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..Gary Dretzka
..Leonard Klady
..Emanuel Levy
..David Poland
..Doug Pratt
..Ray Pride





Weekend Estimates
Domestic Market Share
Worldwide Grosses

Be ... Calm

The leading films in the marketplace expressed soothing sentiments but the anticipation was for a heated competition between two debuting titles. And while both films opened well, it was unquestionably the family friendly The Pacifier that prevailed over the return of Chili Palmer in Be Cool. The Pacifier's first weekend was estimated at $29.6 million while Be Cool took the second slot with $23.3 million.

The frame also saw a post-Oscar bump for Million Dollar Baby, a disappointing premiere for The Jacket and a handful of promising launches in limited and exclusive engagements.

Spoofing his muscular image, Vin Diesel provided excellent mileage for The Pacifier. Buoyed by a clever ad campaign the film established its dominance Friday with an $8.5 million gross that was close to $1 million ahead of its closest competition. Pundits had pegged its opening strength no better than $25 million but insiders at Disney said its tracking was closer to the final number.

Be Cool had been favored to lead the weekend by a slim margin though its final tally was close to tracking estimates. Critical response had been middling for the follow up to Get Shorty. However, the cast - including The Rock playing against type - received thumbs up.

The momentum of the debuts propelled the span to about $123 million for a slim 1% bump from the prior weekend. However, a year ago The Passion of the Christ was still commercially on fire with a $53.2 million second weekend and that resulted into a 14% better frame.

The third national premiere, the psychological thriller The Jacket, nipped into the 10th slot with about $2.7 million and a theater average of roughly $2,000. It was more bad news for Warner Independent that's been looking for a hit since it opened for business a year ago.

Heading into the weekend, the consensus was that only Million Dollar Baby and documentary award winner Born into Brothels would experience a noticeable bump from Oscar and that was clearly the case. Baby added 225 theaters and experienced a 16% boost to $8.6 million while Brothels expanded 11 screens and ballooned 54% with a $200,000 weekend. The rest of the field experienced 30% to 40% hits with Hotel Rwanda the most resilient of the runners up.

The hot button doc Gunner Palace on American soldiers in Iraq arrived on seven screens to a very good response of $50,000. The Israeli drama Walk on Water opened to a comparable gross but in 10 locations and Dear Frankie, the winning Scottish social comedy, fared well with $38,000 in five venues.

The Italian family epic The Best of Youth bowed on a single screen in New York to roughly $8,000. Youth had its first international exposure at Cannes in 2003 and has trickled out throughout Europe to solid niche response. Its two-part and six-hour running time have been difficult to overcome audience resistance despite 4-star reviews and its U.S. launch has been rescheduled several times for more than a year. The films played last year in Quebec and grossed about $350,000.

- by Leonard Klady


Weekend Estimates - March 4-6, 2005

Title
Distributor
Gross (average)
% change
Theaters
Cume
The Pacifer
BV
29.6 (9,450)
* 3131 29.6
Be Cool
MGM
23.3 (7,240)
* 3216 23.3
Hitch
Sony
12.5 (3,630)
-39% 3438 138.3
Diary of a Mad Black Woman
Lions Gate
11.3 (6,600)
-49% 1703 37.2
Million Dollar Baby
WB
8.6 (3,630)
16% 2350 77
Constantine
WB
5.9 (2,140)
-51% 2758 60.4
Cursed
Miramax
3.8 (1,360)
-60% 2805 15.2
Man of the House
Sony
3.5 (1,450)
-61% 2422 14
Because of Winn-Dixie
Fox
3.4 (1,370)
-50% 2506 27
The Jacket
WIP
2.7 (2,010)
1331 2.7
The Aviator
Miramax/WB
2.4 (1,820)
-35% 1331 97.2
Sideways
Fox Searchlight
2.2 (2,090)
-38% 1057 66.3
Are We There Yet?
Sony
1.5 (850)
-64% 1745 78.6
Finding Neverland
Miramax
1.1 (1,670)
-41% 643 49.6
Hotel Rwanda
MGM
1.1 (1,950)
-30% 575 20.8
Son of the Mask
New Line
.97 (520)
-75% 1865 15.9
The Wedding Date
Uni/Equinoxe
.92 (1,170)
-56% 785 30.4
Pooh's Heffelump Movie
BV
.83 (900)
-60% 924 17
Bride and Prejudice
Miramax
.72 (4,020)
-16% 179 2.77
Boogeyman
Sony
.69 (690)
-67% 995 45.84
Meet the Fockers
Uni
.56 (690)
-49% 816 275.33
Phantom of the Opera
WB
.51 (1,240)
-23% 411 49.5
Weekend Total ($500,000+ Films)
$118.10
* * *
% Change (Last Year)
*
-14%
* * *
% Change (Last Week)
*
1%
* * *
Also Debuting/Expanding
Aliens of the Deep
BV
.22 (8,210)
-33% 27 3.5
Downfall
Newmarket
69,400 (7,700)
10% 9 0.21
Walk on Water
IDP
50,650 (5,065)
* 10 0.05
Gunner Palace
Palm
50,200 (7,170)
* 7 0.05
Dear Frankie
Miramax
38,300 (7,660)
* 5 0.04
Best of Youth, Part 1
Miramax
7,900 (7,900)
* 1 0.1

Top Worldwide Grosses: To March 3, 2005

Meet the Fockers
Uni
322,127,725
Ocean's Twelve
WB
169,589,674
The Aviator
Miramx/Initial
156,805,284
The Incredibles
BV
140,050,285
Hitch
Sony
132,034,830
National Treasure
BV
110,622,886
Constantine
WB
108,970,197
The Phantom of the Opera
WB/Odyssey
94,458,965
Million Dollar Baby
WB/Lakeshore
93,357,345
Alexander
WB/I.S.Film
91,498,437
Are We There Yet?
Sony
82,279,286
Howl's Moving Castle
Toho
78,491,471
White Noise
Uni/Senator
76,109,051
Lemony Snicket's
Par
75,431,419
Closer
Sony
74,135,847
Hide and Seek
Fox
73,149,178
Finding Neverland
Miramax
68,914,541
Coach Carter
Par
67,256,456
Racing Stripes
WB/I.S.Film
66,489,398
Sideways
Fox Searchlight
64,271,511
* does not include 2004 box office

Domestic Market Share: To March 3, 2005

Distributor (releases)
Gross
Percentage
Sony (9)
286.6
20.30%
Universal (8)
272.1
19.20%
Warner Bros. (9)
255.2
18.00%
Fox (6)
126.4
8.90%
Miramax (6)
112.2
7.90%
Paramount (5)
103.4
7.30%
Buena Vista (8)
62.9
4.50%
Fox Searchlight (4)
46.9
3.30%
Lions Gate (5)
36.6
2.60%
New Line (6)
24.5
1.70%
Focus (3)
21.5
1.50%
MGM (3)
19.5
1.40%
Sony Classics (6)
15.8
1.10%
Other * (61)
32.5
2.30%
* none greater than 0.5%
1416.1
100.00%

 

 

 


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