But Carrie-Anne Moss was also a new face
and Keanu Reeves had not exactly been burning up the box office
charts. This time out there are such inspired choices as Anthony
Zerbe, who will be remembered by many for his 70s TV appearances,
but who deserves great respect for his masterful work as a stage actor
over many years. The Wachowskis also brought about strong actors like
Harry Lennix and Randall Duk Kim and Harold Perrineau.
Jada Pinkett Smith brings fiery star power. And the find of all
finds is Lambert Wilson, who steals the show as The Merovingian.
After more than 50 films in France, Wilson is barely known here. You’ll
be seeing him again and again, assuming he is willing to take the millions
to be the next “Foreign Villain Of The Half Decade.”
The effects and
action sequences are simply insane. Nothing has ever come close. Nothing.
And they, too, felt more relaxed a second time around. Somehow, by no
logic I can summon, I noticed the seams more the first time than in
subsequent viewings. There is little point in “reviewing” these scenes
because they are so visceral that words could never do them justice.
But if you can, consider the context in which they happen.
Cast members, who
obviously know what happens in The Matrix Revolutions, have made
it clear that there are no boxes within boxes. What is presented is
true. What happens is real. I spent three years waiting to see whether
Darth Vadar was really Luke’s father. Don’t waste your time wondering
this time out. Listen and absorb. Repeat.
One final note before
I go… you’ll want to stay through the credits. The gift that awaits
you is short, but oh so sweet.
Have a good time
and see you on the spoiler page after you’ve gotten reloaded for yourself.
End Part One ..
|..
Part Two (Spoilers)
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