..Gary Dretzka
..
Noah Forrest
..Leonard Klady
..David Poland
..Douglas Pratt
..Ray Pride
..Kim Voynar
..Michael Wilmington

March 22, 2009
March 15, 2009
March 8, 2009
March 1, 2009
February 22, 2009
February 15, 2009
February 8, 2009
February 1, 2009
January 25, 2009
January 18, 2009
January 11, 2009
January 4, 2009
December 29, 2008
December 21, 2008
December 14, 2008
December 7, 2008
November 30, 2008
November 23, 2008
November 16, 2008
November 9, 2008
November 2, 2008
October 26, 2008
October 19, 2008
October 12, 2008
October 5 , 2008
September 28, 2008
September 20, 2008
September 11, 2008
September 7, 2008
September 1, 2008
August 24, 2008
August 17, 2008
August 10, 2008
August 3, 2008
July 27, 2008
July 20, 2008
July 13, 2008
July 6, 2008
June 29, 2008
June 22, 2008
June 15, 2008
June 8, 2008
June 1, 2008
May 26, 2008
May 18, 2008
May 11, 2008
May 4, 2008
April 27, 2008
April 20, 2008
April 13, 2008
April 6, 2008
March 30, 2008
March 23, 2008
March 16, 2008
March 9, 2008
March 2, 2008
Feb 24, 2008
Feb 18, 2008
Feb 10, 2008
Feb 3, 2008
Jan 27, 2008
Jan 21, 2008




April 19, 2009
Weekend Finals
Domestic Market Share

17 Again ... and Again ... and Again


The body switch comedy 17 Again trumped the competition with an estimated $24.2 million to lead weekend movie-going options. Another freshman, the political-thriller State of Play, ranked second with a $14 million debut and the high energy sequel Crank: High Voltage slotted sixth on a gross of $6.7 million.

Year-to-year box office was once again on the plus side with activity in the niches also improved. The latest live moviecast from the Met of opera classic Madama Butterfly generated $270,000 at 65 venues while the fact-based race relations drama American Violet bloomed a comparable $270,000 at 61 sites. Other encouraging limited bows included the behind-the-scenes Broadway doc Every Little Step with $65,100 from eight screens and Brit import Is Anybody There? generating $42,700 at six locations. However, the low tech sci-fi Sleep Dealer was somnambulant with $31,300 from 18 exposures.

The tenacity of wish-fulfillment was evident in 17 Again, bolstered by the current popularity of its star Zac Efron. Industry trackers expected the old war horse to score in the low 20s and estimates were about 10% better than those projections. It not surprisingly played best with young fans rather than anyone old enough to muse on a second chance.

The plus-25ers gravitated toward the anxiety-raising State of Play. Expectations were low; with some anticipating an initial weekend tally barely touching $10 million. In fact, the Crank redux was expected to out-perform the Russell Crowe vehicle with a salvo of about $12 million. Charitably speaking the market research firms were close on one of this weekend’s trio of freshmen and as one studio distribution exec bemoaned none of the vendors has demonstrated greater predictive skills than their competitors.

Weekend box office approached $108 million for a 20% rollback from the immediate prior frame. However, it was 17% better than the 2008 session when openings of Forbidden Kingdom and Forgetting Sarah Marshall scored respective debuts of $21.4 million and $17.7 million.

There’s no question that the under appreciated niche movie programming success story is the recent ramped up Live from the Metropolitan Opera feeds to cinemas. The early days of digital cinema at the multiplex predicted a flood of alternative viewing options that this sort of offering embraces. But apart from the Met experiment and a brief mania for live wrestling feeds in Canada we’ve yet to see the elasticity and more than a glimmer of potential for a broad spectrum of alternative fare.

While box office analysis tends to jump on the most obvious and immediate trends, there’s increasing evidence that fewer pictures in the marketplace doesn’t appreciably alter the number of people buying tickets. In fact, first quarter revenues would bolster the argument that it encourages more people into the multiplex. However, that conclusion sits on the precarious notion that all films are equal in audience appeal and if that were the case both Paul Blart and Observe and Report would have the same box office gross.

