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Weekend Estimates
2004 International Boxoffice
2004 Domestic Boxoffice
2004 Market Share
Passing
Game
It was relatively
peppy talk as Coach Carter led the Martin Luther King holiday
frame with an estimated $29.2 million debut in a crowd of new
openers. Apart from Meet the Fockers, the top five viewing
choices were either new titles or national launches including
a potent expansion of In Good Company, an OK premiere of
the family friendly Racing Stripes and a disappointing first down
for female crime fighter Elektra.
American audiences
again proved receptive to high school football as Samuel Jackson
joined the ranks of Denzel Washington and Billy Bob
Thornton prodding his troops to play and study hard. Coach
Carter - like the other recent entries - is based on a true
story and lists toward the inspirational. The downside is that
these yarns consistently fail to make much of an impression with
overseas audiences.
A yarn of
a zebra that aspires to thoroughbred status, Racing Stripes
bowed third in the rankings with $18.4 million. It's a talking
animals tale that will be fueled by weekend matinees in the coming
weeks.
Following
two weeks in exclusive engagements, In Good Company went
wide and grossed about $16.6 million for a sturdy $10,600 theater
average. The light comedy set against the corporate takeover of
a magazine appears to be translating good reviews and word-of-mouth
into box office muscle. However, that hasn't translated into a
great deal of awards buzz.
Elektra,
spawned from 2003's Daredevil, is likely to be assigned the same
out basket as Catwoman in the franchise department. Its $15.5
million opening might squeak by commercially but falls short of
earning an encore status.
The collective
heat of openers and holdovers generated slightly more than $170
million in ticket sales to surpass last year's holiday span by
24%. Its three-day portion also provided an encouraging 15% upturn
from the immediate prior weekend.
Still in plenty
of good humor, Meet the Fockers added $23.1 million to
its treasure chest to bring its cume to $235 million. If it maintains
comparable holdover stamina in the next month, it will easily
surpass $300 million domestically. Meanwhile, The Incredibles
climbed to $257 million and The Polar Express rose to $160.5
million as they approached their theatrical sunsets. Polar is
increasingly being propped up by Imax 3-D engagements.
The award
season darlings continued to carve out a sizeable audience niche
and such Golden Globe recipients as The Aviator, Sideways
and Million Dollar Baby should benefit at Monday's box
office. Just being a contender has been a great assist also for
Hotel Rwanda and The Phantom of the Opera and a host
of pictures are awaiting Oscar's verdict that's unveiled in eight
days.
Opting for
an early start, China's House of the Flying Daggers took
the plunge in close to 1,200 theaters and grossed a fair $2.2
million. Prospects for Crouching Tiger or Hero returns
aren't likely with an Academy endorsement. Similarly such films
as Beyond the Sea and The Woodsman are holding out
for Oscar to provide its commercial second wind.
In limited
debuts, the latest Japanese anima entry Appleseed planted
a passable $82,000 from 31 venues and Miramax bowed French Oscar
submission The Chorus on two screens that grossed close
to $35,000. The Chorus has been singing up a storm in Quebec
where it's earned roughly $2 million after 15 weekends in release.
- by Leonard
Klady
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