March 23, 2008
March 16, 2008
March 9, 2008
March 2, 2008
Feb 24, 2008
Feb 18, 2008
Feb 10, 2008
Feb 3, 2008
Jan 27, 2008
Jan 21, 2008


..Gary Dretzka
..
Noah Forrest

..Leonard Klady
..
David Poland
..Doug Pratt
..
Ray Pride




March 23, 2008
Weekend Finals
Top Limited Grosses
Domestic Market Share

Easter Lays an Egg...
The second weekend of Horton Hears a Who led weekend film going but not as definitively as it had in its debut. The Seussical sophomore session rang up an estimated $25.3 million while the debut of Meet the Browns from niche auteur Tyler Perry was within striking distance at $20.2 million.

The Easter weekend (not one of the better holiday viewing periods) also served up indifferent bows for Drillbit Taylor - a contempo, dumbed-down version of 1980s My Bodyguard - of $10.1 million and a predictable $10.7 million for Shutter, a facsimile chiller adapted from the Asian hit produced in Thailand back in 2004. More encouraging was the limited release of Hispanic targeted, Sundance preemed Under the Same Moon that rang up close to a $9,000 average from 266 theaters.

Also out of the gate fast was Bollywood entry Race (think Daytona) with $820,000 from 111 exposures. Self-distributed Rockeyesque The Hammer with Adam Carolla as an unlikely pugilist faired well in prelims with a $108,000 tally at 20 rings and there was encouraging response for exclusive runs of the documentary Planet B-Boy and the French-U.S. thriller Boarding Gate.

Weekend business continued 2008's fever chart fluctuations with its $110 million plus frame providing a 6% decline from seven days earlier and an 18% erosion with the comparable 2007 frame. It was also 10% off from the 2007 Easter weekend when the second weekend of Blades of Glory led with $22.5 million and the top debut was third ranked Are We Done Yet? with $14.3 million.

What's most striking about Easter 2008 is an underlying risk adverse attitude toward programming. Horton had already staked out the family crowd and other distributors were loath to compete … or compete head on. So, competition aimed for very specific niches.

Since the theatrical bow of Diary of a Mad Black Woman in 2002, Perry has claimed a spring slot and his latest, Meet the Browns, opened with roughly the same box office force as his earlier movies. That should ultimately translate into a theatrical gross between $50 million and $60 million. We're told that his films are gradually extending their appeal outside the African-American community but that trend has to be glacial based upon the annual consistency of his revenues and one suspects he'll be making some radical changes in the next couple of years.

The horror genre is in desperate need of a creative infusion akin to the one seen three decades back when Halloween, Chainsaw and Nightmare changed the landscape. However, for the foreseeable future junior production execs have their marching orders - check out Asian movies for potential remakes, ring-a-ding ding.

Also the much touted Apatow comedy factory is discovering that volume is having an untoward effect. Drillbit Taylor (and the earlier, better reviewed Walk Hard) is again high concept but lacks the distinctive, anarchic spin that set the filmmaker's really popular movies apart from the pack.

The most compelling question of the weekend was the on-going potential for the American indie Under the Same Moon that created a heart-warming narrative to illustrate the hot button immigration issue. The film has had a peripatetic history that can be traced back to split rights involving Fox Searchlight and the Weinstein Co. Notwithstanding it wedged into the top 10 as a result of very strategic screen selection. The film went wide in Mexico where it ranked third with a four-day gross of $1.4 million. The quest for a crossover Hispanic movie has eluded myriad attempts in the past two decades and despite Moon's very good start, it's likely to push the envelope without becoming that breakthrough.