- Leonard Klady


Weekend Finals

Title
Distrib
Weekend
% Change*
Theaters
Cume
Wks
1
New
17 Again
WB
23,722,310
-
3255
23,722,310
1
2
New
State of Play
Uni
14,071,280
-
2803
14,071,280
1
3
1
Hannah Montana: The Movie
BV
13,406,217
-58%
3118
56,874,039
2
4
3
Monsters vs. Aliens
Par
13,240,233
-39%
3662
163,063,465
4
5
2
Fast & Furious
Uni
11,774,715
-57%
3674
136,205,795
3
6
New
Crank: High Voltage
Lions Gate
6,963,565
-
2223
6,963,565
1
7
4
Observe and Report
WB
4,174,939
-62%
2727
18,812,239
2
8
5
Knowing
Summit
3,574,727
-44%
2405
73,795,283
5
9
6
I Love You, Man
Par
3,327,668
-47%
2202
64,614,979
5
10
7
The Haunting in Connecticut
Lions Gate
3,114,892
-47%
2255
51,883,389
4
11
8
Dragonball Evolution
Fox
1,684,942
-65%
2181
7,934,562
2
12
9
Adventureland
Miramax
1,331,696
-60%
1412
14,064,483
3
13
10
Duplicity
Uni
1,113,795
-63%
1252
39,052,330
5
14
12
Sunshine Cleaning
Overture
980,560
-43%
642
8,795,970
6
15
11
Race to Witch Mountain
BV
744,406
-61%
1116
63,749,283
6
16
13
Taken
Fox
584,153
-46%
609
142,088,804
12
17
15
Paul Blart: Mall Cop
Sony
473,756
-20%
403
144,689,133
14
18
16
The Last House on the Left
Uni
288,965
-51%
338
32,236,155
6
19
New
Madama Butterfly Live
Fathom
278,742
-
64
278,742
1
20
14
12 Rounds
Fox
263,198
-67%
409
11,329,749
4
21
18
Sin Nombre
Focus
258,484
-22%
80
1,185,249
5
22
21
Hotel for Dogs
Par
251,186
7%
335
72,354,570
14
23
New
American Violet
IDP
243,162
-
61
243,162
1
24
19
Under the Sea 3D
WB
241,457
-19%
43
5,875,202
10
25
26
He's Just Not That Into You
WB
207,567
47%
308
93,409,454
11
26
17
Watchmen
WB
199,114
-64%
236
106,848,750
7
27
24
Coraline
Focus
157,066
-11%
197
74,800,029
11
28
20
Slumdog Millionaire
Fox Searchlight
142,771
-49%
212
141,017,353
23
29
22
Gran Torino
WB
123,957
-43%
185
146,775,920
19
30
34
Sugar
Sony Classics
102,925
3%
48
320,690
3
31
23
Medea Goes to Jail
Lions Gate
97,550
-52%
169
90,485,233
9
32
32
Push
Summit
87,985
-14%
141
31,640,193
11
33
35
Valentino: The Last Emperor
Truly Indie
83,058
-9%
21
444,986
5
34
25
Two Lovers
Magnolia
78,433
-49%
82
2,857,577
10
35
New
Every Little Step
Sony Classics
68,504
-
8
68,504
1
36
29
Entre les murs (The Class)
Sony Classics
66,265
-42%
100
3,574,412
14
37
31
Gomorrah
IFC/E1
65,626
-36%
55
1,537,828
10
38
28
Bedtime Stories
BV
65,109
-44%
156
11,982,041
16
39
70
The International
Sony
61,314
177%
160
25,751,216
10
40
37
Curious Case of Benjamin Button
Par
58,881
-29%
111
127,490,802
17
41
27
Tera Mera Ki Rishta
Eros
58,146
-55%
17
208,214
2
42
30
The Reader
Weinstein Co.
55,229
-47%
105
34,111,418
19
43
42
Confessions of a Shopaholic
BV
50,476
-21%
73
43,879,066
10
44
36
Shall We Kiss?
Music Box
49,664
-58%
32
266,522
4
45
New
Is Anybody There?
Story Island
46,209
-
6
46,209
1
46
40
Paris 36
Sony Classics
45,815
-31%
36
199,200
3
47
39
Goodbye Solo
Roadside Attract.
42,947
-35%
13
225,399
4
48
33
The Great Buck Howard
Magnolia
42,114
-58%
62
606,264
5
49
62
Lymelife
Screen Media
42,014
51%
13
83,906
2
50
50
Space Station 3D
Imax
40,444
10%
8
78,463,667
366
51
43
Magnificent Desolation
Imax
39,053
-38%
5
28,394,872
187
52
49
Anvil! The Story of Anvil
Abramarama/FWL
35,479
-9%
8
104,284
3
53
New
Sleep Dealer
Maya
35,050
-
18
35,050
1
54
45
Everlasting Moments
IFC
30,740
-42%
29
419,390
7
55
38
Dede a travers les brumes
TVA
28,532
-61%
29
1,426,118
6
56
68
Fired Up
Sony
27,835
18%
22
17,314,265
9
57
46
The Wrestler
Fox Searchlight
27,681
-38%
56
26,187,724
18
58
60
Sea Monsters: A Prehistoric Adventure
NatGeo
26,305
-14%
11
21,325,565
81
59
52
Tokyo!
Liberation
26,071
-28%
18
265,502
7
60
66
Fly Me to the Moon
Summit
24,079
-8%
9
13,517,980
36
61
51
Bride Wars
Fox
23,681
-35%
42
58,682,237
15
62
44
The Cross
Gener8Xion
23,618
-67%
49
648,422
4
63
53
Che
IFC/E1
22,248
-37%
28
2,104,794
18
64
71
Hunger
IFC/Maple
21,494
-2%
13
131,885
11
65
41
The Pink Panther 2
Sony
20,970
-68%
61
36,266,545
11
66
54
Last Chance Harvey
Overture
20,131
-42%
31
14,879,423
17
67
73
Wendy and Lucy
Oscilloscope
18,525
-9%
25
841,171
19
68
RE
The Golden Boys
Roadside Attract.
18,366
-
20
158,934
20
69
47
Friday the 13th
WB
17,863
-59%
52
64,997,188
10
Source: EDI/MCN

