|





 


..Gary
Dretzka
..Noah
Forrest
..Leonard
Klady
..David
Poland
..Douglas
Pratt
..Ray
Pride
..Kim
Voynar
..Michael
Wilmington
| December
21, 2008 |
| December
14, 2008 |
| December
7, 2008 |
| November
30, 2008 |
| November
23, 2008 |
| November
16, 2008 |
| November
9, 2008 |
| November
2, 2008 |
| October
26, 2008 |
| October
19, 2008 |
| October
12, 2008 |
| October
5 , 2008 |
| September
28, 2008 |
| September
20, 2008 |
| September
11, 2008 |
| September
7, 2008 |
| September
1, 2008 |
| August
24, 2008 |
| August
17, 2008 |
| August
10, 2008 |
| August
3, 2008 |
| July
27, 2008 |
| July
20, 2008 |
| July
13, 2008 |
| July
6, 2008 |
| June
29, 2008 |
| June
22, 2008 |
| June
15, 2008 |
| June
8, 2008 |
| June
1, 2008 |
| May
26, 2008 |
| May
18, 2008 |
| May
11, 2008 |
| May
4, 2008 |
| April
27, 2008 |
| April
20, 2008 |
| April
13, 2008 |
| April
6, 2008 |
| March
30, 2008 |
| March
23, 2008 |
| March
16, 2008 |
| March
9, 2008 |
| March
2, 2008 |
| Feb
24, 2008 |
| Feb
18, 2008 |
| Feb
10, 2008 |
| Feb
3, 2008 |
| Jan
27, 2008 |
| Jan
21, 2008 |
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December
21, 2008
Weekend Finals
Domestic Market Share
Top Domestic Releases
The
Big Chill
The battle
of the stars pitted debuts of Jim Carrey in the
comedic Yes Man against Will Smith
in the three-Kleenex yarn Seven Pounds with laughter
prevailing. Yes Man emerged from the weekend
with an estimated $17.9 million to top the session charts, with
Smith’s weighty affair ranking second on box office of $15.2
million. The third national release -- the animated The
Tales of Despereaux -- took show spot with $10.4 million.
Niche freshmen
saw dynamic response of $202,000 for the critical fave The
Wrestler in four initial engagements and a good response
of $151,000 for Le Grand Depart in Quebec. However
other Oscar qualifier runs ranged from poor to dismal, including
the acclaimed Italian crime saga Gomorrah grossing
$4,500 in a solo flight and the politically charged Nothing
But the Truth tallying $3,450 from two venues.
All that said,
inclement weather in the Northeast and Mid-west took a sizable
bite out of movie-going. Blizzard conditions in a number of major
markets saw downturns as severe as 90% and in general distribution
mavens are estimating the overall impact to be in the neighborhood
of a 40% drop in potential revenue.
While business
is expected to experience a sharp spike as Christmas approaches
with such anticipated popular releases as Adam Sandler’s
Bedtime Stories and the family-centric Marley
& Me, the striking declines of the past two weeks
are also expected to have a severe effect. The mainstream strategy
of concentrating ad campaigns for big debuts has placed releases
of the past fortnight in jeopardy of not being able to rebound
from already crippling commercial traction.
Current weekend
revenue should top $85 million for a 6% decline from seven days
earlier. It’s also down a steep 47% from 2007 when National
Treasure: Book of Secrets bowed to $44.8 million and
second frames of I Am Legend and Alvin
and the Chipmunks followed with respective box office
of $33.5 million and $28.2 million. Even with industry wisdom
of a 40% weather hit, current weekend results would be off 15%
from last year. Current year-to-year comparisons now lag behind
2007 by 0.3%
Advance ticket
sales leading up to this weekend’s start proved poor bellwethers
of eventual box office outcome. Both Fandango and MovieTickets.com
had Despereaux with the largest percentage of pre-sales with Seven
Pounds slightly ahead of Yes Man. Studio
trackers nonetheless anticipated Yes Man ranking
first with an opening salvo between $25 million and $30 million,
Seven Pounds opening closer to $20 million and
the animated mouse tale squeaking to $15 million.
The strain
of the familiar also appeared to provide an edge this weekend
with Carrey playing a familiar role while Smith expanded his repertoire.
Critics were quick to note the similarity between Yes
Man and the actor’s earlier Liar Liar
and even in light of diminished grosses exit polling indicated
61% of the audience was 25 years old and younger.
Seven
Pounds’ audience was 64% in excess of 25 years
old and skewed toward women. More telling was the fact that in
markets hit hard by Friday snowstorms, Saturday business got a
40% boost while in unaffected areas it declined by 5%.
