The
Best of 2007 ...
1.
Ford at Fox (20th Century Fox Home Entertainment)
With twenty-four films spread across twenty-one platters, many featuring
new transfers and significant supplements and commentaries, Ford
at Fox is the first DVD release that can truly be compared to a
month-long museum program, which, heretofore, had been the penultimate
format for disseminating an appreciation of a particular filmmaker to
the public at large. Representing about half of director John Ford's
output at the Fox and later 20th Century Fox studios, the set solidifies
Ford's reputation as one of the pre-eminent American film directors
and counterbalances the late-career impression that he was primarily
interested in cavalry westerns. As the set reveals, the western was
just one of many genres-military films, tearjerkers, comedies, gangster
movies, international intrigue, and more-at which he was not just proficient,
but masterful.

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2.
Blade Runner The Final Cut
(Warner
Home Video)
The definitive presentation of Ridley Scott's dazzling, hypnotic
and groundbreaking 1982 science-fiction feature comes not only with
an exquisite picture and sound transfer, but with an exceptionally comprehensive
set of supplementary materials, including a retrospective documentary
that runs over three-and-half hours, and three commentary tracks. Even
viewers who question the film's intellectual or entertainment value
will find it hard to maintain that stance once they have waded through
the fascinating tale of Scott's determination, and the exceptional creativity
he coaxed and bludgeoned out of those around him.

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3.
300 (Warner)
Despite a summer full of blockbuster action features, only one DVD release
of a 2007 film succeeded in sustaining the thrill ride promised by the
movie's original promotions while also engaging a viewer's intellect
with the construction of its foundation. Zack Snyder's feature
turned out to be a dazzling aural and visual merger of fantasy and history,
and the DVD backs it up with another fantastic transfer and a comprehensive
supplement that enriches a viewer's understanding of both the film's
narrative context and the creativity that fueled its spectacle.

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4.
2001: A Space Odyssey 2-Disc Special Edition (Warner)
Stanley Kubrick's 1968 masterpiece had been released several
times previously, even as a special edition, but Warner's new transfer
supersedes every previous effort by light years, enhancing the film's
subliminal power as much as it increases the movie's visceral stimulations.
Additionally, there is a surprisingly effective commentary track from
stars Kier Dullea and Gary Lockwood, and a number of other rewarding
supplements.
5.
The Departed (Warner)
The riveting 2006 Best Picture Oscar-winner about undercover cops and
Boston mobsters has an engrossing audio mix and a consistently crisp
image, and is accompanied by terrific documentaries about the criminal
environment in Boston and about director Martin Scorsese.

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6.
Berlin Alexanderplatz (The
Criterion Collection)
Twice as long as any other auteurist television miniseries, Rainer
Werner Fassbinder's remarkable 1980 production represents what many
filmmakers have aspired to accomplish but have never truly achieved,
a full-length adaptation of a sprawling novel, reinvented for the screen
but not compromised by running time constrains or any other artificial
restrictions. When the program was originally conceived, there was barely
a notion of home video and it was created under disposable conditions,
and certainly without the understanding that someday DVDs would provide
a better delivery medium for television programs than even television
can foster. Hence, the DVD represents an epic restoration effort and
has been effectively compiled onto six platters, with a seventh platter
featuring a fascinating 1931 German adaptation of the Alfred Döblin
novel and several terrific documentaries about Fassbinder and his prodigious
filmmaking techniques. It should also be noted that virtually every
Criterion release belongs on a Top Ten list, and other highlights from
2007 include Louis Malle's documentaries, Days of Heaven,
Samuel Fuller's first films, Ingmar Bergman's first films,
Hiroshi Teshigahara's films, Carlos Saura's dance trilogy,
3 Penny Opera, Under the Volcano, The Milky Way and on and on.

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7.
I Am Cuba (New
Yorker Video)
The 1964 Russian/Cuban production directed by Mikhail Kalatozov was
considered a disaster when it premiered in Cuba and in Russia, and was
quickly relegated to a shelf where it languished for several decades,
until a new generation of filmmakers recognized its technical brilliance
(it includes what in all likelihood is the most amazing crane shot ever
conceived) and overriding humanism. Much of the black-and-white film
was shot with infrared stock, and has been transferred accurately for
the first time, rendering vegetation white and blue skies black in transfixing
contrast to the characters and their struggles. In one of the superb
supplements on the outstanding three-platter set, several surviving
actors and crewmembers in Cuba are shown the notices the film received
upon its initial revival in the Nineties, and you can literally see
the realization cross the face of each as they discover for the first
time that an effort which had taken up a what was once an embarrassing
portion of their past has turned out to be a once-in-a-lifetime masterpiece.

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8.
Inland Empire
(Rhino)
To digress for a moment, 2007 witnessed the release of David Lynch's
innovative television series, Twin Peaks, two separate times
by Paramount, initially as just its Second Season component, and then
as a completely revised and remastered Complete Series, including Lynch's
enduring Pilot episode. Both DVDs were exceptional because each one
provided new insights on Lynch himself, who is always as cooperative
as he is inscrutable when it comes to discussing his work. That was
also the case with his bedeviling 2007 feature film, Inland Empire.
In the future, when his canon becomes a finite entity, then the film
will be savored for the uniqueness of Lynch's cinematic constructs;
but for now, it was apparently not unique enough in comparison to Lynch's
other works, and disappeared faster than a stoplight changes from orange
to red. Even the DVD has not exactly flown off the shelves. Nevertheless,
the film, perhaps slightly less disciplined than Lynch's best works,
is still an intoxicating home video experience, and the supplements
are outstanding, not so much for the insights they offer to the movie
itself as for the further portrait they provide of the enigmatic Lynch
and his always curious and often profound filmmaking compulsions.

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9.
Apocalypto (Touchstone
Home Entertainment)
Mel Gibson's 2006 action adventure set in Mesoamerica was another
dazzling thrill ride that stimulates your rear speakers as it sparks
your imagination. Free of the somber macho masochism permeating his
bigger boxoffice hits, the film is well served by the capacities of
the DVD format, and also offers a little of the star power that the
movie itself could not, as Gibson supplies a good-natured and enthusiastic
commentary track.

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10.
The Jazz Singer (Warner)
The outstanding three-platter set not only presents a movie that represented
one of the most monumental changes in the motion picture business, but
it places the film in an enlightening context by including a superb
documentary about the history of sound on film and by sharing an extensive
collection of early sound shorts. The 1927 Alan Crosland feature,
starring the biggest pop music superstar of his day, Al Jolson,
is also supported by an excellent commentary and a fresh transfer that
preserves its formative audio track for the ages.

Honorable
mention: Movie star Malcolm McDowell sat down for
the DVD commentary microphones in 2007 not just once or twice, but for
almost every classic film he ever appeared in (he had done a nice talk
for Time after Time several years ago, and Evilenko last
year). Witty and forthright, he recalls each production vividly and
speaks informatively not only about his own craft, but about the atmosphere
of the production, the various filmmaking techniques that were employed
while he was in attendance, the personalities and skills of his co-workers
and directors, and he even opens up quite a lot about his personal life,
enhancing significantly the value of each DVD he participated in, including
If.
(Criterion), A Clockwork Orange (Warner), O Lucky
Man! (Warner), Royal Flash (Fox), and the raucous Caligula
(Image Entertainment).
January 1, 2008
DVD
Roundup: This Week's DVD Releases
The
Review Vault
- by
Douglas Pratt
Douglas Pratt's DVD-Laser Disc Newsletter
is published monthly.
For a free sample, call (516)594-9304 or go to his
website at www.DVDLaser.com