|
 
   

| August
14, 2005 |
| August
7, 2005 |
| July
31, 2005 |
| July
24, 2005 |
| July
17, 2005 |
| July
10, 2005 |
| July
4, 2005 |
| June
26, 2005 |
| June
19, 2005 |
| June
12, 2005 |
| June
5, 2005 |
| May
29, 2005 |
| May
22, 2005 |
| May
15, 2005 |
| May
8, 2005 |
| May
1, 2005 |
| April
24, 2005 |
| April
17, 2005 |
| April
10, 2005 |
| April
3, 2005 |
| March
27, 2005 |
| March
20, 2005M |
| March
13, 2005 |
| March
6, 2005 |
| Feb
27, 2005 |
| Feb
21, 2005 |
| Feb
13, 2005 |
| Feb
7, 2005 |
| January
30, 2005 |
| January
23, 2005 |
| January
17, 2005 |
| January
9, 2005 |
| January
2, 2005 |

..Gary
Dretzka
..Leonard
Klady
..David
Poland
..Doug
Pratt
..Ray
Pride

|
|
August
21, 2005
Weekend Finals
Market Share
Top Grossers
Satisfaction!
Sex
and sleep deprivation provided the utz in the weekend box office
as debuts of The 40 Year-Old Virgin and Red Eye
led the box office charts. Virgin was on top with an estimated
$20.7 million with the psychological thriller not very far behind
with $16.8 million. The freshman combo couldn't quite provide
the firepower to top last year's performance level and certainly
weren't assisted by weak openings of Valiant, Supercross or
a handful of limited releases.
Overall weekend
business approached about $112 million for a 7% drop from last
weekend. It was also off by 4% from 2004.
A great deal
has been made of summer's clutch of R-rated comedies that have
run the gamut of commercial powerhouses to abject failures. The
40 Year-Old Virgin minimally deserves to rank on the plus
side with initial response indicating it will likely hold well
next weekend. Meanwhile, Wedding Crashers advanced to $178
million and will shortly exceed Pretty Woman as the top
grossing comedy in that classification in box office but not admissions.
Red Eye
bowed with comparable power to last weekend The Skeleton Key
and can expect a similarly sharp box office erosion. Nonetheless
it was a good first encounter for a nail biter in a season when
genre fare of a chilling nature has been generally disappointing.
Disney's acquisition
of the British-produced animated Valiant was a distant
reminder of Chicken Run. It grossed an unimpressive $6.2
million but will likely find comparably more potent response in
home video.
There was
plenty of dust and not much substance in the motorbike saga Supercross
that emerged with $1.4 million (following a $680,000 from Wednesday
and Thursday). Its five-day gross was roughly what the producers
and distributors had hoped to generate on its opening day.
Among holdover
titles, March of the Penguins added about 40 theaters and
experienced nearly consistent business from the prior frame. Its
cume is just shy of $50 million and its virtual uniqueness of
subject and genre has kept pundits busy readjusting final projections.
A $75 million to $80 million tally is quite feasible and it could
climb higher if a school program can be implemented in the fall.
The continuing
expansion of critical fave Broken Flowers remained potent
with a 27% boost to $2.2 million. Unlike Lost in Translation,
the new film is breaking a tad early to capitalize on year-end
kudos but has little competition (apart from The Constant Gardener)
among releases targeted at an adult crowd in the next month. The
Aristocrats nearly doubled its exposure to 172 theaters and
also held well but still seems confined to urban and upscale audiences.
Films opening
in limited and niche situations generally failed to impress.
Barsaat on the Bollywood circuit had a lackluster return of
$46,600 from 25 venues while the Korean import Sympathy for
Mr. Vengeance averaged a dull average of almost $2,500 from
three screens.
In Quebec,
the French comic import Boudu was just fair with $36,500
in 10 situations. Single screen preems ranged from a very good
$10,100 for the quirky Spanish crime comedy El Crimen Perfecto
and the documentary The Untold Story of Emmett Till with
$8,100 to barely passable response for the non-fiction Reel
Paradise of $2,900.
