..Gary Dretzka
..
Noah Forrest
..Leonard Klady
..David Poland
..Douglas Pratt
..Ray Pride
..Kim Voynar
..Michael Wilmington

January 18, 2009
January 11, 2009
January 4, 2009
December 29, 2008
December 21, 2008
December 14, 2008
December 7, 2008
November 30, 2008
November 23, 2008
November 16, 2008
November 9, 2008
November 2, 2008
October 26, 2008
October 19, 2008
October 12, 2008
October 5 , 2008
September 28, 2008
September 20, 2008
September 11, 2008
September 7, 2008
September 1, 2008
August 24, 2008
August 17, 2008
August 10, 2008
August 3, 2008
July 27, 2008
July 20, 2008
July 13, 2008
July 6, 2008
June 29, 2008
June 22, 2008
June 15, 2008
June 8, 2008
June 1, 2008
May 26, 2008
May 18, 2008
May 11, 2008
May 4, 2008
April 27, 2008
April 20, 2008
April 13, 2008
April 6, 2008
March 30, 2008
March 23, 2008
March 16, 2008
March 9, 2008
March 2, 2008
Feb 24, 2008
Feb 18, 2008
Feb 10, 2008
Feb 3, 2008
Jan 27, 2008
Jan 21, 2008




January 25, 2009
Weekend Finals
Domestic Market Share
Top Domestic Releases

Subterranean Mallsick Blues ... Greens

You can keep a bad man down … but not by much. The bow of Underworld: Rise of the Lycans was top of the pops on its opening day but lost ground as the weekend progressed; finishing with an estimated $20.5 million. But bragging rights went to the second-weekend gross of Paul Blart: Mall Cop, who shopped 'til he dropped $21.3 million.

In a frame informed by a lot of Oscar maneuvering, the only other national newcomer was the family targeted fantasy Inkheart, which opened seventh overall with $7.7 million. There were also a handful of niche and exclusive premieres including the oft-delayed Elmore Leonard adaptation Killshot and the Viking saga Overlander but none provided an opening salvo of commercial significance.

Whether the third installment of Underworld spawns a fourth chapter will come down to its cost to return. The saga has now shifted its focus to secondary characters and while budgets have been kept in line, its debut gross is slightly lower than the prior two editions.

As for Inkheart -- a holdover New Line production -- the domestic returns are less significant than business already generated overseas in the likes of Britain and Germany.

Weekend revenues rang in with slightly more than $157 million, which was 19% lower than the three-day portion of last week’s Martin Luther King holiday frame. They were a not insignificant 9% improved from 2008 when the opening of Meet the Spartans edged out another newcomer -- the revived Rambo -- with $18.5 million to $18.2 million.

In a new day for America, the Academy realized late in the game that its traditional Tuesday announcement of the final Oscar ballot happened to fall on Inauguration Obama Day and pushed back to Thursday. That made expansion plans for quite a number of films a bigger roll of the dice than usual. It’s fair to say that no one had quite anticipated the Oscar love for The Reader, which lost 104 engagements. Conversely pundits anticipated several locked nominations for Gran Torino that failed to materialize. However, that film has the sizeable consolation prize of becoming actor-director’s highest grossing domestic release ever.

Also absent was a picture nomination for The Dark Knight which, despite a holiday debut on DVD, re-launched at 350 theaters including 350 large format engagements. Disney held back on a WALL-E reissue and though it garnered several nods, it came up short on the all important top category. Milk simply decided to wait a week rather than go head-to-head with so many expanding titles.

Among the best picture nominees, Slumdog Millionaire finally went wide and given its media status as frontrunner could well wind up with a domestic gross of more than $100 million. The Curious Case of Benjamin Button, already in wide release, got a slight box office bump while Frost/Nixon went wide to good but not outstanding returns. The latter film continues to suffer from the fact that the masses perceive that they already know the story.

Other films that wound up on the Oscar ballot ranged from receiving no bounce (Doubt) to ripping returns (The Wrestler). Revolutionary Road also went wide effectively but its boost has more to do with marquee value than kudo recognition.