Tossing its
hat into the award’s arena, The Wrestler
received a resounding thumb’s up in key theaters. Still,
odds makers don’t anticipate the gritty tale will factor
outside performance categories and one pundit is already predicting
that the Oscar best picture category will include The
Curious Case of Benjamin Button, The Dark Knight,
Frost/Nixon, Milk and Slumdog
Millionaire.
Among other
current contenders, Doubt and Gran Torino
are the sturdiest survivors in slow platform expansions.
-
Leonard Klady
Weekend
Finals - December 19-21, 2008
|
|
|
Title |
Distrib
|
Weekend
|
%
Change*
|
Theaters
|
Cume
|
Wks
|
|
1
|
New
|
Yes
Man |
WB
|
18,262,471
|
-
|
3434
|
18,262,471
|
1
|
|
2
|
New
|
Seven
Pounds |
Sony
|
14,851,136
|
-
|
2758
|
14,851,136
|
1
|
|
3
|
New
|
The
Tale of Despereaux |
Uni
|
10,103,675
|
-
|
3104
|
10,103,675
|
1
|
|
4
|
1
|
The
Day the Earth Stood Still |
Fox
|
9,890,105
|
-68%
|
3560
|
48,366,989
|
2
|
|
5
|
2
|
Four
Christmases |
WB
|
7,701,375
|
-41%
|
3515
|
100,110,827
|
4
|
|
6
|
3
|
Twilight |
Summit
|
5,189,319
|
-35%
|
2991
|
158,423,218
|
5
|
|
7
|
4
|
Bolt |
BVI
|
4,146,856
|
-44%
|
2968
|
94,900,059
|
5
|
|
8
|
11
|
Slumdog
Millionaire |
Fox
Searchlight
|
3,053,760
|
40%
|
589
|
12,037,510
|
6
|
|
9
|
5
|
Australia |
Fox
|
2,174,188
|
-48%
|
2212
|
41,796,525
|
4
|
|
10
|
6
|
Quantum
of Solace |
Sony
|
2,051,882
|
-45%
|
1874
|
161,200,412
|
6
|
|
11
|
9
|
Milk |
Focus
|
1,729,156
|
-33%
|
356
|
10,410,039
|
4
|
|
12
|
8
|
Madagascar:
Escape 2 Africa |
Par
|
1,569,610
|
-51%
|
2007
|
172,392,069
|
7
|
|
13
|
7
|
Nothing
Like the Holidays |
Overture
|
1,305,439
|
-63%
|
1671
|
5,924,513
|
2
|
|
14
|
10
|
Transporter
3 |
Lions
Gate
|
682,033
|
-71%
|
1007
|
31,069,389
|
4
|
|
15
|
19
|
Doubt |
Miramax
|
680,948
|
34%
|
39
|
1,399,548
|
2
|
|
16
|
13
|
Role
Models |
Uni
|
645,395
|
-58%
|
792
|
65,593,985
|
8
|
|
17
|
12
|
Cadillac
Ranch |
Sony
|
606,748
|
-62%
|
701
|
7,046,250
|
3
|
|
18
|
20
|
Gran
Torino |
WB
|
468,221
|
72%
|
19
|
859,860
|
2
|
|
19
|
17
|
Frost/Nixon |
Uni
|
378,052
|
-40%
|
39
|
1,491,262
|
3
|
|
20
|
15
|
Rab
Ne Bana di Jodi |
Yash
Raj
|
326,641
|
-64%
|
82
|
1,431,843
|
2
|
|
21
|
16
|
The
Boy in the Striped Pajamas |
Miramax
|
274,481
|
-60%
|
403
|
8,379,440
|
7
|
|
22
|
23
|
The
Polar Express (reissue) |
WB
|
253,852
|
21%
|
26
|
1,118,204
|
5
|
|
23
|
36
|
Beverly
Hills Chihuahua |
BV
|
225,706
|
218%
|
315
|
92,595,594
|
12
|
|
24
|
New
|
The
Wrestler |
Fox
Searchlight
|
202,714
|
-
|
4
|
288,220
|
1
|
|
25
|
14
|
Punisher:
War Zone |
Lions
Gate
|
193,995
|
-86%
|
385
|
7,948,159
|
3
|
|
26
|
New
|
Le
Grand depart |
Alliance
|
187,833
|
-
|
78
|
187,833
|
1
|
|
27
|
22
|
Rachel
Getting Married |
Sony
Classics
|
130,230
|
-41%
|
115
|
9,785,033
|
12
|
|
28
|
24
|
Eagle
Eye |
Par
|
129,410
|
-35%
|
254
|
100,856,790
|
13
|
|
29
|
25
|
Babine |
Alliance
|
127,550
|
-29%
|
70
|
1,488,412
|
4
|
|
30
|
21
|
Changeling |
Uni
|
101,905
|
-60%
|
229
|
35,397,257
|
9
|
|
31
|
26
|
The
Reader |
Weinstein
Co.
