Weapons
of Mass Distraction
One of the early
lesson you learn when you start networking in Hollywood is the degree
to which people love to trade information. Never go to a meeting, never
get on the telephone without a choice piece of news or gossip to impart
into the conversation. It rarely matters what it is, simply that it
has currency and that the person you're telling doesn't already know
it. And just in case he's on the same tom-tom highway, it's best to
be fully armed with two or three other bits in reserve.
It's also worth
noting that while it's always a pleasant diversion to meet up for breakfast
or lunch, meals are in general incredible consumers of time in relation
to what can be gleaned. The far more effective route is to eat in and
make phone calls between bites and gulps.
The telephone is
the town's most lethal weapon. In the past decade it's become even more
ruthless with the arrival and proliferation of its cellular cousin.
And what more insidious device could there be to spread the buzz, interrupt
the dialogue and distract one's attention in an environment that prides
itself on communication.
As the manipulation
and competitive sport aspects of Alexander Graham Bell's invention
began to take hold of my memory bank, a stray recollection intruded
into the vault. About two decades back National Lampoon did a
piece where its writers posed as famous folk and called studios and
agencies and then clocked the speed of the call back. For some reason
I can still remember who ranked on the extremes of the spectrum.
The Sylvester
Stallone call was returned in 26 seconds. It's safe to say that
he's been usurped today by Tom Cruise and that should be an apt
reminder of the fleeting nature of fame and power. But traveling in
the Way Back machine one can recall that the Italian Stallion was once
Rocky and Rambo and that meant a great deal.
The sad sack in
the equation was Joey Bishop. According to the piece they waited
43 days for a response before they finally had to put the issue to bed.
Mr. Bishop, then and now, must have concluded there was a Rat Pack conspiracy
in play.
The power and misuse
of the Ameche likely first dawned on me around the time of the National
Lampoon snookery. I recall sitting at my desk when the phone rang
(and long before there was call display) and it was a distribution/production
executive that was finally getting back to me on a call placed a week
earlier. There were no apologies, no excuses but before she rang off,
she said hypothetically: "do you know one of the things I like
most about you." A beat later she added, "you always return
your call promptly."
The remark hit me
in an odd sort of way. Initially I struggled to find some hidden meaning
in the words to no avail. Finally I had to conclude that the statement
was to be taken literally and that by inference the caller could not
claim the same attribute. Guilt by communication?.
I found coming to
that conclusion quite painful. Returning calls in a timely fashion was
not simply good manners; it seemed to me a professional necessity working
in an arena that pivoted on the transmission of information. What I
began to learn was that a lot of other people I encountered were not
schooled to have that appreciation. The withholding of information or
the ability to diffuse it in oblique fashion was developing into an
art form, especially among those that otherwise had neither a creative
outlet nor any demonstrable ability of an artistic nature.
The rule of thumb
(though by no means writ in stone) in my experience is that as one gets
higher up on the totem pole, the necessity to return a call takes on
higher priority. Senior studio executives tend to be prompt, as do high
profile producers including Scott Rudin and Jerry Bruckheimer.
Thankfully my need to contact "stars" is rare but in those
instances I just grit my teeth for a call back from a publicist with
a raft of questions and anticipate a follow up call weeks later informing
me that the person in question is unavailable.
The propriety that's
accorded access to performers exceeds all reasonable bounds. The publicist
on The English Patient tells a story of receiving a call during
the film shoot in Italy from Ralph Fiennes personal publicist
Leslee Dart (remember her?) and being raked over the coals for
talking to her client without first clearing it through her. "Why,"
asked Dart, "are you talking to him without consulting me?"
The publicist replied, "because he's sitting across the room from
me and you're in New York" and continued to get on with her work.
The rest of the
world that doesn't require a personal handler, have their own unique
set of firewalls. In most instances it's rare to have a direct line
to anyone. One initially encounters a secretary or receptionist who
will undoubtedly ask for everything save ones social insurance number
and then pass you along to a personal assistant. This is simply an exercise
in power from someone that has none because the information cannot possibly
be passed along to the assistant whose first question is always: "who's
calling?" It's more than likely one will be asked the same set
of questions but one should keep in mind that this person is actually
listening to your responses.