- Leonard Klady



Weekend Finals - January 23-25, 2009

Title
Distrib
Weekend
% Change*
Theaters
Cume
Wks
1
1
Paul Blart: Mall Cop
Sony
21,623,182 -32% 3144 64,923,380 2
2
New
Underworld: Rise of the Lycans
Sony
20,828,511 - 2942 20,828,511 1
3
2
Gran Torino
WB
16,244,462 -26% 3045 97,819,975 7
4
5
Hotel for Dogs
Par
12,860,944 -24% 3271 37,455,759 2
5
10
Slumdog Millionaire
Fox Searchlight
10,699,629 83% 1411 56,065,245 11
6
3
My Bloody Valentine 3D
Lions Gate
10,012,658 -53% 2534 37,687,394 2
7
New
Inkheart
WB
7,601,379 - 2655 7,601,379 1
8
6
Bride Wars
Fox
6,868,664 -41% 2621 48,570,928 3
9
11
Curious Case of Benjamin Button
Par
6,085,919 9% 2263 111,129,482 5
10
4
Notorious
Fox Searchlight
5,779,692 -72% 1641 31,874,538 3
11
8
Defiance
Par Vantage
5,666,785 -36% 1793 18,564,544 4
12
17
Revolutionary Road
Par Vantage
5,185,146 191% 1058 11,784,049 5
13
7
The Unborn
Uni
4,359,865 -53% 2107 39,230,025 3
14
19
The Wrestler
Fox Searchlight
3,745,643 120% 566 9,557,610 6
15
9
Marley and Me
Fox
3,031,969 -51% 2036 138,092,165 5
16
25
Frost/Nixon
Uni
3,022,250 351% 1099 12,005,811 8
17
13
Last Chance Harvey
Overture
2,865,298 -33% 1108 9,529,976 5
18
12
Bedtime Stories
BV
1,955,408 -59% 1660 107,600,474 5
19
14
Valkyrie
MGM
1,509,786 -60% 1110 80,740,385 5
20
20
The Reader
Weinstein Co.
1,403,410 9% 367 9,661,121 7
21
18
Twilight
Summit
978,618 -44% 552 186,027,660 10
22
16
Not Easily Broken
Sony
960,618 -51% 483 9,750,971 3
23
23
Milk
Focus
884,715 14% 250 21,637,349 9
24
21
Doubt
Miramax
847,855 -31% 404 26,753,136 7
25
15
Yes Man
WB
803,019 -69% 704 95,383,486 6
26
RE
The Dark Knight
WB
667,397 - 350 531,706,809 28
27
27
Madagascar: Escape to Africa
Par
509,443 -4% 303 178,853,694 12
28
35
Rachel Getting Married
Sony Classics
459,641 348% 370 11,252,249 17
29
22
Seven Pounds
Sony
298,514 -82% 319 69,951,824 6
30
24
The Tale of Despereaux
Uni
288,540 -60% 380 49,604,065 6
31
30
Quantum of Silence
Sony
225,161 -33% 272 168,368,427 11
32
31
Australia
Fox
211,154 -29% 241 48,687,600 9
33
32
Four Christmases
WB
208,689 -21% 310 119,924,307 9
34
29
Bolt
BVI
182,603 -48% 181 112,818,114 10
35
33
Che
IFC
164,142 -30% 35 852,607 7
36
New
Arundhati
Ficus
158,136 - 11 158,136 1
37
37
Waltz with Bashir
Sony Class/E1
150,458 91% 25 754,796 5
38
28
The Day the Earth Stood Still
Fox
138,222 -70% 185 78,609,083 7
39
26
Chandni Chowk to China
WB
125,392 -80% 130 869,611 2
40
34
Beverly Hills Chihuahua
BV
100,858 -23% 158 94,408,857 17
41
64
Transporter 3
Lions Gate
97,638 438% 188 32,017,834 9
42
38
Vicky Christina Barcelona
Weinstein Co.
77,453 -9% 53 23,118,152 24
43
New
Raaz: The Mystery Continues
Vishesh
76,648 - 44 76,648 1
44
36
Role Models
Uni
75,705 -28% 147 67,266,300 12
45
42
Happy-Go-Lucky
Miramax
65,368 -9% 44 3,577,384 16
46
New
Outlander
Weinstein Co.
59,581 - 81 59,581 1
47
New
Entre les murs (The Class)
Metropole
56,205 - 11 56,205 1
48
44
Let the Right One In
Magnolia
52,304 -11% 40 1,763,900 14
49
40
Sea Monsters: A Prehistoric Adventure
NatGeo
50,350 -35% 16 20,691,842 69
50
47
Synedoche, New York
Sony Classics
47,581 20% 28 2,921,090 14
51
46
I've Loved You So Long
Sony Classics
39,719 -6% 28 2,599,472 19
52
45
Fireproof
IDP
26,350 -42% 62 33,451,479 18
53
50
Fly Me to the Moon
Summit
35,577 -10% 13 12,734,551 24
54
66
Wendy and Lucy
Oscilloscope
32,672 185% 8 193,690 7
55
New
Love Me Again
ABS
28,464 - 3 31,723 1
56
43
High School Musical 3
BV
25,629 -51% 83 90,535,406 14
57
41
Maska 
KAD Entertain.
24,347 -69% 11 115,594 1
58
53
Magnificent Desolation
Imax
24,228 -15% 6 27,299,331 175
59
55
Space Station 3D
Imax
20,740 -23% 7 77,431,654 254
60
59
Roving Mars
BV
19,291 -1% 7 9,932,920 157
61
48
The Secret Life of Bees
Fox Searchlight
19,282 -45% 39 37,704,599 15
62
61
Changeling
Uni
18,858 -11% 44 35,888,165 14
Source: EDI/MCN

