April 3, 2005
March 27, 2005
March 20, 2005M
March 13, 2005
March 6, 2005
Feb 27, 2005
Feb 21, 2005
Feb 13, 2005
Feb 7, 2005
January 30, 2005
January 23, 2005
January 17, 2005
January 9, 2005
January 2, 2005


..Gary Dretzka
..Leonard Klady
..Emanuel Levy
..David Poland
..Doug Pratt
..Ray Pride




May 1, 2005
Weekend Estimates
Top Limited Grosses
Market Share


XXX Crutiating!!!

The Hitchhiker's Guide to the Galaxy stepped out of its cult status to a decidedly mainstream debut estimated at $22.2 million. It was more than sufficient to fend off all competition including a disappointing third place bow for XXX: State of the Union of $13.4 million.

Additionally, Hitchhiker was several orbits ahead of XXX 2 in the United Kingdom and Australia where the two films went head to head. And the action sequel found the commercial waters lukewarm in 62 other territories in its global box office blitz.

Domestically the two films were both expected to gross more than $20 million and turn around flagging box office and attendance that's engulfed movie going for two months. Instead, the weekend tally headed toward $95 million to remain even with last weekend's grosses and trail the comparable 2004 frame by 9 percent. A year ago Mean Girls bit into a $24.4 million opening that led the field.

Beginning as a radio play and morphing into a book and BBC television series, The Hitchhiker's Guide to the Galaxy has fascinated and daunted filmmakers for two decades. But perseverance appears to have paid off commercially while pretty much splitting critics into opposing camps. In the U.S. its hardcore fans contributed to an $8.1 million opening day but a soft 9% bump on Saturday. Its audience is dominated by twenty and thirtysomething males and that could seriously limit business in the coming weeks.

While Hitchhiker played to overall expectations, XXX: State of the Union was a pale reflection of its former self. Heading into the weekend Sony and Revolution had full confidence the testosterone entertainment would rank first in the marketplace and were dumbfounded when it failed to equal the rival newcomer and the second weekend of The Interpreter.

While response was less than tracking had indicated in all quadrants, particularly weak was its appeal to African American males.

Overseas performance was also disappointing and the decision to go global ahead of The War of the Worlds and a new Star Wars though wise was less than buoyant with early estimates pegged at $15 million. It's top grossing market was the U.K. where it ranked second with $1.8 million to Hitchhiker's considerably more potent $5.8 million. It was also outclassed in Australia where HGG grossed $2.5 million to its $1 million result. With the exception of Spain $1 million box office lead XXX 2 was the bridesmaid in such territories as France ($1.4 million), South Korea ($1.3 million) and Germany ($1.2 million).

Holdover titles in general took not unexpected 30% to 40% hits though the gamble on Kung Fu Hustle came up short as it slid 55% from last weekend's national launch. Another exception is Robots that remains more resilient than other continuing titles as it mines the family audience that have pushed its cume past $123 million.

Following its dynamic three screen opening last weekend, the documentary Enron: The Smartest Guys in the Room added 44 playdates and scored excellent returns of $360,000. But as with the mainstream, business in the niches has tilted toward softish results by and large.

The best of the weekend newcomers was the Brit showcase of Dames Maggie Smith and Judi Dench in Ladies in Lavender. The film had an impressive tally of about $140,000 from 22 venues but it was one of the few titles that had encouraging returns.

Death of a Dynasty, an American indie set in the world of hip hop generated a not too tuneful $29,400 from 16 pop stands while the Korean import 3-Iron (from the director of Spring, Summer, Fall, Winter …) had a soft landing just shy of a $3,000 average from seven theaters. The Argentine The Holy Girl displayed better initial strength of $27,200 from two exclusive engagements.

