Dec 12, 2004
Dec 5, 2004
Nov 28, 2004
Nov 21, 2004
Nov 14, 2004
Nov 7, 2004
October 31, 2004
October 24, 2004
October 17, 2004
October 10, 2004
October 3, 2004
Sept 26, 2004
Sept 19, 2004
Sept 12, 2004
Sept 6, 2004
August 29, 2004
August 22, 2004
August 15, 2004
August 8, 2004
August 1, 2004
July 25, 2004
July 18, 2004
July 11, 2004
July 5, 2004
June 27, 2004
June 20, 2004
June 13, 2004
June 6, 2004
May 30, 2004
May 23, 2004
May 16, 2004
May 9, 2004
May 2, 2004
April 25, 2004
April 18, 2004
April 11, 2004
April 4, 2004
March 28, 2004
March 21, 2004
March 14, 2004
March 7, 2004
February 29, 2004
February 22, 2004
February 16, 2004
February 8, 2004
February 1, 2004
January 25, 2004
January 19, 2004
January 11, 2004
January 4, 2004
Dec 28, 2003
Dec 21, 2003
Dec 14, 2003
Dec 7, 2003


..Gary Dretzka
..Leonard Klady
..Emanuel Levy
..David Poland
..Doug Pratt
..Ray Pride





Weekend Estimates
Top Worldwide Grosses
Market Share

Lemony Has the Juice; Spanglish Tongue Tied

Lemony Snicket's A Series of Unfortunate Events debuted at the top of the box office charts with an estimated $30.4 million in an otherwise soft movie going frame. While the darkly ironic kid lit yarn had potent returns, two other national bows generated indifferent results. Spanglish charted third with $9.2 million and the remake of Flight of the Phoenix was grounded in eighth spot with about $4.9 million.

The session was also abuzz with limited bows of high profile award contenders with both The Aviator and Million Dollar Baby soaring to $20,000 plus theater averages and fair to poor results for Beyond the Sea and The Sea Inside.

In a season already rife with unusual family fare, Lemony Snicket had reason to be anxious that its arrival was a little late on the schedule. However, the popularity of the series and an effective marketing campaigning paved the way for an excellent opening and hopes of displaying the sort of stamina The Polar Express has demonstrated through the holiday season.

The highly anticipated Spanglish from filmmaker James Brooks failed to ignite fervent interest from critics or audiences. Its $3,770 theater average looked pale in the current hot house climate and is expected to wilt dramatically in the coming weeks. It was also largely ignored in last week's doling out of awards and nominations from critics groups.

Flight of the Phoenix received a "why bother" response in the marketplace. The season usually features a couple of action/adventure programmers that generate in the arena of $40 million to $60 million but this remake will not rise from the ashes and appears to be grounded at perhaps $20 million.

Overall business was disappointing with the weekend struggling toward a $110 million gross for a very modest 4% boost over the prior weekend. It was a distant 22% behind the comparable period in 2003 when the third installment of The Lord of the Rings stormed in with $72.6 million. With the year's box office standing at $8.8 billion (and nothing with Rings' potential in the offing), business has shrunk to a slim 2% lead over last year that's likely to diminish even further. Admissions in 2004 will definitely register a decline.

On the holdover front, Ocean's Twelve saw it box office shrink by half while The Polar Express continued to defy trends with a solid 90% hold. Both Finding Neverland and Closer had expansions of close to 100% but failed to breakout with the former up a modest 12% and the latter down a worrisome 11%.

Though it lost close to 50 theaters, Sideways saw its box office climb 27% on an avalanche of best picture awards from critic's organizations. Of all seasonal releases, Sideways stands to gain the most appreciably from artistic honors.

Two other films from kudos veterans finally stepped out for viewer scrutiny with positive initial results. Martin Scorsese's look at Howard Hughes' early years in The Aviator bowed on 40 screens and glided to a smooth $810,000. Clint Eastwood's gritty boxing saga Million Dollar Baby also had a solid connection with a little more than $170,000 from eight screens plus $55,000 since its Wednesday release.

The box office fates were less kind to several other frosh entries. Spain's Oscar submission The Sea Inside struggled to $55,000 at 23 venues for a disappointing $2,400 average while Kevin Spacey's Bobby Darin bio Beyond the Sea had a middling $43,000 response from six playdates. Imaginary Heroes with Sigourney Weaver had a moribund $4,200 tally at two locations.