 

Estimates

Title
Distributor
Gross (avg)
% chg*
Theas
Cume
Paul Blart: Mall Cop
Sony
21.3 (6,780)
--33%
3144
64.6
Underworld 3
Sony
20.5 (6,980)
-
2942
20.5
Gran Torino
WB
15.4 (5,070)
-30%
3045
97.0
Hotel for Dogs
Par
12.4 (3,790)
-27%
3271
37.0
Slumdog Millionaire
Fox Searchlight
10.4 (7,350)
86%
1411
55.7
My Blood Valentine 3D
Lions Gate
9.9 (3,900)
-53%
2534
37.6
Inkheart
WB
7.7 (2,890)
-
2655
7.7
Bride Wars
Fox
6.9 (2,640)
-41%
2621
48.6
Curious Case of Benjamin Button
Par
5.8 (2,580)
5%
2263
110.9
Notorious
Fox Searchlight
5.6 (3,440)
-72%
1641
31.7
Revolutionary Road
Par Vantage
5.3 (5,020)
198%
1058
11.9
Defiance
Par Vantage
5.2 (2,910)
-41%
1793
18.1
The Unborn
Uni
4.5 (2,130)
-52%
2107
39.4
The Wrestler
Fox Searchlight
3.6 (6,340)
111%
566
9.4
Frost/Nixon
Uni
3.0 (2,730)
347%
1099
12.0
Marley and Me
Fox
2.9 (1,410)
-53%
2036
137.9
Last Chance Harvey
Overture
2.8 (2,550)
-34%
1108
9.5
Bedtime Stories
BV
1.8 (1,080)
-62%
1660
107.4
Valkyrie
MGM
1.4 (1,230)
-64%
1110
80.6
The Reader
Weinstein Co.
1.2 (3,350)
-4%
367
9.5
Not Easily Broken
Sony
1.0 (2,010)
-50%
483
9.8
Twilight
Summit
.94 (1,700)
-46%
552
186.0
Yes Man
WB
.86 (1,220)
-67%
704
95.4
Milk
Focus
.83 (3,320)
7%
250
21.6
Doubt
Miramax
.81 (2,000)
-34%
404
26.7
The Dark Knight
WB
.65 (1,860)
-
350
531.7
Madagascar: Escape 2 Africa
Par
.51 (1,640)
-3%
310
178.8
Weekend Total ($500,000+ Films)
$153.20
-
-
-
% Change (Last Year)
9%
-
-
-
% Change (Last Week)
-19%
-
-
-
Also debuting/expanding
Waltz with Bashir
Sony Class/E1
.15 (5,320)
89%
28
0.84
Che
IFC
.11 (5,090)
-54%
21
0.69
Outlander
Weinstein Co.
56,300 (700)
-
81
0.06
Killshot
Weinstein Co.
10,200 (2,040)
-
5
0.01
Of Time and the City
No Logic
4,300 (4,300)
-
1
0.01
Donkey Punch
Magnolia
4,100 (4,100)
-
1
0.01
The Lodger
Stage 6
3,800 (760)
-
5
0.01

Domestic Market Share - January 1 - 22, 2009

Distributor (releases)
Gross
Mrkt Share
Fox ( 4)
118.8
16.70%
Warner Bros. (10)
117.3
16.50%
Paramount (4)
80
11.30%
Sony (5)
79.2
11.10%
Buena Vista (5)
57.8
8.10%
Universal (5)
55.9
7.70%
Fox Searchlight (4)
54.1
7.60%
MGM (3)
38.5
5.40%
Lions Gate (3)
34.7
4.90%
Paramount Vantage (2)
19.2
2.70%
Miramax (3)
14.7
2.10%
Summit (2)
14.6
2.10%
Weinstein Co. (3)
7.1
1.00%
Focus (1)
6.8
1.00%
Overture (2)
6.2
0.90%
Other * (23)
6.1
0.90%
* none greater than 0.5%
711
100.00%

 

 

 


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