Closing Weekend
A Conversation
with Mickey Rooney.
There's no debating that the veteran of 80 years in the biz has
more than the scheduled hour of commentary and anecdotes on career,
wives, co-stars, the studios and independents. The event promises
to be a highlight regardless of how that's defined. (Hammer Museum)
Harry and
Tonto. Perhaps the most unusual road movie of all-time. The
title characters are a septuagenarian and his cat and the vehicles
are courtesy of Roadways. Filmmaker Paul Mazursky finds an
apt cipher in Art Carney and covers a lot of ground about
family, lonliness, spirit and the American soul in this rarely revived
gem. (Billy Wilder)
Lady Chatterley.
The Gallic spin on D.H. Lawrence's bygone shocker of an illicit
affair between a noblewoman and the estate gameskeeper won France's
top film award earlier this year. It's a first class adaptation
with fine central performances from a cast of relative newcomers.
Its crowning achievement is an earthiness that binds the characters
to their environment and conveys the impulsiveness of animal instincts.
(Billy Wilder Theater)
The Man Who
Shot Liberty Valance. John Ford's classic 1962 western
about "printing the legend" rather than the banal truth
is worth revisiting. It's a great story of the civilization of the
American frontier that's effectively bittersweet. John Wayne
and James Stewart are clearly 20 years too old for their
roles and one can only fondly imagine the actors doing it on the
heels of Stagecoach and Mr. Smith Goes to Washington.
(Billy Wilder Theater)
Moliere.
The inspiration in this imagined tale of the great French playwright
is the creation of history as if presented in one of his plays.
Its fleeting indulgences are melodramatic touches one wouldn't find
in his canon. The rest is sublime with Romain Duris in the title
role and the country's top talents giving life, humanity and rigor
to this sprightly saga. (Landmark Pavilion)
How to Cook
Your Life. More profile than primer, Zen chef Edward Espe
Brown is an affable guide when it comes to literally baking
bread, what kitchen behavior says about the individual and cooking
as therapy. However, he's more closeted about revealing personal
detail and the film emerges as an interesting duel between filmmaker
and subject with a surprise conclusion. (Festival)