The frame also featured a couple of solid openers in regional and niche markets. In Quebec the period musical drama Ma Vie in Cinemascope had a Technicolor bow of about $360,000 in 86 venues. On the Bollywood front, Swades debuted just shy of $300,000 at 75 locations.

- by Leonard Klady


Weekend Estimates - December 17-19, 2004

Title
Distributor
Gross (average)
% change
Theaters
Cume
Lemony Snicket's Unfortunate Incidents
Par
30.4 (8,390)
- 3620 30.4
Ocean's Twelve
WB
18.8 (5,710)
-52% 3290 69.2
Spanglish
Sony
9.2 (3,770)
- 2438 9.2
The Polar Express
WB
8.7 (3,020)
-10% 2868 123.7
Blade: Trinity
New Line
6.8 (2,340)
-57% 2912 35.6
National Treasure
BV
6.0 (2,180)
-39% 2772 132.7
Christmas with the Kranks
Sony
5.5 (1,860)
-28% 2941 62.1
Flight of the Phoenix
Fox
4.9 (1,870)
- 2604 4.9
Closer
Sony
3.3 (3,050)
-11% 1090 18.7
The Incredibles
BV
3.1 (1,630)
-38% 1930 237
Spongebob Squarepants
Par
2.0 (950)
-54% 2115 76.4
Finding Neverland
Miramax
1.9 (1,930)
12% 985 16.9
Sideways
Fox Searchlight
1.6 (3,700)
27% 424 16.6
The Aviator
Miramax/WB
.81 (20,250)
40 0.81
House of Flying Daggers
Sony Classics
.76 (5,620)
276% 137 1.6
Ray
Uni
.53 (860)
-44% 618 70.2
Kinsey
Fox Searchlight
.51 (2,670)
-3% 191 5.1
Weekend Total ($500,000+ Films)
$104.80
% Change (Last Year)
-22%
% Change (Last Week)
4%
Also Debuting/Expanding
Ma Vie en Cinemascope
Alliance
.36 (4,210)
- 86 0.36
Swades
UTV
.29 (3,910)
- 75 0.29
Million Dollar Baby
WB
.17 (21,620)
- 8 0.23
The Life Aquatic
BV
98,040 (49,020)
-13% 2 0.31
The Sea Inside
New Line
55,200 (2,400)
- 23 0.06
Beyond the Sea
Lions Gate
43,400 (7,230)
- 6 0.04
Imaginary Heroes
Sony Classics
4,220 (2,110)
- 2 0.01

Top Worldwide Grossers: January 1 - December 16, 2004

Title
Distributor
Gross
Shrek 2
DmWks
887,159,471
Harry Potter and the Prisoner of Azkaban
WB
789,483,707
Spider-Man 2
Sony
783,758,979
The Passion of the Christ
Newmarket/Icon
623,489,009
Lord of Rings: Return of the King *
New Line
545,355,621
The Day After Tomorrow
Fox
539,438,556
Troy
WB
497,778,256
The Incredibles
BV
390,096,231
I, Robot
Fox 
345,096,835
The Last Samurai *
WB
322,311,224
Shark Tale
DmWks
309,421,601
Van Helsing
Uni
302,418,625
The Bourne Supremacy
Uni
275,031,041
The Village
BV
256,520,631
Fahrenheit 9/11
LGF/Wild Bunch
221,552,419
Collateral
UIP
216,020,254
King Arthur
BV
201,847,258
Something's Gotta Give *
Sony/WB
200,716,230
50 First Dates
Sony
195,416,861
Garfield
Fox
194,007,265
* does not include 2003 box office

Domestic Market Share: January 1 - December 16, 2004

Distributor (releases)
Gross (millions)
Percentage
Sony (23)
1285.9
14.60%
Warner Bros. (33)
1123.4
12.80%
Buena Vista (27)
1109.1
12.60%
DreamWorks (11)
935.9
10.60%
Fox (16)
889.1
10.10%
Universal (17)
757.8
8.60%
Paramount (16)
536.4
6.10%
New Line (17)
418.1
4.70%
Newmarket (6)
406.6
4.60%
Miramax (20)
342.8
3.90%
Lions Gate (26)
279.2
3.20%
MGM (14)
198.4
2.20%
Fox Searchlight (11)
164.8
1.90%
Focus (8)
124.4
1.40%
Alliance (20)
54.2
0.60%
Other * (229)
185.2
2.10%
* none greater than .5%
8811.3
100%

 

 


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