5
Weeks Away
February
20, 2003
These are the moments when The Academy’s date change makes
a lot of sense to me. Do we
really need to wait another 32 days to find out who won the Oscar?
Yes, I know that I have laid out the car wreck that The Academy’s
move next year is likely to create.
But the truth is, we’ve on from The Great Settling to The Big
Sleep. Now is when the gremlins
go to work.
The Latest Spin -
- The
Harvey Backlash has begun.
- Martin
Scorsese has campaigned himself out of an Oscar.
- It’s
Chicago versus The Hours.
- Everyone
hates The Hours.
- The
predominantly jewish Academy will vote for The Pianist.
- The
Pianist has no chance because of Polanski’s history.
- Catherine
Zeta-Jones killed herself by allowing her team to position
her as Best Actress at The Golden Globes.
- Meryl
Streep would be the leading contender in Best Actress, but was
killed by the goof up that made her ineligible for a SAG nomination
for The Hours.
- Conrad
Hall will get an Oscar for being dead.
- The
Academy rarely awards people posthumously.
Sigh…
I’m sure there are more, but you get the idea.
There is some room for change, but much of the jockeying for
position is already done. Will
Sunday’s BAFTA Awards really mean anything?
No. Will the SAG Awards mean much? They could mean a little.
But the truth is, Chicago is a box office success and
except for Gangs of New York, which seems to be the most universally
disliked 10 Nominee film ever, none of the other films really are. The only film that I believe is in the running
is still The Pianist, which needs to find some new life. A bunch of journalist writing it will not make
it so.
This Saturday, the ACE gives out their Eddie Awards. These awards have become pretty good about
paving the way for the eventual Oscar winner in the editing category. While you may not prioritize this, the final
count at The Big Show could be affected by this award.
Next weekend, the Producer’s Guild and the Director’s Guild
step up. The weekend after that,
the SAGS. The weekend after
that, nothing. And the nominations
close a few days later.
Based on my current guesses, I think that the Oscar winners
will be pretty well spread out.
According to my latest guesses at who will win in 19 of the
categories, Chicago could take the greatest number of Oscars
with 4: Best Picture, Best Supporting Actress, Best Costume Design and
Best Original Song. I see Gangs
of New York with a second-best 3 wins, for Best Director, Cinematography
and Art Design. The Hours and Adaptation with
2 apiece; (Actress & Editing and Best Supporting Actor, Adapted
Screenplay, respectively)
Of course, Sound, Sound Editing and Make-Up can change the
count even more than my missteps. But
I’m not even taking guesses on those at this point. Indeed, Lord of the Rings: The Two Towers could pull a Matrix
and pick up 3 or 4 Oscars itself. (My
better guess would be 2.)
But it seems like the best that Chicago could do in
a “sweep” would be six Oscars.
There is only one mortal lock at this point, in my view… Chris
Cooper in Adaptation. It
is the one performance that has gotten raves even from people who did
not like the film in which it is contained.
Paul Newman is just too distant and Ed Harris’ make-up
is a little too dramatic. Walken and Reilly have roles that are just
too light, in various ways.
I also tend to feel that any winners in their categories who
are not John Nicholson, Nicole Kidman & The Brothers Kaufman
will be a real shock. I just
wish people would leave the nose thing alone already.
Nicole Kidman deserves more respect than that for her
performance.
In The “Brown Is The New Black” category, I expect nada.
(That’s “nothing” for those of you who are Spanish-challenged.)
Actually, Frida could pull down Best Make-Up, with only
one other (really bad) film in competition.
But that and 3 bucks’ll buy you a burrito.
Chew on the new categories and feel free to chime in… anything
to fight off The Big Sleep.
Email
David Poland