October 9, 2005
October 2, 2005
Sept 25, 2005
Sept 18, 2005
Sept 11, 2005
Sept 4, 2005
August 28, 2005
August 21, 2005
August 14, 2005
August 7, 2005
July 31, 2005
July 24, 2005
July 17, 2005
July 10, 2005
July 4, 2005
June 26, 2005
June 19, 2005
June 12, 2005
June 5, 2005
May 29, 2005
May 22, 2005
May 15, 2005
May 8, 2005
May 1, 2005
April 24, 2005
April 17, 2005
April 10, 2005
April 3, 2005
March 27, 2005
March 20, 2005M
March 13, 2005
March 6, 2005
Feb 27, 2005
Feb 21, 2005
Feb 13, 2005
Feb 7, 2005
January 30, 2005
January 23, 2005
January 17, 2005
January 9, 2005
January 2, 2005


..Gary Dretzka
..Leonard Klady
..David Poland
..Doug Pratt
..Ray Pride




October 9 , 2005
Weekend Estimates
Top Worldwide Grosses
Domestic Market Share

Bunny Hop

Wallace & Gromit: The Curse of the Were-Rabbit led the weekend box office charge with an estimated $15.9 million. In a frame dominated by volume rather than potency four other films bowed nationally to fair results while a couple of limited releases including Good Night, and Good Luck registered near capacity business in the niches.

In the absence of a dynamic debut weekend revenues inched to a $100 tally that fell short of the 2004 tally by roughly 8%.

The anticipation for the Wallace & Gromit feature debut was palpable in light of past Oscar glory for the stop motion duo's film shorts, sterling reviews and last year's dynamic $47.6 million bow of Shark Tale. The feature entered the weekend with a $20,000 gross from two Wednesday openers and posted an opening day gross of slightly better than $4 million. It's evident the movie is playing to family crowds … just not as many as expected and fingers are crossed it can bear up well during the upcoming Thanksgiving recess.

New entries took five of the top seven slots but only The Gospel displayed any sign of connecting to a targeted audience. Ranked fifth overall, its combination of music and a religious theme grossed about $7.9 million but rang up a theater box office average roughly double to any wide release in the marketplace.

In Her Shoes, a tale of sisterly rivalry, finished third with roughly $9.7 million and the high stakes gambling opus Two for the Money followed with $8.5 million. Neither film benefited significantly from marquee names Cameron Diaz, Al Pacino nor Matthew McConaughey nor did they garner the sort of award buzz that might mitigate steep drops during their second frames.

The final entry, Waiting, a comedy set in a restaurant, generated a lukewarm $5.5 million result that's likely to bus out of multiplexes in short order.

Business bumped up 16% from the prior weekend but, as noted, was once again on the decline. Officially studios maintain that the downturn is an aberration based upon movies with limited appeal. However, internally there's considerably soul searching going on and many believe there's scant prospects for a turnaround as more and more Americans opt to see movies in the comfort of a home entertainment environment. Nonetheless, one can easily predict that sequels and shamelessly imitative movies of recent popular titles will dominate upcoming release schedules.

Holdover pictures were largely crowded by new entries though Flightplan continued to soar above the pack and A History of Violence appears to be carving out a solid niche with a mix of upscale and action seekers.

Conversely the art house audience seems enlivened by current fare with the bow of the historic battle between Edward R. Murrow of CBS News and Senator Joseph McCarthy of HUAC in Good Night, and Good Luck packing in 11 theaters and generating about $400,000. Another '50s saga - the writing of In Cold Blood - Capote doubled its screen count to 24 and added $380,000 to its larder.

Also excellent was the four-screen debut of the coming-of-age yarn The Squid and the Whale that rang up a very impressive $120,000. In Canada (which is celebrating its Thanksgiving this weekend) there was very good response in Quebec for Le Voleur d'enfance of $470,000 from 69 venues but a degree of reticence toward the controversial Where the Truth Lies that generated $210,000 from 82 engagements.

- by Leonard Klady


Weekend Estimates - October 2 - 9, 2005

Title
Distributor
Gross (average)
% change
Theaters
Cume
Wallace & Gromit: Curse of Were-Rabbit
DreamWorks
15.9 (4,370)
-
3645
15.9
Flightplan
BV
10.6 (3,190)
-28%
3323
60.8
In Her Shoes
Fox
9.7 (3,450)
-
2808
9.7
Two for the Money
Uni
8.5 (3,540)
-
2391
8.5
The Gospel
Sony
7.9 (8,180)
-
969
7.9
The Corpse Bride
WB
6.4 (2,140)
-36%
3004
42
Waiting
Lions Gate
5.5 (3,320)
-
1652
5.5
A History of Violence
New Line
5.1 (3,830)
-37%
1340
16.7
Serenity
Uni
4.9 (2,250)
-51%
2189
17.6
Into the Blue
Sony
4.6 (1,640)
-35%
2789
13.6
The Greatest Game Ever Played
BV
4.0 (2,230)
10%
1810
8.8
Just Like Heaven
DreamWorks
3.5 (1,540)
-42%
2307
43.7
The Exorcism of Emily Rose
Sony
2.5 (1,350)
-44%
1827
72.2
The 40 Year Old Virgin
Uni
1.9 (1,670)
-39%
1135
104.4
Roll Bounce
Fox Searchlight
1.6 (1,780)
-61%
888
15
Proof
Miramax
1.5 (2,880)
34%
517
4.4
The Constant Gardener
Focus
.75 (1,600)
-47%
469
31.1
Lord of War
Lions Gate
.65 (1,180)
-74%
550
23.2
Weekend Total ($500,000+ Films)
$82.40
-
-
-
% Change (Last Year)
-8%
-
-
-