Rebel
Without A Cause
Directed
by Nicolas Ray
 |
The
James Dean movie that connected most directly with the hearts of his teenaged
fans, Rebel without a Cause, has been released by Warner Home Video as
a Two-Disc Special Edition (68323, $27). Warner has had a standard single-platter
release (14069, $20) available for several years. Dean plays a restless teen in
a new town, who is frustrated by his parents' self-involved distractions and alienated
from the other kids at his new school. In the end, however, he ends up acting
just like his parents when he tries to solve a crisis peacefully after bonding
with two other kids, played by Natalie Wood and Sal Mineo. Directed
with visual flair by Nicolas Ray, the 1955 feature offers little more than
a basic melodrama, but Dean is in such command of his ability to communicate his
character's inner turmoil that you are riveted by his presence every moment he
is on the screen, and totally oblivious to any shortcoming (why doesn't the kid
just stop the car when his jacket gets caught on the door handle?) the film might
possess. The film was shot in Cinemascope with a dynamic, modernist attitude that
complemented Dean's presence brilliantly and underscored the subliminal sense
of revolution that it was conveying to its target audience.
Both
presentations are in letterboxed format only, with an aspect ratio of about 2.35:1
and an accommodation for enhanced 16:9 playback. The color transfer is improved
on the new release. Fleshtones are warmer and other hues are a touch deeper and
brighter. The picture is a little soft now and then, probably an idiosyncrasy
of the original cinematography, but seems otherwise immaculate. The sound was
remastered for 5.1-channel Dolby Digital a while ago and is presented that way
on both DVDs, giving the music the dimensional feel of a large film theater. Whether
it is an improvement in the transfer or simply an improvement in DVD encoding
technology, the audio track on the new release has a slightly richer, deeper feel
to it. The film runs 111 minutes. Both DVDs have alternate French audio tracks
in mono and optional English and French subtitles. The new DVD has Spanish subtitles,
as well.
The older
DVD comes with text profiles of Dean, Wood and Ray, a trailer, and a good 9-minute
retrospective documentary from the Nineties that focuses on then newly discovered
outtakes and deleted scenes. Although some footage is repeated, there are 22 minutes
of excerpts from a Warner television show hosted by Gig Young promoting
the film, including terrific interviews with Dean, Wood and co-star Jim Backus.
The
first platter of the new Special Edition holds a trailer and features a commentary
track by film historian Douglas L. Rathgeb. He provides some background
information about the shoot and the filmmakers, a critical analysis of the film,
and odds and ends about how it was created. "Here, [Ray] suggested to Jim,
'If you want to let some of the air out, or get your temperature down, why don't
you just kick the desk and get some of it out of you.' So he's actually kicking
the desk. You can see the mark he just made with his foot. He's also physically
hurting himself at this moment. He is pounding his hands. There is music in the
background for only one reason, and that is that at the previews, the audience
started to laugh in this scene. It was nervous laughter, but it spoiled the effect
that they wanted in the film, so they asked Leonard Rosenman, who was the
composer, to write that music to cover up the possibility of the audience laughing."
The
second platter contains a terrific 1974 TV documentary entitled Forever James
Dean, directed by Jack Haley, Jr. Hosted by Peter Lawford, the
66-minute program features lovely interviews with Sammy Davis, Jr. (who
hung out with Dean quite a bit), Wood, Mineo, Rosenman (who had roomed with him)
and others. There are rare clips from some of his TV appearances, so even though
the basic story of his three film appearances is presented for the umpteenth time,
the program is fresh and full of fascinating insights. There is also an excellent
36-minute retrospective documentary that gives you an overview of the film's creation
and fills in points that Rathgeb passed over. It includes an interview with Dennis
Hopper, who explains that his part was severely trimmed in the film because
he was having an affair with Wood at the same time that Ray was. The 22-minute
Gig Young footage appears as well, along with 6 minutes of interesting
screen tests for the stars, with sound; 5 minutes of black-and-white wardrobe
tests, also with sound and interesting dynamics among cast members as they hang
out and pose for the camera; and 23 minutes of silent deleted footage, including
alternate beginnings and endings, and the footage that was shot in black and white
before the decision was made to switch to color.
July
20 , 2005
DVD
Roundup: This Week's DVD Releases
The
Review Vault
- by
Douglas Pratt
Douglas Pratt's DVD-Laser Disc Newsletter
is published monthly.
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