- by Leonard Klady


Weekend Estimates - April 29-May 1, 2005

Title
Distributor
Gross (average)
% change
Theaters
Cume
The Hitchhiker's Guide to the Galaxy
BV
22.2 (7,070)
-
3133
22.2
The Interpreter
Uni
14.3 (5,190)
-37%
2764
43.7
XXX: State of the Union
Sony
13.4 (3,860)
-
3480
13.4
The Amityville Horror 
MGM
8.0 (2,630)
-41%
3058
55
Sahara
Par
5.8 (1,870)
-36%
3112
57
A Lot Like Love
BV
5.3 (2,120)
-30%
2502
14.8
Fever Pitch
Fox
3.6 (1,660)
-34%
2192
36.4
Kung Fu Hustle
Sony Classics
3.0 (1,240)
-55%
2440
12.3
Robots
Fox
2.5 (1,380)
-28%
1782
123.5
Guess Who
Sony
2.3 (1,220)
-35%
1863
65.6
Sin City
Miramax
2.1 (1,290)
-43%
1665
70.7
The Pacifer
BV
1.3 (1,030)
-40%
1224
108.3
Miss Congeniality 2: Armed & Fabulous
WB
1.0 (880)
-46%
1108
45.9
Beauty Shop
MGM
.89 (980)
-55%
905
35.4
King's Ransom
New Line
.78 (520)
-63%
1508
3.45
The Upside of Anger
New Line
.71 (870)
-29%
816
17.8
Millions
Fox Searchlight
.57 (1,680)
-15%
339
4.6
Hitch
Sony
.54 (1,022)
-27%
528
177.4
Le Survenant
Alliance
.51 (4,410)
-16%
116
1.42
Weekend Total ($500,000+ Films
$88.60
-
-
-
% Change (Last Year)
-
-9%
-
-
-
% Change (Last Week)
-
0%
-
-
-
Also Debuting/Expanding
Enron: The Smartest Guys …
Magnolia
.36 (7,770)
386%
47
0.47
House of D
Lions Gate
.18 (600)
-
304
0.23
Madison
MGM
.17 (1,760)
-38%
94
0.48
Ladies in Lavender
IDP
.14 (6,270)
-
22
0.14
Death of a Dynasty
TLA
29,400 (1,840)
-
16
0.03
The Holy Girl
New Line
27,200 (13,600)
-
2
0.03
3-Iron
Sony Classics
20,100 (2,870)
-
7
0.02
A Tout de suite
CineGuild
15,300 (15,300)
-
1
0.02
Come Away Home
IFG
13,100 (1,190)
-
11
0.01
Another Road Home
GeoQuest
7,340 (3,670)
-
2
0.01

Top Limited Releases - Jan 1 - April 28, 2005

Bride and Prejudice
Mrmx
6,508,719
Beyond the Sea
Lions Gate
5,307,776
Aliens of the Deep
BV
4,756,392
Downfall
Newmarket
4,665,841
Ong Bak: The Thai Warrior
Magnolia/Alliance
4,563,167
A Very Long Engagement
WIP
4,396,424
Being Julia
Sony Class/Think
4,221,165
Millions
Fox Searchlight
4,014,152
Kinsey
Fox Searchlight
3,929,716
Bad Education
Sony Class/Seville
3,740,716
The Merchant of Venice
Sony Classics
3,593,466
Melinda and Melinda
Fox Searchlight
3,458,406
Born into Brothels
Thinkfilm
3,218,223
Space Station
Imax
2,583,384
The Work and the Glory
Excel
2,300,992
The Sea Inside
NLC
1,881,053
Vera Drake
NLC
1,669,563
State Property 2
Lions Gate
1,635,262
Les Choristes
Alliance/Mrmx
1,592,116
Ma Vie en Cinemascope
Alliance
1,586,615

 

Domestic Market Share: To April 28, 2005

Company (releases)
Box Office
Percentage
Sony (11)
416.9
16.70%
Warner Bros. (12)
362.1
14.50%
Universal (9)
308.8
12.30%
Fox (8)
290.1
11.60%
Miramax (10)
238.8
9.50%
Buena Vista (11)
211.2
8.40%
MGM (7)
160.9
6.40%
Paramount (6)
156.7
6.30%
DreamWorks (2)
77.2
3.10%
Lions Gate (7)
62.8
2.50%
Fox Searchlight (6)
62.4
2.50%
New Line (8)
47.7
1.90%
Sony Classics (10)
28.9
1.10%
Focus (3)
21.6
0.90%
Other * (101)
58.3
2.30%
* none greater than .06%
2504.4
100.00%

 

 


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