|
  
   

| August
28, 2005 | | August
21, 2005 | | August
14, 2005 | | August
7, 2005 | | July
31, 2005 | | July
24, 2005 | | July
17, 2005 | | July
10, 2005 | | July
4, 2005 | | June
26, 2005 | | June
19, 2005 | | June
12, 2005 | | June
5, 2005 | | May
29, 2005 | | May
22, 2005 | | May
15, 2005 | | May
8, 2005 | | May
1, 2005 | | April
24, 2005 | | April
17, 2005 | | April
10, 2005 | | April
3, 2005 | | March
27, 2005 | | March
20, 2005M | | March
13, 2005 | | March
6, 2005 | | Feb
27, 2005 | | Feb
21, 2005 | | Feb
13, 2005 | | Feb
7, 2005 | | January
30, 2005 | | January
23, 2005 | | January
17, 2005 | | January
9, 2005 | | January
2, 2005 | 
..Gary
Dretzka ..Leonard
Klady ..Emanuel
Levy ..David
Poland ..Doug
Pratt ..Ray
Pride

|
| September
11, 2005
Weekend Estimates
The
Exorcism of Emily Rose definitely got audiences into their seats as it provided
an initial scream count estimated at $31.2 million. It was a record response for
an immediate post-Labor Day holiday debut and spearheaded the first double-digit
boost from 2004 since everyone celebrated a birthday, more or less.Other
debuting fare was less auspicious with a particularly disappointing bow for the
action-comedy The Man of $4.1 million that slotted sixth in the lineup.
The limited opening of An Unfinished Life netted about $1 million from
139 engagements. The oft-delayed release of the Robert Redford vehicle
appeared to get a boost from sneak previews during the Labor Day holiday frame
but that seeming potency failed to materialize in commercial release. Weekend
business appeared headed for a tally of about $85 million that would represent
an 11% boost from 2004 and an 8% decline from the 3-day portion of last weekend's
holiday period. Sony
acquired worldwide rights for Emily Rose and there was little question from tracking
studies that the horror programmer would be number one choice in the domestic
marketplace. However, its opening strength was expected to be no greater than
$22 million. Conversely, while clearly a second option, The Man appeared
to have greater appeal than ticket buyers demonstrated and many predicted a second
place finish and a weekend gross in the neighborhood of $7.5 million. Holdover
titles generally saw post-summer drops consistent with comparable historic titles
with The Constant Gardener perhaps experiencing a little sharper downturn
than expected. Clearly the difference in the marketplace was largely attributable
to the power of this weekend's first choice. Had Emily Rose bowed to the $23 million
of last year's Resident Evil: Apocalypse, business would have been flat.
Distributors and exhibitors are nonetheless hoping current box office is a good
omen for the rest of the season. Openers
in niche and regional play were largely solid through short of spectacular. Bollywood's
Salaam Namaste looked quite strong with a box office close to $500,000
from 63 locations. Similarly there were respectable returns of $52,600 for Mobsters
and Mormons in Utah and an encouraging $49,000 response to the U.S. indie
Green Street Hooligans from seven big city venues. - by Leonard
Klady |
|
Weekend
Estimates
- September 9-11, 2005
| Title | Distributor | Gross
(average) | %
change | Theaters | Cume |
| The
Exorcism of Emily Rose | Sony | 30.5
(10,220) | - | 2981 | 30.5 |
| The
40 Year Old Virgin | Uni | 7.9
(2,660) | -40% | 2976 | 82.3 |
| Transporter
2 | Fox | 7.2
(2,160) | -57% | 3320 | 30.1 |
| The
Constant Gardener | Focus | 4.7
(3,420) | -46% | 1381 | 19 |
| Red
Eye | DreamWorks | 4.5
(1,470) | -41% | 3076 | 51.2 |
| The
Man | New
Line | 4.1
(2,020) | - | 2040 | 4.1 |
| The
Brothers Grimm | Miramax | 3.3
(1,210) | -54% | 2750 | 33.3 |
| Wedding
Crashers | New
Line | 3.1
(1,430) | -34% | 2181 | 199.9 |
| Four
Brothers | Par | 2.9
(1,380) | -43% | 2093 | 68.2 |
| March
of the Penguins | WIP/Christal | 2.7
(1,130) | -33% | 2409 | 67.9 |
| The
Skeleton Key | Uni | 1.6
(860) | -51% | 1882 | 45.9 |
| The
Cave | Sony | 1.3
(710) | -55% | 1871 | 13.7 |
| Underclassman | Miramax | 1.3
(1,130) | -49% | 1132 | 4.7 |
| Sky
High | BV | 1.1
(920) | -45% | 1206 | 60.7 |
| Valiant | BV | 1.1
(660) | -49% | 1663 | 17.4 |
| An
Unfinished Life | Miramax | 1.0
(7,320) | | 139 | 1 |
| Charlie
and the Chocolate Factory | WB | 1.0
(1,020) | -36% | 1013 | 202.6 |
| Broken
Flowers | Focus | .78
(1,840) | -28% | 425 | 11.6 |
| The
Dukes of Hazzard | WB | .72
(580) | -56% | 1245 | 78.5 |
| Weekend
Total ($500,000+ Films) | $80.80
| - | - | - |
| %
Change (Last Year) | - | 11% | - | - | - |
| %
Change (Last Week) | - | -8% | - | - | - |
| Also
Debuting/Expanding | | Salaam
Namaste | Yash
Raj | .48
(7,590) | - | 63 | 0.48 |
| Mobsters
and Mormons | HaleStone | 52,600
(3,290) | - | 16 | 0.05 |
| Green
Street Hooligans | Innovation | 48,750
(6,960) | - | 7 | 0.05 |
| Cote
d'Azur | Strand | 31,300
(2,850) | - | 11 | 0.03 |
| Touch
the Sound | Shadow | 8,240
(4,120) | - | 2 | 0.01 |
Summer
Market Share 2005
| | Box
Office | Percentage | %
Change | 2004
Rank | | Fox | 720.6 | 22.10% | 17% | 2 |
| Warner
Bros. | 640.5 | 19.70% | 31% | 4 |
| Paramount | 503.9 | 15.50% | 55% | 7 |
| DreamWorks | 273.3 | 8.40% | -59% | 1 |
| Universal | 252.9 | 7.80% | -10% | 6 |
| New
Line | 249.4 | 7.70% | 141% | 9 |
| |