Estimates - April 17-19, 2009

Title
Distributor
Gross (average)
% change *
Theaters
Cume
17 Again
WB
24.2 (7,440)
-
3255
24.2
State of Play
Uni
14.0 (4,990)
-
2803
14
Monsters vs. Aliens
Par
13.0 (3,560)
-40%
3662
162.9
Hannah Montana: The Movie
BV
12.9 (4,150)
-60%
3118
56.4
Fast & Furious
Uni
12.2 (3,330)
-55%
3674
136.6
Crank: High Voltage
Lionsgate
6.7 (3,000)
-
2223
6.7
Observe and Report
WB
4.0 (1,480)
-63%
2727
18.7
Knowing
Summit
3.5 (1,440)
-46%
2405
73.7
I Love You Man
Par
3.3 (1,520)
-47%
2202
64.6
The Haunting in Connecticut
Lionsgate
3.2 (1,400)
-46%
2255
51.9
Dragonball Evolution
Fox
1.5 (700)
-68%
2181
7.8
Adventureland
Miramax
1.3 (930)
-61%
1412
14
Duplicity
Uni
1.1(870)
-64%
1252
39
Sunshine Cleaning
Overture
1.0 (1,510)
-44%
642
8.8
Race to Witch Mountain
BV
.68 (610)
-64%
1116
63.7
Taken
Fox
.62 (1,020)
-43%
609
142.1
Paul Blart: Mall Cop
Sony
.31 (930)
-48%
334
144.5
Last House on the Left
Uni
.28 (830)
-53%
338
32.2
American Violet
IDP
.27 (4,490)
-
61
0.27
Madama Butterfly Live
Fathom
.27 (4,200)
-
65
0.27
Weekend Total ($500,000+ Films)
-
$103.20
-
-
-
% Change (Last Year)
-
17%
-
-
-
% Change (Last Week)
-
-20%
-
-
-
Also debuting/expanding
Sin Nombre
Focus
.26 (3,260)
-22%
80
1.2
Under the Sea 3D
WB
.24 (5,600)
-20%
43
5.9
Every Little Step
Sony Classics
65,100 (8,140)
-
8
0.07
Is Anybody There?
Story Island
42,700 (7,120)
-
6
0.04
Sleep Dealer
Maya
31,300 (1,740)
-
18
0.03
The Golden Boys
Roadside At.
16,600 (830)
-
20
0.02
Lemon Tree
IFC
14,400 (7,200)
-
2
0.01
Leon Morin, Prete (reissue)
Rialto
8,500 (8,500)
1
0.01


Domestic Market Share - January 1 - April 16, 2009

Distributor (releases)
Gross (millions)
Mrkt Share
Warner Bros. (16)
491.2
17.20%
Paramount (7)
391.5
13.70%
Fox (8)
313.4
11.00%
Sony (9)
310.1
10.80%
Universal (8)
270.2
9.50%
Buena Vista (9)
237.2
8.30%
Lionsgate (6)
215.1
7.50%
Fox Searchlight (5)
185.3
6.50%
Summit (4)
123.6
4.30%
Focus (3)
92.8
3.20%
Paramount Vantage (2)
51.2
1.80%
MGM (3)
42.3
1.50%
Miramax (4)
35.3
1.20%
Weinstein Co. (6)
34.4
1.20%
Overture (3)
22.8
0.80%
Other * (95)
43.7
1.50%
* none greater than 0.4%
2860.1
100.00%

 



 

 

 

 


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