FOR
IMMEDIATE RELEASE
January 27, 2006
HOUSE
OF SAND WINS
ALFRED P. SLOAN PRIZE AT
2006
SUNDANCE FILM FESTIVAL
Park
City, UTThe 2006 Sundance Film Festival is pleased to announce that THE HOUSE
OF SAND, directed by Andrucha Waddington and written by Elena Soarez, is the recipient
of this years Alfred P. Sloan Prize. The Prize, which carries a $20,000 cash award
to the writer/director provided by the Alfred P. Sloan Foundation, is presented
to the outstanding feature film focusing on science or technology as a theme,
or depicting a scientist, engineer or mathematician as a major character. The
Prize will be presented at the Sundance Film Festival Awards Ceremony on Saturday,
January 28.
THE
HOUSE OF SAND is the story of a woman across three generations. In the remote
dunes of Brazil, Maria spends her life while an entire century passes by her,
her house, and sand. The film, which screened in this years World Cinema Dramatic
Competition section, was recognized for its poetic meditation on the physics of
time and the biology of human variation in a story of an isolated family's search
for meaning against the backdrop of a half-century's scientific and technological
evolution.
THE
HOUSE OF SAND was also a recipient of the 2002 Sundance/NHK International Filmmakers
Award which supports independent directors with a $10,000 grant and a guarantee
from NHK, Japans largest broadcaster, to purchase the Japanese television broadcast
rights.
The
Alfred P. Sloan Prize is a major component of the Sundance Science-in-Film Initiative,
which is made possible by a grant from the Alfred P. Sloan Foundation. Now in
its fourth year, the Initiative supports the development and exhibition of new
independent film projects that explore science and technology themes or that depict
scientists, engineers and mathematicians in engaging and innovative ways. In addition
to the Prize, the Initiative presents a panel discussion at the Festival that
brings together scientists and filmmakers to explore compelling, contemporary
issues regarding science in film; and, in the Sundance Feature Film Program, the
Initiative supports the Sloan Commissioning Fund, which provides resources for
Initiative projects early in the development phase; and the Sloan Fellowship,
which develops eligible projects at the Sundance Feature Film Labs towards production.
This Initiative blends the Sloan Foundations goal of enhancing public understanding
of s!
cience and technology with Sundance Institutes mission to foster independent
voices and compelling storytelling in film.
The
winning film was selected by a committee of film and science professionals based
on the quality of the films presentation of science and technology themes and/or
characters. This years Alfred P. Sloan selection committee includes: John Underkoffler,
MIT Media Lab alumnus and science consultant on MINORITY REPORT, THE HULK, and
AEON FLUX; Greg Harrison, director of GROOVE (Sundance 2000), NOVEMBER (Sundance
2004), and the upcoming RADIOACTIVE BOYSCOUT; Lynn Hershman Leeson, director of
CONCEIVING AVA and TECHNOLUST, both of which have screened at previous Sundance
Film Festivals; Dr. Martha Farah, Director of the Center for Cognitive Neuroscience
and Professor of Psychology at the University of Pennsylvania; and Dr. Antonio
Damasio, M.W. Van Allen Professor and head of Neurology, University of Iowa.
This
effort forms part of a broader national program by the Alfred P. Sloan Foundation
to stimulate leading artists in film, television, and theater; to create more
realistic and compelling stories about science and technology; and to challenge
existing stereotypes about scientists, engineers, and mathematicians in the popular
imagination. Over the past seven years, the Foundation has partnered with six
of the top film schools in the country AFI, Carnegie Mellon, Columbia, NYU, UCLA,
and USC and established annual awards in screenwriting and film production and
an annual first-feature award for alumni. The Foundation has also started an annual
Sloan Feature Film Prize at the Hamptons International Film Festival and initiated
new screenwriting workshops at the Hamptons and TriBeca Film Festival. And it
continues to work with leading writer-producers and major studios to create more
films, TV shows and TV movies featuring scientists, mathematicians and engineers.
The New
York-based Alfred P. Sloan Foundation, founded in 1934, makes grants in science,
technology, and economic performance. The Foundations program in public understanding
of science, directed by Program Director Doron Weber, supports books, radio, film,
television, and theatre, including not only Proof, Copenhagen, and Alan Aldas
QED, but dozens of new plays from the Ensemble Studio Theatre and the Manhattan
Theater Club, including the Broadway-bound play, The Secret Order.
Festival
Sponsors
The 2006
Sundance Film Festival sponsors help sustain Sundance Institute's year-round programs
to support independent artists, inspire risk-taking and encourage diversity in
the arts. This year's Festival community includes: PresentingHewlett-Packard Company,
Entertainment Weekly, Volkswagen of America, Inc., and Adobe Systems Incorporated;
Leadership SponsorsAmerican Express, Delta Air Lines, DirecTV, Intel Corporation
and Sprint; Sustaining SponsorsAquafina, Blockbuster Inc., CESAR Food For Small
Dogs, LOreal Paris, Moviefone, The New York Times, Sony Electronics Inc., Starbucks
Coffee Company, Stella Artois®, Turning Leaf Vineyards, and the Utah Film
Commission.
Sundance
Film Festival
The
Sundance Film Festival is the premier showcase for American and international
independent film. Held each January in and around Park City, Utah, the Festival
is a core program of Sundance Institute, a nonprofit cultural organization founded
by Robert Redford in 1981.
Presenting
120 dramatic and documentary feature-length films in nine distinct categories,
and 80 short films each year, the Sundance Film Festival has introduced American
audiences to some of the most innovative films of the past two decades, including
sex, lies, and videotape, Clerks, Smoke Signals, In the Bedroom, American Splendor,
Napoleon Dynamite, Born into Brothels, and Me and You and Everyone We Know. Beyond
the streets of Park City, the official Website of the Sundance Film Festival,
www.sundance..org, shares the Festival experience with a global audience through
the streaming of short films and filmmaker interviews, combined with current news
and box office information.
Sundance
Institute
Dedicated
year-round to the development of artists of independent vision and to the exhibition
of their new work, Sundance Institute celebrates its 25th anniversary in 2006.
Since its inception, the Institute has grown into an internationally recognized
resource for thousands of independent artists through its Sundance Film Festival
and artistic development programs which provide a range of concentrated creative
and financial support for fiction and nonfiction filmmakers, screenwriters, documentary
film editors, composers, playwrights and theatre artists. The original values
of independence, creative diversity, and discovery continue to define and guide
the work of Sundance Institute, both with artists in the U.S. and, increasingly,
with artists from other regions of the world.