|










Gary Dretzka
Leonard
Klady
David Poland
Douglas Pratt
Ray Pride

| Oct
7, 2007 |
| Sep
30, 2007 |
| Sep
23, 2007 |
| Sep
9, 2007 |
| Sep
3, 2007 |
| Aug
26, 2007 |
| Aug
19, 2007 |
| Aug
12, 2007 |
| Aug
4, 2007 |
| July
29, 2007 |
| July
22, 2007 |
| July
15, 2007 |
| July
8, 2007 |
| July
1, 2007 |
| June
24, 2007 |
| June
17, 2007 |
| June
10, 2007 |
| June
3, 2007 |
| May
28, 2007 |
| May
20, 2007 |
| May
13, 2007 |
| May
6, 2007 |
| Apr
29, 2007 |
| Apr
22, 2007 |
| Apr
15, 2007 |
| Apr
8, 2007 |
| Apr
1, 2007 |
| Mar
25, 2007 |
| Mar
18, 2007 |
| Mar
11, 2007 |
| Mar
4, 2007 |
| Feb
25, 2007 |
| Feb
19, 2007 |
| Feb
11, 2007 |
| Feb
4, 2007 |
| January
28, 2007 |
| January
22, 2007 |
| January
15, 2007 |
| January
7, 2007 |
| January
1, 2007 |

..Gary
Dretzka
..Leonard
Klady
..David
Poland
..Doug
Pratt
..Ray
Pride

|
|
October
7 , 2007
Weekend Estimates
Domestic Market Share
Cardiac
Arrest ....
The second
weekend of The Game Plan reigned supreme at the top of
the charts with an estimated $16.2 million. However, it was the
debut of The Heartbreak Kid that had tongues wagging and
not simply because of its disappointing $13.9 million opening.
The frame
also saw disappointing bows of the kid lit fave The Seeker:
The Dark is Rising and the dance-themed Feel the Noise
that ranked fifth and sixth with respective grosses of $3.6 million
and $3.4 million. The noise was considerably louder among limited
and regional premieres including a torrid $46,100 venue average
for the legal thriller Michael Clayton from 15 theaters.
There was
also a good result of $14,700 for the American indie Finishing
the Game from a single location and the indefatigable Blade
Runner (now definitivo) returned with $91,200 at two sites.
Less potent outings included a $183,000 gross for the large screen
Sea Monsters 3-D in 252 outings and the non-fiction Quebec
sur ordonnance struggled to $46,100 at 62 exposures.
Overall business
experienced another downturn with box office dipping 11% from
seven days earlier and taking an even steeper 26% erosion from
2006. Last year the bows of Oscar-winner The Departed and
Texas Chainsaw Massacre: The Beginning led with box office
of $26.9 million and $18.5 million.
While it hadn't
been tracking vigorously, the quasi-remake of Elaine May's
classic The Heartbreak Kid was expected to debut at the
top of the charts with somewhere between $18 million and $20 million.
The short fall and generally flaccid business sent industry strategists
scurrying for explanations but neither good weather nor professional
sport playoffs seemed to suffice for movies the general audience
wasn't motivated to see. There also appeared to be an imperceptible
bump accorded to holiday activity from Canadian Thanksgiving and
Columbus Day revelers.
The other
Kid controversy surrounded DreamWorks' execs insisting that its
gross be separated from that of Paramount. The mother studio agreed,
as did tracking outfits Rentrak and Entertainment data, though
the relationship between the two wasn't much different from that
of Imagine at Universal or Silver Pictures at Warner Bros.
The long gestating
adaptation of The Dark is Rising proved to be less potent
than Harry Potter or the Narnia cycle and significantly
short of franchise consideration. And the sort of quick hit such
toe tappers as Stomp the Yard and Step Up experienced
were not to be joined by the unheeded response to Feel the
Noise.