- Leonard Klady



Weekend Finals - March 21-23, 2008

Title
Distrib
Weekend
% Change*
Theaters
Cume
Wks
1
1
Horton Hears a Who
Fox
24,590,596
-45%
3961
86,010,517
2
2
New
Meet the Browns
Lions Gate
20,082,809
-
2006
20,082,809
1
3
New
Shutter
Fox
10,447,559
-
2753
10,447,559
1
4
New
Drillbit Taylor
Par
10,309,986
-
3056
10,309,986
1
5
2
10,000 B.C.
WB
8,934,064
-47%
3454
76,401,302
3
6
3
Never Back Down
Summit
4,827,250
-44%
2729
16,790,361
2
7
4
College Road Trip
BV
4,697,683
-40%
2575
32,073,003
3
8
6
The Bank Job
Lions Gate
4,191,773
-17%
1613
19,521,672
3
9
5
Vantage Point
Sony
3,805,541
-30%
2124
65,300,784
5
10
New
Under the Same Moon
Weinstein Co.
2,770,000
-
266
3,496,710
1
11
7
Doomsday
Uni
2,249,880
-54%
1938
8,976,710
2
12
9
The Other Boleyn Girl
Sony
2,038,236
-29%
1188
22,557,175
4
13
12
Miss Pettigrew Lives for a Day
Focus
1,481,593
-24%
531
7,542,124
3
14
10
The Spiderwick Chronicles
Par
1,205,418
-48%
1226
67,793,487
6
15
8
Semi-Pro
New Line
1,152,569
-62%
1144
32,279,215
4
16
13
Fool's Gold
WB
953,068
-43%
1011
67,073,779
7
17
11
Jumper
Fox
939,906
-54%
862
77,553,504
6
18
New
Race
UTV
802,254
96
802,254
1
19
15
Juno
Fox Searchlight
769,842
-35%
603
141,099,121
16
20
14
Step Up 2 the Streets
BV
541,008
-65%
640
56,715,909
6
21
25
The Counterfeiters
Sony Classics
496,625
18%
92
1,851,862
5
22
23
In Bruges
Focus
472,762
-3%
216
5,920,566
7
23
18
The Bucket List
WB
408,265
-34%
409
90,914,213
13
24
36
National Treasure: Book of Secrets
BV
390,118
135%
348
217,684,901
14
25
16
Penelope
Summit
386,547
-56%
501
9,110,144
4
26
17
Definitely, Maybe
Uni
372,330
-46%
378
31,395,755
6
27
24
Alvin and the Chipmunks
Fox
372,057
-47%
404
215,760,497
15
28
19
Be Kind Rewind
New Line
312,963
-47%
264
10,575,239
5
29
28
The Band's Visit
Sony Classics
267,209
1%
118
1,919,596
7
30
22
Funny Games
WIP
244,110
-55%
289
1,045,279
2
31
26
Hannah Montana/Miley Cyrus 3-D
BV
212,820
-47%
40
64,547,158
8
32
27
There Will Be Blood
Par Vantage
211,636
-39%
224
39,705,413
13
33
29
U2 3D
nWave
208,033
-14%
58
6,900,393
7
34
30
27 Dresses
Fox
187,901
-20%
244
75,820,494
10
35
35
Sea Monsters: A Prehistoric Adventure
nWave
183,860
10%
45
9,485,530
25
36
21
No Country for Old Men
Miramax
175,512
-67%
229
74,062,608
20
37
20
Welcome Home Roscoe Jenkins
Uni
150,930
-74%
258
42,018,345
7
38
40
Married Life
Sony Classics
142,677
45%
32
356,858
3
39
31
I Am Legend
WB
114,710
-50%
202
256,227,323
15
40
37
La Ligne brisee
Alliance
105,275
-32%
63
603,478
3
41
33
Cloverfield
Par
103,488
-45%
205
79,801,225
10
42
New
The Hammer
Intl Film Circuit
97,137
-
20
97,137
1
43
42
Paranoid Park
IFC/Filmoption
94,943
9%
40
283,653
3
44
34
Enchanted
BV
88,510
-51%
151
128,173,062
18
45
RE
First Sunday
Sony
82,350
-
142
38,140,384
11
46
32
The Eye
Lions Gate
74,749
-64%
135
31,155,025