Beyond
the Sea
Directed
by Kevin Spacey
Kevin Spacey's
biographical splish-splash of the singer, Bobby Darin, Beyond the
Sea, is so full of loving sincerity that you can't possibly dislike
it. Many people dislike Spacey and they don't have nice things to say
about the film, but while there are questionable bullet points on Spacey's
resume, Beyond the Sea is a heartfelt gem, so earnest, so joyful
and so celebratory of Darin's spirit that the movie's flaws or embarrassments
are completely irrelevant. Spacey is like a 10-year-old kid who has
hit his first standup double. It may be sloppy as all get out, but the
important thing is he succeeded, and is grinning from ear to ear because
he knows he did. Spacey wrote and directed the film, and stars as Darin,
doing his own singing and dancing. The film's outer structure has Darin,
perhaps as he is dying, imagining a biographical musical being made
of his life. "This was our way of addressing the age issue that
seemed to become something that people on the outside of making the
movie were making into a rather big deal," Spacey explains in his
commentary track on the Lions Gate Home Entertainment release (17231,
$28), "It wasn't such a big deal to us, and we thought, perhaps,
dealing with it on the face of it, at the beginning of the movie, was
a way to allow people to relax and enjoy the film and get over that
issue." The strategy works, even though his character seems to
mutate rather than to age. Spacey's singing is downright chilling at
times. In some numbers, such as "Artificial Flowers," he lands
bullseyes on Darin's vocal colors, and even when he's a bit off, such
as with Darin's most ubiquitous hit, "Mack the Knife," it's
still close enough to not spoil the magic. The 118-minute film follows
the uneven arc of Darin's career, which slipped for a while during the
Sixties but was in resurgence before he passed away, and it also charts
his romance and marriage to the actress, Sandra Dee, played by
Kate Bosworth, which also had inevitable ups and downs. What really
turns the 2004 movie into a delightful, birds on high, must-have DVD,
however, is the musical numbers, especially the title song, which depicts
Darin's whirlwind romance with Dee in music and dance. Lions Gate has
not chapter encoded the DVD well, so you have to scan a little bit to
get to it, but you can easily end up spending an hour or two playing
the sequence over and over again. There isn't much that is subtle about
the way Spacey has designed it, but this is the musical centerpiece
of a musical film, so there doesn't have to be. You know, beyond a doubt,
Spacey's heart has led him to golden sands.
The picture is presented
in letterboxed format only, with an aspect ratio of about 2.35:1 and
an accommodation for enhanced 16:9 playback. The color transfer looks
okay. Because of the film's budget restrictions, there are times where
the reliance on digital lighting effects get a little heavy, leading
to minor distortions, but for the most part, the picture's many different
styles (to match the different phases of Darin's life-again, the title
number's colors are glorious) are delivered effectively. The 5.1-channel
Dolby Digital sound is wonderful, taking full advantage of the fresh
recordings Spacey's concept facilitated (they worked off of Darin's
own notated arrangements-"The accuracy of what we were doing was
note-for-note what Bobby had done in recording studios or in live performances.").
There is English captioning, optional Spanish subtitles, and a decent
17-minute production documentary.
Producer Andy
Paterson joins Spacey on the commentary track. They talk about shooting
the film in Germany and having it pass, effectively, for America, and
they talk about Darin, about the film's structure and concept, and what
was going on during the shooting of individual scenes-he went through
four fake noses one day, trying to shoot near a fireplace fire (they
kept melting). Spacey explains that he meticulously cast parts with
genuine actors that would normally go to extras. "When you have
actors, and you can give them direction, and they're directable, then
they actually will take a little tiny part like that and invest it with
something." When he did have to use extras, however, things didn't
go as smoothly. "Our choreographer walked up to me and said, 'Kevin,
we have a bit of a problem.' I said, 'What?' and he said, 'Well, for
some reason, the German extras are clapping on one-three instead of
two-four.'"
August 25, 2005
DVD
Roundup: This Week's DVD Releases
The
Review Vault
- by
Douglas Pratt
Douglas Pratt's DVD-Laser Disc Newsletter
is published monthly.
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