| October
9 , 2005
Weekend Estimates
Top Worldwide Grosses
Domestic Market Share
Bunny Hop
Wallace
& Gromit: The Curse of the Were-Rabbit led the weekend
box office charge with an estimated $15.9 million. In a frame
dominated by volume rather than potency four other films bowed
nationally to fair results while a couple of limited releases
including Good Night, and Good Luck registered near capacity
business in the niches.
In the absence
of a dynamic debut weekend revenues inched to a $100 tally that
fell short of the 2004 tally by roughly 8%.
The anticipation
for the Wallace & Gromit feature debut was palpable in light
of past Oscar glory for the stop motion duo's film shorts, sterling
reviews and last year's dynamic $47.6 million bow of Shark
Tale. The feature entered the weekend with a $20,000 gross
from two Wednesday openers and posted an opening day gross of
slightly better than $4 million. It's evident the movie is playing
to family crowds
just not as many as expected and fingers
are crossed it can bear up well during the upcoming Thanksgiving
recess.
New entries
took five of the top seven slots but only The Gospel displayed
any sign of connecting to a targeted audience. Ranked fifth overall,
its combination of music and a religious theme grossed about $7.9
million but rang up a theater box office average roughly double
to any wide release in the marketplace.
In Her
Shoes, a tale of sisterly rivalry, finished third with roughly
$9.7 million and the high stakes gambling opus Two for the
Money followed with $8.5 million. Neither film benefited significantly
from marquee names Cameron Diaz, Al Pacino nor Matthew
McConaughey nor did they garner the sort of award buzz that
might mitigate steep drops during their second frames.
The final
entry, Waiting, a comedy set in a restaurant, generated
a lukewarm $5.5 million result that's likely to bus out of multiplexes
in short order.
Business bumped
up 16% from the prior weekend but, as noted, was once again on
the decline. Officially studios maintain that the downturn is
an aberration based upon movies with limited appeal. However,
internally there's considerably soul searching going on and many
believe there's scant prospects for a turnaround as more and more
Americans opt to see movies in the comfort of a home entertainment
environment. Nonetheless, one can easily predict that sequels
and shamelessly imitative movies of recent popular titles will
dominate upcoming release schedules.
Holdover pictures
were largely crowded by new entries though Flightplan continued
to soar above the pack and A History of Violence appears
to be carving out a solid niche with a mix of upscale and action
seekers.
Conversely
the art house audience seems enlivened by current fare with the
bow of the historic battle between Edward R. Murrow of
CBS News and Senator Joseph McCarthy of HUAC in Good
Night, and Good Luck packing in 11 theaters and generating
about $400,000. Another '50s saga - the writing of In Cold
Blood - Capote doubled its screen count to 24 and added
$380,000 to its larder.
Also excellent
was the four-screen debut of the coming-of-age yarn The Squid
and the Whale that rang up a very impressive $120,000. In
Canada (which is celebrating its Thanksgiving this weekend) there
was very good response in Quebec for Le Voleur d'enfance
of $470,000 from 69 venues but a degree of reticence toward the
controversial Where the Truth Lies that generated $210,000
from 82 engagements.
- by Leonard
Klady
|