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June
26, 2005
Weekend Finals
Market Share
Bewitched
Bothered and Bewildered
There
was no plane on the horizon, but film going was definitely headed
for Fantasy Island as the weekend favorites included a costumed
crimefighter, a woman with a twitchy nose, a possessed Volkswagen
and a zombie attack.
Batman
Begins enjoyed its second weekend at the top of the charts
with an estimated $26.5 million while the debut of Bewitched
followed with $20.4 million. Also bowing in the top five were
the variations on bygone hits, Herbie: Fully Loaded and
Land of the Dead. There was an OK bow for the dance rage
Rize, a strong debut on the Bollywood circuit and a potent
limited exposure for the ethnographic March of the Penguins.
The plethora
of sequels, remakes and reinventions didn't quite lead to the
conclusion that imitation breeds contempt. However, the weekend
tally of roughly $125 million continued to lag behind 2004 with
a 17% decline from the prior year and an 8% drop from the immediate
prior weekend. Domestic box office surpassed $4 billion during
the mid-week and the current cume of $4.16 billion is 9% behind
last year's record pace.
The attitude
was generally upbeat that Batman Begins second weekend
fell less than 50% and a feeling that its new incarnation would
spawn a sequel. However, its viability may finally hinge on how
well it bears up against the worldwide onslaught of War of
the Worlds on Wednesday. Early word on the Steven Spielberg
film is that it's intense, dark and not a thrill ride designed
for anyone under the age of 12. But it is, after all, about global
annihilation from malevolent alien forces.
Though less
a remake of the 1970s sitcom than a psycho-comedy rumination,
Bewitched appeared to draw from both those that remembered
it with affection and Nick at Niters despite often crushing reviews.
Its tracking suggested an opening between $20 million and $25
million and a 5% drop in Saturday business resulted in it arriving
at the low end of the range.
Herbie, the
Beetle that saved Disney when The Love Bug became the top
grosser of 1969, didn't have the same commercial traction with
Lindsay Lohan at the wheel. Industry trackers were surprised
when the company opted for a Wednesday bow that provided a softish
$5 million head start for the weekend. The unrepentant family
comedy added about $12.5 million for a 5-day gross of $17.7 million.
Distribution president Chuck Viane says the early start
provided word-of-mouth for the film and ranked its performance
as encouraging and positive.
George
Romero spawned a genre success with Night of the Living
Dead about the same time Herbie was enjoying wider mainstream
response. Returning to his roots for a fourth time, his Land
of the Dead proved a hit with reviewers but didn't attract
more than its core of aficionados with a $10.4 million box office
resurrection.
In a slightly
more limited exposure, Rize generated about $1.6 million
from 352 theaters. The non-fiction tribute to the urban dance
craze of clowning and cramping didn't well in its niche.
While new
titles performed near expectation and holdover titles bore up
against competition, the psychological toll of declining attendance
continues to keep a cloud over Hollywood. Studio and distribution
reps are downbeat about the current downturn entering its 18th
week and see no easy fixes to the situation. Content and the erosion
of cinema going to DVD among other factors pose dilemmas that
may require a serious overhaul of current approaches to film production.
Activity was
largely brisk among regional and limited openers. Pahali,
the latest entry on the Bollywood circuit, generated one of the
more potent debuts this year with roughly $340,000 from 60 venues
while the U.S. bow of March of the Penguins grossed about
$100,000 from four theaters. The French odyssey on the mating
ritual of the Antarctic birds has been in release in Quebec since
April where its grossed more than $300,000.
The French
stoner blockbuster Brice de Nice about a hapless surfer
lost a great deal in the Atlantic crossover with an $83,000 first
wave on 29 platforms. Another Gallic import, Lila Says,
generated an encouraging $12,300 from two venues and the Lew Wasserman
profile The Last Mogul was OK with $5,600 from a single
playdate. More upbeat was the $32,300 response for the offbeat
drama of politics and infidelity Yes from Sally Potter.
- by Leonard
Klady
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