March 20, 2005
March 13, 2005
March 6, 2005
Feb 27, 2005
Feb 21, 2005
Feb 13, 2005
Feb 7, 2005
January 30, 2005
January 23, 2005
January 17, 2005
January 9, 2005
January 2, 2005


..Gary Dretzka
..Leonard Klady
..Emanuel Levy
..David Poland
..Doug Pratt
..Ray Pride





Weekend Estimates

Rabbit Punch

There was no second coming despite the preponderance of sequels on the marquee during the Easter holiday frame. The debuts of Guess Who and Miss Congeniality 2: Armed and Fabulous topped the box office but without the box office dynamism of such recent entries as Robots, Ring Two or The Pacifier. The result was a double-digit decline in movie going with the few targeting the pew.

The weekend, according to industry tracking, belonged to the Miss Congeniality sequel and Warner Bros. accordingly decided to debut the film on Thursday ahead of the pack. Its $3 million bow provided every confidence that it would ring up about $25 million for the four days but that scenario would quickly evaporate.

Conversely, the ad hoc switcheroo on Guess Who's Coming to Dinner was expected to rank third overall with a gross in the neighborhood of $15 million. Instead it exceeded expectations with audiences provides these ayes to an estimated $21.6 million fueled by a young multi-ethnic crowd. Miss Congeniality 2 barely nosed into second with $14.4 million for the 3-days and The Ring Two's sophomore session recorded about $14.3 million.

Overall business declined by roughly 13% from seven days earlier with a tally around $102 million. It was also down by some 16% from calendar 2004 and 14% from last year's Easter period.

In general, the leading holdover titles experienced 33% declines and the sturdier fare in the marketplace skewed more adult or niche in appeal. Several films including The Upside of Anger and Downfall continued to maintain momentum in slow rollouts with the former titled primed for its national debut next weekend.

Fox Searchlight boosted its exposure on Woody Allen's Melinda and Melinda and scored $810,000 from 95 venues. Its Brit import Millions also added screens and kept a sturdy $6,700 average at 77 locations.

The frame also had a healthy number of regional and limited openers including a ho-hum $120,000 gross from a 32 screen launch of La Vie avec mon pere in Quebec. Also virtually under the radar was the 45 playdates of the distaff action spoof D.E.B.S. that failed to graduate with $58,000 report card.

On the plus side, the relatively nascent Tartan Films had its best ever bow with the critically acclaimed Korean revenge opus Old Boy grossing around $61,000 from five theaters. Similarly, the Sundance-preemed The Ballad of Jack and Rose generated $60,000 from four screens. Other openers included an upbeat response of $22,000 for three exposures of the Israeli Nina's Tragedies and a sweet bouquet of $10,300 for the wine doc Mondovino at a single Manhattan site.


A-M-C … See you later!

There was more than a ripple last week when the AMC circuit rather abruptly decided to close down its Los Angeles film booking office and move its entire operation to headquarters in Kansas City. Local reps for the theater chain were given the option of headin' out to Missour,i but many weren't ready to quickly uproot on this cattle drive.

Most of the national theater chains - including Regal and Loews - have L.A. offices for the strategic and political edge of being close to studio distribution. Even Canada's Famous Players chain has a SoCal office.

Response from key distributors was less than enthusiastic, tinged by shakeups in AMC's booking department that will see long standing alliances broken and new relationships established. The majors won't be adding K.C. to their travel itinerary and one division chief said he's been told that the circuit's new head booker, Sonny Gurley, is committed to spending a week in Los Angeles every month to deal with the circuit's needs.

- by Leonard Klady


Weekend Estimates - March 25-27, 2005

Title
Distributor
Gross (average)
% change
Theaters
Cume
Guess Who
Sony
21.6 (6,870)
- 3147 21.6
Miss Congeniality 2: Armed & Fabulous
WB
14.4 (4,450)
- 3233 17.5
The Ring Two
DreamWorks
14.3 (4,290)
-59% 3341 58.5
Robots
Fox
13.1 (3,820)
-38% 3431 87.5
The Pacifer
BV
8.4 (2,720)
-33% 3102 86.4
Hitch
Sony
4.2 (1,890)
-35% 2233 166.4
Hostage
Miramax
3.9 (1,990)
-34% 1977 26
Ice Princess
BV
3.7 (1,500)
-45% 2501 13.3
Be Cool
MGM
2.8 (1,460)
-53% 1883 52.3
Million Dollar Baby
WB
2.5 (1,470)
-37% 1710 94.1
The Upside of Anger
New Line
1.2 (7,510)
-32% 167 4
Constantine
WB
1.2 (1,220)
-47% 1005 72.7
Diary of a Mad Black Woman
Lions Gate
1.0 (1,290)
-57% 802 49.4
Melinda and Melinda
Fox Searchlight
.81 (8,520)
993% 95 1.04
Sideways
Fox Searchlight
.63 (1,530)
-32% 413 70.5
Bride and Prejudice
Miramax
.53 (2,040)
-17% 261 5.6
Millions
Fox Searchlight
.52 (6,750)
156% 77 0.9
Downfall
Newmarket
.51 (3,990)
-14% 128 2
Weekend Total ($500,000+ Films)
$95.30
- - -
% Change (Last Year)
-
-16%
- - -
% Change (Last Week)
-
-13%
- - -
Also Debuting/Expanding
La Vie avec mon pere
Christal
.12 (3,870)
- 32 0.12
Old Boy
Tartan
61,500 (12,300)
- 5 0.06
The Ballad of Jack and Rose
IFC
60,000 (15,010)
- 4 0.06
D.E.B.S.
Miramax
58,200 (1,290)
- 45 0.06
Nina's Tragedies
Wellspring
22,400 (5,600)
- 4 0.02
Mondovino
Thinkfilm
10,300 (10,300)
- 1 0.01

DomesticGrosses: Jan 1 - March 17, 2005

Hitch
Sony
152,845,138
Meet the Fockers *
Uni
143,855,120
Million Dollar Baby *
WB
86,037,879
Are We There Yet?
Sony
79,835,019
The Aviator *
Mrmx/WB
75,424,502
Constantine
WB
68,056,792
Coach Carter
Par
66,364,794
The Pacifier
BV
59,740,454
White Noise
Uni/TVA
56,247,853
Hide and Seek
Fox
50,557,998
Racing Stripes
WB
47,908,253
Sideways *
Fox Searchlight
47,703,759
Boogeyman
Sony
46,277,460
In Good Company
Uni
45,438,314
Diary of a Mad Black Woman
Lions Gate
45,264,893
Robots
Fox
45,041,802
Be Cool
MGM
41,403,036
The Phantom of the Opera *
WB
36,892,679
Lemony Snicket's … Unfortunate Events
Par
32,885,212
The Wedding Date
Uni/Equinoxe
31,152,875
* does not include 2004 box office

 

Domestic Market Share: To March 17, 2005

Distributor (releases)
Gross
Percentage
Sony (9)
324.5
18.80%
Warner Bros. (10)
294.4
17.10%
Universal (8)
275.9
16.00%
Fox (7)
178.2
10.40%
Miramax (8)
141.5
8.20%
Buena Vista (9)
126.7
7.40%
Paramount (5)
104.3
6.00%
MGM (4)
63.2
3.70%
Lions Gate (5)
55.9
3.20%
Fox Searchlight (5)
51.6
3.00%
New Line (7)
27.2
1.60%
Focus (3)
21.6
1.20%
Sony Classics (7)
17.3
1.10%
Other * (69)
39
2.30%
* none greater than 0.6%
1721.3
100.00%

 

 

 


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