There are phone
calls that are made to extract simple matters of fact and in those instances
one should always leave the door open that the answer need not come
directly from the source. A surrogate with authority will do just fine.
However, when the intent is more complex, it's best to have a carrot
to toss into the conversation - something that will encourage the target
to return one's call in a timely fashion.
For all too many
people in the industry, the withholding of a response is the zenith
of their authority. They wield it for no particular righteous purpose
but simply because they can. It is a time waster that fills up one person's
agenda and squanders the others. I shutter at the very contemplation
that I spend more time negotiating speaking to someone than the eventual
time I have with the person in question. It's not my concern that the
people employed to manage his/her availability feel compelled to elevate
that task. I do not want to be drawn into that conversation.
There is a flip
side as well. Having assumed a variety of profiles over the years, I've
received all manner of unsolicited inquiry ranging from the rancorous
to the insanely obsequious. Regardless of the nature of the call, my
preference is for concision but my experience is that there's a compulsion
to toss in some form of personal preamble. Again, I feel this is not
my concern and the information bears little relationship to what's being
solicited.
The most egregious
examples that pop to mind of time wasting are both recent and historic.
About a quarter century back when I was a lad, I was contacted about
taking over the operation of the Canadian Film Awards. It had gone through
a rocky period with the English and French sectors at odds about virtually
every aspect of the event and as I had been successfully running a conference
for several years that involved both factions I immediately understood
the rationale for the call. For close to an hour Peter Pearson,
who would have a brief tenure running Telefilm Canada, quizzed, cajoled
and prodded and about 30 minutes into the conversation I had to conclude
the job was my mine. But on the proverbial five yard line he said, "well,
I just want you to know you're our second choice."
"Peter,"
I replied, "call me back when I'm first" and promptly extricated
myself from the conversation.
On a more recent
note, I was approached earlier this year about writing a book. A brief
description is that it would profile a season in a particular niche
of the film industry. The first conversation covered the basics of content
as well as compensation and I was asked to send along an outline based
upon the publisher's notes. As it had a degree of time sensitivity,
a few days later there was a conference call with another person at
the company that had a significantly different take on the project.
Still, I was convinced that his ideas in addition to what intrigued
me most about the pitch could be married into a single volume.
However, from that
point, matters spiraled downward. Weeks stretched into months and all
manner of excuse were proffered for what amounted to inattention. The
matter was consuming far too much time considering all outward appearances
of stasis. At a certain point I just wanted closure and assumed the
same was true on the other side. I opened the door for them to gracefully
exit but the response was a more vigorous insistence that the book would
happen on a revised timetable. That's where it stands today despite
an obviously growing disconnect from the currency of the subject.
This mounting screed
has, of course, been interrupted incessantly by the telephone and pop
ups from incoming e-mails that I have answered with alacrity because
it's the proper and courteous thing to do. I could continue but my allotted
time has now been expended and the key points have been made. So, I'm
taking this phone call and leaving you to whatever personal devices
you have at your disposal to wage the on-going communications battle.
Phony Baloney
The derivation of
words has been a personal obsession that periodically renders fascination
results. One of my all time favorites is the word "phony."
We know the term refers to a person or thing that's not genuine. For
those that took Latin or studied Greek there are no clues to be derived
from those languages about word origins. Phony is a term that has its
roots in the word telephone.
The backstory is
what makes the evolution so interesting. At the time of Alexander
Graham Bell's initial experiments and encouraging first results,
the Scotsman gave a series of interviews to the press in which he talked
about his invention's potential with a visionary zeal. He claimed it
would one day connect cities, nations and span oceans and would have
untold impact for business and interpersonal connections. A reporter
for a Boston newspaper thought Bell's prophecy was a lot of baloney
considering one could barely hear someone on the other end of the line
three blocks away. So, he coined the term 'phony' and left any inference
of his attitude off the hook.
In hindsight, Bell's
prognostication was pretty much on the nose. However, the term coined
from his machine had already become part of the lingua franca and the
enduring irony is that this staple of daily life has a byproduct that
distills in 5-letters everything that is false.
-
by Leonard Klady