| August
7 , 2005
Weekend Estimates
Market Share
Put
Up Your Dukes
The
first weekend of August is generally considered the last opportunity to open a
major summer release and still get ample box office juice. That spot was filled
by the big screen translation of bygone television favorite The Dukes of Hazzard
and it translated into an estimated $30.3 million bow that easily led weekend
viewing options. The
Dukes were the sole national opening and provided just enough horsepower to equal
last year's weekend gross. However, there were other significant highlights, including
the national expansion of March of the Penguins and potent regional and
niche bows for Broken Flowers, 2046 and the Quebec romantic comedy L'Horloge
Biologique. Cracker
humor, fast cars and buxom beauties were the hallmark of The Dukes of Hazzard
on TV and all those elements were retained in its movie incarnation. Its $12
million opening day gross held out the promise of a $35 million plus frame but
Saturday business fell sharply by 21 percent and estimates downshifted. And despite
its lineage, exit polls revealed that there was little nostalgic interest with
the film's prime appeal coming from teens and young 20s too young to have a first
hand experience with Luke, Bo, Daisy and the rest of the Georgia clan. The
frame was dominated by films from Time-Warner companies with five of the top six
movies distributed by Warner Bros., New Line or Warner Independent. While unconfirmed,
it's believed to be a record. Overall
box office business weighed in with approximately $114 million to provide only
the third instance of the summer in which a comparable or better gross was recorded
in relation to 2004. There's been just one week during the season in which admissions
exceeded the prior year. Wedding
Crashers once again had an excellent hold and if it continues on its present
path will reach $200 million by Labor Day. Meanwhile, March of the Penguins
opted to go full bore and expand to 1,875 theaters. Its $7.1 million weekend ranked
sixth and pushed its cume to $27 million and the prospect of a $50 million finale.
August has also
evolved as a period to debut specialized fare in hopes those pictures can sail
through the fall and into awards season. The strategy provided a fast start for
Cannes award winner Broken Flowers with Bill Murray that bowed at
27 theaters and generated close to $700,000. Another fest favorite, 2046 from
Hong Kong filmmaker Wong Kar-wai, showed comparable strength but in just
four situations. Down
a notch but still impressive was the Sundance-preemed Junebug with a $73,500
weekend at 10 locales. The human comedy bowed Wednesday, grossing an additional
$25,000. The results for two other American indies were lackluster with the mockumentary
My Date with Drew grossing about $82,000 from 58 venues and The Chumscrubber
eking by with barely more than a $1,000 average in 28 exposures. There
was another excellent bow for a local production in Quebec with L'Horloge Biologique
(The Biological Clock) stepping out with more than $500,000 from 88
playdates. The second weekend of the dirty joke chronicle The Aristocrats
added five engagements bringing its total to nine with box office basically on
par with its first salvo and its screen average still mighty. Additionally,
there was a fair opening for the South American hostage yarn Secuesto Express
of $41,000 from eight screens and a passable $140,000 gross from 61 engagements
for the U.S. bow of the Canadian family drama Saint Ralph. The latter film
opened earlier this year in the Great White North and generated about $230,000.
- by Leonard
Klady |