- by Leonard
Klady
|
|
Weekend
Finals
- August 19-21, 2005
|
|
|
Title |
Distrib
|
Weekend |
%
Change |
Theaters |
Cume |
Wks
|
|
1
|
New
|
The
40-Year Old Virgin |
Uni
|
21,422,815 |
- |
2845 |
21,422,815 |
1
|
|
2
|
New
|
Red
Eye |
DreamWorks
|
16,167,662 |
- |
3079 |
16,167,662 |
1
|
|
3
|
1
|
Four
Brothers |
Par
|
12,487,537 |
-41% |
2649 |
43,118,074 |
2
|
|
4
|
4
|
Wedding
Crashers |
New
Line
|
8,002,613 |
-32% |
2920 |
177,642,603 |
6
|
|
5
|
2
|
The
Skeleton Key |
Uni
|
7,725,495 |
-52% |
2774 |
30,448,770 |
2
|
|
6
|
7
|
March
of the Penguins |
WIP/Christal
|
6,507,092 |
-5% |
2104 |
49,119,475 |
13
|
|
7
|
3
|
The
Dukes of Hazzard |
WB
|
5,978,292 |
-54% |
3404 |
69,070,528 |
3
|
|
8
|
New
|
Valiant |
BV
|
5,914,722 |
- |
2014 |
5,914,722 |
1
|
|
9
|
6
|
Charlie
and the Chocolate Factory |
WB
|
4,434,453 |
-40% |
2575 |
192,638,088 |
6
|
|
10
|
8
|
Sky
High |
BV
|
4,034,895 |
-36% |
2145 |
50,862,532 |
4
|
|
11
|
5
|
Deuce
Bigalow: European Gigolo |
Sony
|
3,807,221 |
-60% |
3127 |
17,381,752 |
2
|
|
12
|
14
|
Broken
Flowers |
Focus
|
2,349,001 |
37% |
390 |
5,977,086 |
3
|
|
13
|
9
|
Must
Love Dogs |
WB
|
2,241,228 |
-51% |
1809 |
39,028,308 |
4
|
|
14
|
10
|
The
Great Raid |
Miramax
|
1,820,664 |
-46% |
920 |
6,549,818 |
2
|
|
15
|
New
|
Supercross |
Fox
|
1,330,520 |
- |
1621 |
2,010,962 |
1
|
|
16
|
12
|
War
of the Worlds |
Par
|
1,057,340 |
-51% |
713 |
230,614,825 |
8
|
|
17
|
11
|
Fantastic
Four |
Fox
|
1,032,450 |
-56% |
879 |
150,668,328 |
7
|
|
18
|
19
|
The
Aristocrats |
Thinkfilm
|
666,449 |
-23% |
170 |
2,717,241 |
4
|
|
19
|
16
|
Batman
Begins |
WB
|
632,369 |
-40% |
397 |
202,285,638 |
10
|
|
20
|
13
|
Stealth |
Sony
|
558,334 |
-74% |
707 |
31,200,155 |
4
|
|
21
|
20
|
Mr.
& Mrs. Smith |
Fox
|
458,038 |
-44% |
416 |
183,386,949 |
11
|
|
22
|
15
|
The
Island |
DreamWorks
|
402,257 |
-69% |
451 |
35,255,603 |
5
|
|
23
|
17
|
Hustle
& Flow |
Par
Classics
|
359,783 |
-63% |
420 |
21,425,415 |
5
|
|
24
|
22
|
L'Horloge
biologique |
Alliance
|
358,721 |
-19% |
81 |
2,017,133 |
3
|
|
25
|
24
|
Star
Wars: Epi. III - Revenge of the Sith |
Fox
|
327,011 |
-1% |
307 |
378,977,117 |
14
|
|
26
|
18
|
The
Bad News Bears |
Par
|
308,059 |
-67% |
425 |
32,270,993 |
5
|
|
27
|
27
|
Grizzly
Man |
Lions
Gate
|
295,911 |
10% |
51 |
706,915 |
2
|
|
28
|
25
|
Madagascar |
DreamWorks
|
251,782 |
-24% |
363 |
190,252,852 |
13
|
|
29
|
26
|
The
Devil's Rejects |
Lions
Gate
|
239,787 |
-23% |
196 |
16,901,126 |
5
|
|
30
|
23
|
The
Longest Yard |
Par
|
235,970 |
-30% |
284 |
157,335,993 |
13
|
|
31
|
30
|
Bewitched |
Sony
|
224,417 |
26% |
231 |
62,252,415 |
9
|
|
32
|
21
|
Mangal
Pandya - The Rising |
Yash
Raj
|
185,688 |
-65% |
63 |
787,027 |
2
|
|
33
|
28
|
Cinderella
Man |
Uni
|
143,865 |
-36% |
264 |
61,345,700 |
12
|
|
34
|
43
|
2046 |
Sony
Classics
|
135,343 |
47% |
29 |
445,805 |
3
|
|
35
|
29
|
Herbie:
Fully Loaded |
BV
|
133,512 |
-39% |
201 |
64,281,751 |
9
|
|
36
|
35
|
Wild
Safari 3D |
nWave
|
130,658 |
-9% |
17 |
3,950,871 |
17
|
|
37
|
31
|
Mad
Hot Ballroom |
Par
Classics