One had to
delve deeper to find pockets of activity. Obviously the initial
platform for the George Clooney vehicle Michael Clayton
was a potent draw and small broadenings for the likes of The
Darjeeling Limited and Lust, Caution maintained strong
interest. A more aggressive 102 screen boost for the critically
acclaimed Into the Wild was also very encouraging but the
push behind The Jane Austen Book Club saw its stamina petering
out. Next weekend both Across the Universe and The Assassination
of Jesse James make the jump to wide exposure and in light
of recent soft business the anxiety level about crossover potential
is off the charts.
Though off
the beaten track, returns for Sea Monsters 3-D were also
discomfiting. While the film clearly was more warmly embraced
in large format than conventional screens even the Imax outings
were sub-par. The frame's other non-fiction debuts were also on
the soft side and largely confirmed industry fears that the marketplace
satiation of documentaries has diminished the alternative potency
that existed just a few seasons back. One could only ascribe fair
returns for My Kid Could Paint That and Kurt Cobain:
About a Son and one could only wonder why high media interest
in the abortion issue didn't elevate Lake of Fire's box
office above its tepid single screen box office of $2,330.
-
Leonard Klady
Weekend
Estimates - October 5-7, 2007
| Title |
Distributor
|
Gross
(average)
|
%
change *
|
Theaters
|
Cume
|
| The
Game Plan |
BV
|
16.2
(5,200)
|
-30%
|
3105
|
42.7
|
| The
Heartbreak Kid |
Par
|
13.9
(4,180)
|
-
|
3329
|
13.9
|
| The
Kingdom |
Uni
|
9.4
(3,370)
|
-45%
|
2802
|
31.4
|
| Resident
Evil: Extinction |
Sony
|
4.3
(1,500)
|
-47%
|
2848
|
43.5
|
| The
Seeker: The Dark is Rising |
Fox
|
3.6
(1,160)
|
-
|
3141
|
3.6
|
| Feel
the Noise |
Sony
|
3.4
(3,310)
|
-
|
1015
|
3.4
|
| Good
Luck Chuck |
Lions
Gate
|
3.3
(1,340)
|
-47%
|
2476
|
28.9
|
| 3:10
to Yuma |
Lions
Gate
|
3.0
(1,170)
|
-29%
|
2562
|
48.5
|
| The
Brave One |
WB
|
2.2
(930)
|
-41%
|
2358
|
34.3
|
| Mr.
Woodcock |
New
Line
|
2.0
(1,020)
|
-33%
|
1950
|
22.3
|
| Eastern
Promises |
Focus/Alliance
|
1.9
(1,560)
|
-36%
|
1212
|
14.3
|
| Across
the Universe |
Sony
|
1.8
(5,030)
|
-9%
|
364
|
8
|
| In
the Valley of Elah |
WIP
|
1.3
(1,340)
|
-13%
|
975
|
5.3
|
| Into
the Wild |
Par
Vantage
|
1.3
(9,410)
|
101%
|
135
|
2.4
|
| The
Jane Austen Book Club |
Sony
Classics
|
1.2
(1,010)
|
548%
|
1232
|
1.7
|
| Sydney
White |
Uni
|
1.2
(750)
|
-54%
|
1593
|
10.1
|
| The
Bourne Ultimatum |
Uni
|
1.1
(1,140)
|
-36%
|
975
|
224.4
|
| Transformers |
Par
|
.82
(1,950)
|
-32%
|
421
|
316.4
|
| Superbad |
Sony
|
.79
(1,040)
|
-52%
|
756
|
120.2
|
| Feast
of Love |
MGM
|
.71
(590)
|
-58%
|
1203
|
3
|
| Michael
Clayton |
WB
|
.69
(46,130)
|
-
|
15
|
0.69