|
93,790
|
-45%
|
8
|
349,240
|
2
|
|
32
|
31
|
I've
Loved You So Long |
Sony
Class/Metro
|
83,284
|
-19%
|
52
|
1,977,504
|
14
|
|
33
|
43
|
Vicky
Christina Barcelona |
MGM/Weinstein
|
72,723
|
80%
|
162
|
22,658,945
|
19
|
|
34
|
35
|
Let
the Right One In |
Magnolia
|
68,656
|
-10%
|
53
|
1,245,880
|
9
|
|
35
|
New
|
Luis
Raul - Chiquito Pero Jugeton |
Muniz
|
61,243
|
-23%
|
11
|
165,453
|
2
|
|
36
|
32
|
High
School Musical 3: Senior Year |
BV
|
56,436
|
-44%
|
161
|
89,404,747
|
9
|
|
37
|
27
|
Fireproof |
IDP
|
56,163
|
-62%
|
160
|
33,063,487
|
13
|
|
38
|
77
|
Nights
in Rodanthe |
WB
|
55,622
|
628%
|
204
|
41,633,345
|
13
|
|
39
|
30
|
Synecdoche,
New York |
Sony
Classics
|
53,622
|
-49%
|
56
|
2,547,673
|
9
|
|
40
|
37
|
A
Christmas Tale |
IFC
|
52,393
|
-15%
|
48
|
795,910
|
6
|
|
41
|
29
|
The
Dark Knight |
WB
|
51,743
|
-54%
|
157
|
530,811,565
|
23
|
|
42
|
28
|
The
Secret Life of Bees |
Fox
Searchlight
|
49,479
|
-57%
|
141
|
37,320,137
|
10
|
|
43
|
34
|
Happy-Go-Lucky |
Mrmx
|
44,621
|
-49%
|
84
|
3,101,671
|
11
|
|
44
|
RE
|
Saw
V |
Lions
Gate
|
42,633
|
188%
|
155
|
56,810,535
|
9
|
|
45
|
33
|
Zack
and Mira Make a Porno |
Weinstein
Co.
|
36,307
|
-64%
|
87
|
31,153,007
|
8
|
|
46
|
44
|
Sea
Monsters: A Prehistoric Adventure |
nWave
|
31,138
|
-23%
|
21
|
20,161,732
|
64
|
|
47
|
47
|
Santa
vs. the Snowman (reissue) |
Imax
|
29,809
|
-25%
|
13
|
278,451
|
6
|
|
48
|
45
|
Chakk
de Phatte |
Punjab
|
25,323
|
-44%
|
7
|
138,282
|
3
|
|
49
|
41
|
Max
Payne |
Fox
|
24,590
|
-46%
|
69
|
40,632,110
|
10
|
|
50
|
75
|
The
Haunting of Molly Hartley |
FreeStyle
|
24,415
|
137%
|
63
|
13,442,847
|
8
|
|
51
|
58
|
My
Name is Bruce |
Image
Ent.
