Gary Dretzka
Leonard Klady

David Poland
Douglas Pratt
Ray Pride

Oct 7, 2007
Sep 30, 2007
Sep 23, 2007
Sep 9, 2007
Sep 3, 2007
Aug 26, 2007
Aug 19, 2007
Aug 12, 2007
Aug 4, 2007
July 29, 2007
July 22, 2007
July 15, 2007
July 8, 2007
July 1, 2007
June 24, 2007
June 17, 2007
June 10, 2007
June 3, 2007
May 28, 2007
May 20, 2007
May 13, 2007
May 6, 2007
Apr 29, 2007
Apr 22, 2007
Apr 15, 2007
Apr 8, 2007
Apr 1, 2007
Mar 25, 2007
Mar 18, 2007
Mar 11, 2007
Mar 4, 2007
Feb 25, 2007
Feb 19, 2007
Feb 11, 2007
Feb 4, 2007
January 28, 2007
January 22, 2007
January 15, 2007
January 7, 2007
January 1, 2007


..Gary Dretzka
..Leonard Klady
..David Poland
..Doug Pratt
..Ray Pride




October 7 , 2007
Weekend Estimates
Domestic Market Share


Cardiac Arrest ....

The second weekend of The Game Plan reigned supreme at the top of the charts with an estimated $16.2 million. However, it was the debut of The Heartbreak Kid that had tongues wagging and not simply because of its disappointing $13.9 million opening.

The frame also saw disappointing bows of the kid lit fave The Seeker: The Dark is Rising and the dance-themed Feel the Noise that ranked fifth and sixth with respective grosses of $3.6 million and $3.4 million. The noise was considerably louder among limited and regional premieres including a torrid $46,100 venue average for the legal thriller Michael Clayton from 15 theaters.

There was also a good result of $14,700 for the American indie Finishing the Game from a single location and the indefatigable Blade Runner (now definitivo) returned with $91,200 at two sites. Less potent outings included a $183,000 gross for the large screen Sea Monsters 3-D in 252 outings and the non-fiction Quebec sur ordonnance struggled to $46,100 at 62 exposures.

Overall business experienced another downturn with box office dipping 11% from seven days earlier and taking an even steeper 26% erosion from 2006. Last year the bows of Oscar-winner The Departed and Texas Chainsaw Massacre: The Beginning led with box office of $26.9 million and $18.5 million.

While it hadn't been tracking vigorously, the quasi-remake of Elaine May's classic The Heartbreak Kid was expected to debut at the top of the charts with somewhere between $18 million and $20 million. The short fall and generally flaccid business sent industry strategists scurrying for explanations but neither good weather nor professional sport playoffs seemed to suffice for movies the general audience wasn't motivated to see. There also appeared to be an imperceptible bump accorded to holiday activity from Canadian Thanksgiving and Columbus Day revelers.

The other Kid controversy surrounded DreamWorks' execs insisting that its gross be separated from that of Paramount. The mother studio agreed, as did tracking outfits Rentrak and Entertainment data, though the relationship between the two wasn't much different from that of Imagine at Universal or Silver Pictures at Warner Bros.

The long gestating adaptation of The Dark is Rising proved to be less potent than Harry Potter or the Narnia cycle and significantly short of franchise consideration. And the sort of quick hit such toe tappers as Stomp the Yard and Step Up experienced were not to be joined by the unheeded response to Feel the Noise.

One had to delve deeper to find pockets of activity. Obviously the initial platform for the George Clooney vehicle Michael Clayton was a potent draw and small broadenings for the likes of The Darjeeling Limited and Lust, Caution maintained strong interest. A more aggressive 102 screen boost for the critically acclaimed Into the Wild was also very encouraging but the push behind The Jane Austen Book Club saw its stamina petering out. Next weekend both Across the Universe and The Assassination of Jesse James make the jump to wide exposure and in light of recent soft business the anxiety level about crossover potential is off the charts.

Though off the beaten track, returns for Sea Monsters 3-D were also discomfiting. While the film clearly was more warmly embraced in large format than conventional screens even the Imax outings were sub-par. The frame's other non-fiction debuts were also on the soft side and largely confirmed industry fears that the marketplace satiation of documentaries has diminished the alternative potency that existed just a few seasons back. One could only ascribe fair returns for My Kid Could Paint That and Kurt Cobain: About a Son and one could only wonder why high media interest in the abortion issue didn't elevate Lake of Fire's box office above its tepid single screen box office of $2,330.