|
| Rush
Hour 3 |
New
Line
|
.62
(1,000)
|
-47%
|
702
|
138.5
|
| The
Darjeeling Limited |
Fox
Searchlight
|
.55
(28,950)
|
-
|
19
|
0.78
|
| Halloween |
MGM
|
.52
(750)
|
-47%
|
694
|
57
|
| Weekend
Total ($500,000+ Films) |
$75.80
|
-
|
-
|
-
|
| %
Change (Last Year) |
-
|
-26%
|
-
|
-
|
-
|
| %
Change (Last Week) |
-
|
-11%
|
-
|
-
|
-
|
| Also
debuting/expanding |
| Assassination
of Jesse James … |
WB
|
.40
(6,610)
|
338%
|
61
|
0.74
|
| Lust,
Caution |
Focus
|
.37
(21,530)
|
473%
|
17
|
0.48
|
| Shake
Hands with the Devil |
Seville
|
.14
(1,640)
|
-34%
|
88
|
0.47
|
| Sea
Monsters 3-D |
National
Geo
|
.18
(730)
|
-
|
252
|
0.18
|
| Blade
Runner (reissue) |
WB
|
91,200
(45,600)
|
-
|
2
|
0.09
|
| Hors
de prix |
Christal
|
62,500
(2,980)
|
-
|
21
|
0.06
|
| Quebec
sous ordonannce |
Alliance
|
46,100
(740)
|
-
|
62
|
0.05
|
| My
Kid Could Paint That |
Sony
Classics
|
27,100
(3,390)
|
-
|
8
|
0.03
|
| Finishing
the Game |
IFC
|
14,700
(14,700)
|
-
|
1
|
0.01
|
| The
Good Night |
FreeStyle
|
12,500
(6,250)
|
-
|
2
|
0.01
|
| Kurt
Cobain: About a Son |
Balcony
|
9,400
(4,700)
|
-
|
2
|
0.01
|
| Lake
of Fire |
Thinkfilm
|
2,330
(2,330)
|
-
|
1
|
0.01
|
Top
Limited Grosses - To October 4, 2007
| Title |
Distributor
|
Gross |
| Waitress |
Fox
Searchlight
|
19,042,372 |
| Notes
on a Scandal |
Fox
Searchlight
|
16,889,774 |
| The
Last King of Scotland |
Fox
Searchlight
|
13,987,084 |
| The
Namesake |
Fox
Searchlight
|
13,569,248 |
| The
Lives of Others |
Sony
Classics
|
11,286,112 |
| Deep
Sea 3-D |
WB
|
10,690,256 |
| La
Vie en Rose |
TVA/Picturehouse
|
9,909,872 |
| Once |
Fox
Searchlight
|
9,129,287 |
| Volver |
Sony
Class/Seville
|
8,667,708 |
| Death
at a Funeral |
MGM
|
7,750,246 |
| El
Cantante |
Picturehouse
|
7,556,712 |
| The
Painted Veil |
WIP
|
7,552,537 |
| Across
the Universe |
Sony
|
6,133,732 |
| Away
from Her |
Mongrel/Lions
Gate
|
5,747,729 |
| Rescue
Dawn |
MGM
|
5,476,761 |
| Paris
je t'aime |
First
Look/Maple Pic
|
5,291,651 |
| Talk
to Me |
Focus
|
4,533,261 |
| Dinosaurs:
Giants of Patagonia |
Sky
High
|
4,532,130 |
| Magnificent
Desolation |
Imax
|
4,425,048 |
| Black
Book |
Sony
Classics
|
4,398,532 |
Domestic
Market Share - October 4, 2007
| Distributor
(releases) |
Gross
|
Percentage
|
| Paramount
(16) |
1222.4
|
16.40% |
| Sony
(23) |
1070.5
|
14.40% |
| Warner
Bros. (25) |
1036.4
|
13.90% |
| Buena
Vista (16) |
976.9
|
13.10% |
| Universal
(17) |
879.4
|
11.80% |
| Fox
(17) |
738.8
|
9.90% |
| New
Line (10) |
397.9
|
5.40% |
| MGM
(20) |
286.7
|
3.90% |
| Lions
Gate (17) |
232.1
|
3.10% |
| Focus
(7) |
99.9
|
1.30% |
| Fox
Searchlight (12) |
91.2
|
1.20% |
| Miramax
(7) |
63.1
|
0.90% |
| Picturehouse
(7) |
56.8
|
0.80% |
| Other
* (239) |
288.3
|
3.90% |
| *none
greater than 0.5% |
7440.4
|
100.00% |
|
|