|

Lemony
Has the Juice; Spanglish Tongue Tied
Lemony
Snicket's A Series of Unfortunate Events debuted at the top
of the box office charts with an estimated $30.4 million in an
otherwise soft movie going frame. While the darkly ironic kid
lit yarn had potent returns, two other national bows generated
indifferent results. Spanglish charted third with $9.2
million and the remake of Flight of the Phoenix was grounded
in eighth spot with about $4.9 million.
The session
was also abuzz with limited bows of high profile award contenders
with both The Aviator and Million Dollar Baby soaring
to $20,000 plus theater averages and fair to poor results for
Beyond the Sea and The Sea Inside.
In a season
already rife with unusual family fare, Lemony Snicket had
reason to be anxious that its arrival was a little late on the
schedule. However, the popularity of the series and an effective
marketing campaigning paved the way for an excellent opening and
hopes of displaying the sort of stamina The Polar Express
has demonstrated through the holiday season.
The highly
anticipated Spanglish from filmmaker James Brooks
failed to ignite fervent interest from critics or audiences. Its
$3,770 theater average looked pale in the current hot house climate
and is expected to wilt dramatically in the coming weeks. It was
also largely ignored in last week's doling out of awards and nominations
from critics groups.
Flight
of the Phoenix received a "why bother" response
in the marketplace. The season usually features a couple of action/adventure
programmers that generate in the arena of $40 million to $60 million
but this remake will not rise from the ashes and appears to be
grounded at perhaps $20 million.
Overall business
was disappointing with the weekend struggling toward a $110 million
gross for a very modest 4% boost over the prior weekend. It was
a distant 22% behind the comparable period in 2003 when the third
installment of The Lord of the Rings stormed in with $72.6
million. With the year's box office standing at $8.8 billion (and
nothing with Rings' potential in the offing), business has shrunk
to a slim 2% lead over last year that's likely to diminish even
further. Admissions in 2004 will definitely register a decline.
On the holdover
front, Ocean's Twelve saw it box office shrink by half
while The Polar Express continued to defy trends with a
solid 90% hold. Both Finding Neverland and Closer
had expansions of close to 100% but failed to breakout with the
former up a modest 12% and the latter down a worrisome 11%.
Though it
lost close to 50 theaters, Sideways saw its box office
climb 27% on an avalanche of best picture awards from critic's
organizations. Of all seasonal releases, Sideways stands
to gain the most appreciably from artistic honors.
Two other
films from kudos veterans finally stepped out for viewer scrutiny
with positive initial results. Martin Scorsese's look at
Howard Hughes' early years in The Aviator bowed
on 40 screens and glided to a smooth $810,000. Clint Eastwood's
gritty boxing saga Million Dollar Baby also had a solid
connection with a little more than $170,000 from eight screens
plus $55,000 since its Wednesday release.
The box office
fates were less kind to several other frosh entries. Spain's Oscar
submission The Sea Inside struggled to $55,000 at 23 venues
for a disappointing $2,400 average while Kevin Spacey's
Bobby Darin bio Beyond the Sea had a middling $43,000
response from six playdates. Imaginary Heroes with Sigourney
Weaver had a moribund $4,200 tally at two locations.
The frame
also featured a couple of solid openers in regional and niche
markets. In Quebec the period musical drama Ma Vie in Cinemascope
had a Technicolor bow of about $360,000 in 86 venues. On the Bollywood
front, Swades debuted just shy of $300,000 at 75 locations.
- by Leonard
Klady
|