- Leonard Klady


Weekend Estimates - October 5-7, 2007

Title
Distributor
Gross (average)
% change *
Theaters
Cume
The Game Plan
BV
16.2 (5,200)
-30%
3105
42.7
The Heartbreak Kid
Par
13.9 (4,180)
-
3329
13.9
The Kingdom
Uni
9.4 (3,370)
-45%
2802
31.4
Resident Evil: Extinction
Sony
4.3 (1,500)
-47%
2848
43.5
The Seeker: The Dark is Rising
Fox
3.6 (1,160)
-
3141
3.6
Feel the Noise
Sony
3.4 (3,310)
-
1015
3.4
Good Luck Chuck
Lions Gate
3.3 (1,340)
-47%
2476
28.9
3:10 to Yuma
Lions Gate
3.0 (1,170)
-29%
2562
48.5
The Brave One
WB
2.2 (930)
-41%
2358
34.3
Mr. Woodcock
New Line
2.0 (1,020)
-33%
1950
22.3
Eastern Promises
Focus/Alliance
1.9 (1,560)
-36%
1212
14.3
Across the Universe
Sony
1.8 (5,030)
-9%
364
8
In the Valley of Elah
WIP
1.3 (1,340)
-13%
975
5.3
Into the Wild
Par Vantage
1.3 (9,410)
101%
135
2.4
The Jane Austen Book Club
Sony Classics
1.2 (1,010)
548%
1232
1.7
Sydney White
Uni
1.2 (750)
-54%
1593
10.1
The Bourne Ultimatum
Uni
1.1 (1,140)
-36%
975
224.4
Transformers
Par
.82 (1,950)
-32%
421
316.4
Superbad
Sony
.79 (1,040)
-52%
756
120.2
Feast of Love
MGM
.71 (590)
-58%
1203
3
Michael Clayton
WB
.69 (46,130)
-
15
0.69
Rush Hour 3
New Line
.62 (1,000)
-47%
702
138.5
The Darjeeling Limited
Fox Searchlight
.55 (28,950)
-
19
0.78
Halloween
MGM
.52 (750)
-47%
694
57
Weekend Total ($500,000+ Films)
$75.80
-
-
-
% Change (Last Year)
-
-26%
-
-
-
% Change (Last Week)
-
-11%
-
-
-
Also debuting/expanding
Assassination of Jesse James …
WB
.40 (6,610)
338%
61
0.74
Lust, Caution
Focus
.37 (21,530)
473%
17
0.48
Shake Hands with the Devil
Seville
.14 (1,640)
-34%
88
0.47
Sea Monsters 3-D
National Geo
.18 (730)
-
252
0.18
Blade Runner (reissue)
WB
91,200 (45,600)
-
2
0.09
Hors de prix
Christal
62,500 (2,980)
-
21
0.06
Quebec sous ordonannce
Alliance
46,100 (740)
-
62
0.05
My Kid Could Paint That
Sony Classics
27,100 (3,390)
-
8
0.03
Finishing the Game
IFC
14,700 (14,700)
-
1
0.01
The Good Night
FreeStyle
12,500 (6,250)
-
2
0.01
Kurt Cobain: About a Son
Balcony
9,400 (4,700)
-
2
0.01
Lake of Fire
Thinkfilm
2,330 (2,330)
-
1
0.01

Top Limited Grosses - To October 4, 2007

Title 
Distributor
Gross
Waitress
Fox Searchlight
19,042,372
Notes on a Scandal
Fox Searchlight
16,889,774
The Last King of Scotland
Fox Searchlight
13,987,084
The Namesake
Fox Searchlight
13,569,248
The Lives of Others
Sony Classics
11,286,112
Deep Sea 3-D
WB
10,690,256
La Vie en Rose
TVA/Picturehouse
9,909,872
Once
Fox Searchlight
9,129,287
Volver
Sony Class/Seville
8,667,708
Death at a Funeral
MGM
7,750,246
El Cantante
Picturehouse
7,556,712
The Painted Veil
WIP
7,552,537
Across the Universe
Sony
6,133,732
Away from Her
Mongrel/Lions Gate
5,747,729
Rescue Dawn
MGM
5,476,761
Paris je t'aime
First Look/Maple Pic
5,291,651
Talk to Me
Focus
4,533,261
Dinosaurs: Giants of Patagonia
Sky High
4,532,130
Magnificent Desolation
Imax
4,425,048
Black Book
Sony Classics
4,398,532

 

Domestic Market Share - October 4, 2007

Distributor (releases)
Gross
Percentage
Paramount (16)
1222.4
16.40%
Sony (23)
1070.5
14.40%
Warner Bros. (25)
1036.4
13.90%
Buena Vista (16)
976.9
13.10%
Universal (17)
879.4
11.80%
Fox (17)
738.8
9.90%
New Line (10)
397.9
5.40%
MGM (20)
286.7
3.90%
Lions Gate (17)
232.1
3.10%
Focus (7)
99.9
1.30%
Fox Searchlight (12)
91.2
1.20%
Miramax (7)
63.1
0.90%
Picturehouse (7)
56.8
0.80%
Other * (239)
288.3
3.90%
*none greater than 0.5%
7440.4
100.00%

 

 

 

 


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