|
22,832
|
25%
|
4
|
218,819
|
8
|
|
52
|
55
|
Magnificent
Desolation |
Imax
|
22,834
|
17%
|
4
|
26,743,068
|
170
|
|
53
|
39
|
Lakeview
Terrace |
Sony
|
21,222
|
-59%
|
72
|
40,135,007
|
14
|
|
54
|
69
|
Space
Station 3-D |
Imax
|
20,842
|
-35%
|
2
|
77,155,526
|
349
|
|
55
|
42
|
Igor |
MGM
|
18,382
|
-60%
|
82
|
19,420,496
|
14
|
|
56
|
56
|
Deep
Sea 3-D |
WB
|
18,106
|
-5%
|
10
|
37,117,581
|
147
|
|
57
|
46
|
Burn
After Reading |
Focus
|
16,314
|
-50%
|
44
|
60,338,891
|
15
|
|
58
|
59
|
Wendy
and Lucy |
Oscilloscope
|
16,004
|
-12%
|
6
|
50,650
|
2
|
| Source:
MCN/EDI |
|
|
|
|
|
|
|
|
|
Estimates
- December 19-21, 2008
| Title |
Distributor
|
Gross
(average)
|
%
change *
|
Theaters
|
Cume
|
| Yes
Man |
WB
|
17.9
(5,220)
|
-
|
3434
|
17.9
|
| Seven
Pounds |
Sony
|
15.2
(5.510)
|
-
|
2758
|
15.2
|
| The
Tale of Despereaux |
Uni
|
10.4
(3.350)
|
-
|
3104
|
10.4
|
| The
Day the Earth Stood Still |
Fox
|
9.4
(2,570)
|
-69%
|
3560
|
47.9
|
| Four
Christmases |
WB
|
7.3
(2,070)
|
-44%
|
3515
|
99.7
|
| Twilight |
Summit
|
4.9
(1,630)
|
-39%
|
2991
|
158.1
|
| Bolt |
BV
|
4.2
(1,420)
|
-44%
|
2968
|
95
|
| Slumdog
Millionaire |
Fox
Searchlight
|
3.0
(5,060)
|
37%
|
589
|
12
|
| Australia |
Fox
|
2.1
(940)
|
-50%
|
2212
|
41.7
|
| Quantum
of Solace |
Sony
|
1.9
(1,000)
|
-50%
|
1874
|
161
|
| Milk |
Focus
|
1.6
(4,450)
|
-39%
|
356
|
10.3
|
| Madagascar:
Escape 2 Africa |
Par
|
1.5
(730)
|
-54%
|
2007
|
172.3
|
| Nothing
Like the Holidays |
Overture
|
1.2
(700)
|
-67%
|
1671
|
5.8
|
| Doubt |
Miramax
|
.71
(18,200)
|
40%
|
39
|
1.4
|
| Transporter
3 |
Lions
Gate
|
.65
(650)
|
-72%
|
1007
|
31
|
| Cadillac
Records |
Sony
|
.57
(810)
|
-64%
|
701
|
7
|
| Role
Models |
Uni
|
.57
(720)
|
-63%
|
794
|
65.5
|
| Gran
Torino |
WB
|
.45
(23,840)
|
66%
|
19
|
0.8
|
| Frost/Nixon |
Uni
|
.35
(9,030)
|
-44%
|
39
|
1.5
|
| Rab
Ne Bana de Jodi |
Yash
Raj
|
.30
(3,230)
|
-67%
|
93
|
1.4
|
| Weekend
Total ($500,000+ Films) |
-
|
$83.10
|
-
|
-
|
-
|
| %
Change (Last Year) |
-
|
-47%
|
-
|
-
|
-
|
| %
Change (Last Week) |
-
|
-6%
|
-
|
-
|
-
|
| Also
debuting/expanding |
| The
Wrestler |
Fox
Searchlight
|
.20
(50,500)
|
-
|
4
|
0.29
|
| Le
Grand Depart |
Alliance
|
.15
(3,350)
|
-
|
45
|
0.15
|
| The
Reader |
Weinstein
Co.
|
.09
(11,120)
|
-46%-
|
8
|
0.35
|
| Gomorrah |
IFC
|
4,900
(4,900)
|
-
|
1
|
0.01
|
| Nothing
But the Truth |
Yari
|
3.450
(1,725)
|
-
|
2
|
0.01
|
| Moscow,
Belgium |
NeoClassics
|
2,450
(2,450)
|
-
|
1
|
0.01
|
| Adam
Resurrected |
Bleigberg
|
1,100
(1,100)
|
-
|
1
|
0.01
|
|
|
|
|
|
|
Domestic
Market Share - To December 18, 2008
| Distributor
(releases) |
Gross
|
Mrkt
Share
|
| Warner
Bros. (28) |
1679.6
|
18.40%
|
| Paramount
(16) |
1520.6
|
16.60%
|
| Sony
(25) |
1223.5
|
13.40%
|
| Universal
(21) |
1076.4
|
11.80%
|
| Buena
Vista (17) |
939.4
|
10.30%
|
| Fox
(23) |
907.4
|
9.90%
|
| Lions
Gate (20) |
424.8
|
4.60%
|
| Summit
(5) |
208.9
|
2.30%
|
| Fox
Searchlight (8) |
200.2
|
2.20%
|
| Focus
(7) |
133.9
|
1.50%
|
| MGM
(16) |
119.4
|
1.30%
|
| Overture
(7) |
100.3
|
1.10%
|
| Paramount
Vantage (11) |
86.8
|
.90%
|
| Miramax
(10) |
69.9
|
0.70%
|
| Picturehouse
(7) |
63.3
|
0.70%
|
| New
Line (4) |
61.8
|
0.70%
|
| Other
* (318) |
328.9
|
3.60%
|
| *
none greater than 0.5% |
9145.1
|
100.00%
|
|
|