|
120,553 |
-32% |
89 |
7,275,299 |
15
|
|
38
|
39
|
Junebug |
Sony
Classics
|
119,637 |
-4% |
29 |
447,140 |
3
|
|
39
|
33
|
Adventures
of Sharkboy and Lavagirl |
Miramax
|
116,409 |
-28% |
229 |
38,943,250 |
11
|
|
40
|
34
|
The
Sisterhood of the Traveling Pants |
WB
|
114,603 |
-29% |
208 |
38,826,208 |
12
|
|
41
|
38
|
Ladies
in Lavender |
IDP
|
99,759 |
-23% |
92 |
6,100,390 |
17
|
|
42
|
44
|
C.R.A.Z.Y. |
TVA
|
98,981 |
10% |
36 |
4,056,480 |
13
|
|
43
|
41
|
Aurore |
Alliance
|
97,279 |
-6% |
54 |
4,303,341 |
7
|
|
44
|
32
|
Me
and You and Everyone We Know |
IFC
|
97,234 |
-43% |
90 |
3,369,700 |
10
|
|
45
|
61
|
Asylum |
Par
Classics
|
86,509 |
139% |
39 |
140,393 |
2
|
|
46
|
36
|
Crash |
Lions
Gate
|
85,460 |
-39% |
131 |
52,931,832 |
16
|
|
47
|
57
|
Aliens
of the Deep |
BV
|
73,097 |
65% |
23 |
6,863,625 |
30
|
|
48
|
47
|
Space
Station |
Imax
|
71,331 |
3% |
7 |
63,063,659 |
174
|
|
49
|
40
|
Rebound |
Fox
|
65,446 |
-41% |
129 |
16,708,656 |
8
|
|
50
|
37
|
Murderball |
Thinkfilm
|
65,065 |
-52% |
65 |
1,254,038 |
7
|
|
51
|
42
|
Monster-in-Law |
New
Line
|
58,410 |
-42% |
106 |
82,820,167 |
15
|
|
52
|
49
|
Adrenaline
Rush: The Science of Risk |
Giant
Screen
|
58,400 |
-8% |
12 |
10,122,281 |
147
|
|
53
|
53
|
Pulse:
A Stomp Odyssey |
Giant
Screen
|
54,870 |
-4% |
10 |
9,313,627 |
148
|
|
54
|
New
|
Barsaat |
Rainbow
|
48,759 |
|
25 |
48,759 |
1
|
|
55
|
54
|
Saraband |
Sony
Classics
|
34,317 |
-31% |
24 |
478,554 |
7
|
|
56
|
45
|
Saint
Ralph |
IDP/Odeon
|
33,871 |
-58% |
27 |
581,084 |
20
|
|
57
|
50
|
Dark
Water |
BV
|
32,848 |
-48% |
59 |
25,029,897 |
7
|
|
58
|
46
|
Happy
Endings |
Lions
Gate
|
32,592 |
-59% |
38 |
1,245,996 |
6
|
|
59
|
56
|
T-Rex:
Back to the Cretacious |
Imax
|
31,747 |
-33% |
5 |
51,894,116 |
357
|
|
60
|
48
|
The
Perfect Man |
Uni
|
29,590 |
-55% |
65 |
16,459,306 |
10
|
|
61
|
58
|
Land
of the Dead |
Uni
|
29,226 |
-33% |
57 |
20,674,800 |
9
|
|
62
|
New
|
Boudu |
Seville
|
28,108 |
- |
10 |
28,108 |
1
|
|
63
|
52
|
Pretty
Persuasion |
IDP
|
26,654 |
-55% |
9 |
113,794 |
9
|
|
64
|
51
|
Last
Days |
Picturehouse
|
26,527 |
-58% |
22 |
424,119 |
5
|
|
65
|
55
|
The
Beat My Heart Skipped |
Wellspring
|
23,072 |
-53% |
19 |
839,100 |
8
|
|
66
|
62
|
Kicking
and Screaming |
Uni
|
21,461 |
-40% |
53 |
52,831,364 |
15
|
|
67
|
69
|
Balzac
& Little Chinese Seamstress |
Empire
|
20,843 |
-10% |
3 |
116,864 |
4
|
|
68
|
66
|
Howl's
Moving Castle |
BV
|
19,386 |
-22% |
25 |
4,612,726 |
11
|
|
69
|
67
|
Bugs! |
SK
Film
|
19,168 |
-20% |
7 |
16,320,589 |
127
|
|
70
|
60
|
My
Date with Drew |
DEJ
|
18,759 |
-48% |
41 |
202,492 |
3
|
|
71
|
71
|
Pinocchio
3000 |
Christal
|
17,858 |
-8% |
20 |
177,173 |
4
|
Weekend
Estimates
- August 19-21, 2005
| Title |
Distributor
|
Gross
(average)
|
%
change
|
Theaters
|
Cume
|
| The
40 Year-Old Virgin |
Uni
|
20.7
(7,260)
|
-
|
2845
|
20.7
|
| Red
Eye |
DreamWorks
|
16.8
(5,450)
|
-
|
3079
|
16.8
|
| Four
Brothers |
Par
|
12.3
(4,650)
|
-42%
|
2649
|
43
|
| Wedding
Crashers |
New
Line
|
8.4
(2,870)
|
-29%
|
2920
|
178
|
| |