|
  
   

| Sept
19, 2004 |
| Sept
12, 2004 |
| Sept
6, 2004 |
| August
29, 2004 |
| August
22, 2004 |
| August
15, 2004 |
| August
8, 2004 |
| August
1, 2004 |
| July
25, 2004 |
| July
18, 2004 |
| July
11, 2004 |
| July
5, 2004 |
| June
27, 2004 |
| June
20, 2004 |
| June
13, 2004 |
| June
6, 2004 |
| May
30, 2004 |
| May
23, 2004 |
| May
16, 2004 |
| May
9, 2004 |
| May
2, 2004 |
| April
25, 2004 |
| April
18, 2004 |
| April
11, 2004 |
| April
4, 2004 |
| March
28, 2004 |
| March
21, 2004 |
| March
14, 2004 |
| March
7, 2004 |
| February
29, 2004 |
| February
22, 2004 |
| February
16, 2004 |
| February
8, 2004 |
| February
1, 2004 |
| January
25, 2004 |
| January
19, 2004 |
| January
11, 2004 |
| January
4, 2004 |
| Dec
28, 2003 |
| Dec
21, 2003 |
| Dec
14, 2003 |
| Dec
7, 2003 |

..Gary
Dretzka
..Leonard
Klady
..Emanuel
Levy
..David
Poland
..Doug
Pratt
..Ray
Pride

|
|

Weekend Estimates
Top Worldwide Grosses
Market Share
Gone .. But
Not Forgotten
The eerie
thriller The Forgotten led weekend movie going with an
estimated $22.2 million. It was an impressive debut in an otherwise
listless marketplace in which holdover titles were flagging and
business continued to erode at a significant rate. Another bright
spot was the trio of exclusive engagements for The Motorcycle
Diaries that rang up a theater average of more than $50,000.
While the
critics weren't generally kind to The Forgotten's 'what
if' premise that recalled a stripe of thriller best identified
with The Sixth Sense, the public at least was willing to
give it a preferential status. Studio tracking was projecting
that the film would perform in the mid-to-high teens but the absence
of competition proved to be a lucky asset.
The frame
also saw two other national bows of limited commercial potency.
The youth targeted comedy First Daughter debuted fourth
overall with a moribund $4.2 million and will have a tough slog
to reach an eventual cume of $10 million. Considerably better
but by no means a home run, the vampire spoof Shaun of the
Dead had a limited wide release that rang up $3.3 million
and a theater average of $5,400.
Overall box
office should tally to slightly more than $70 million for an 8%
decline from seven days earlier. And once again revenues were
sharply down from 2003 by 23%. Last year's leaders were debuting
titles The Rundown and Under the Tuscan Sun with
respective grosses of $18.5 million and $9.8 million.
There is some
immediate sense of marketplace turnaround with exhibition crossing
its fingers that next weekend's bow of the animated Shark Tale
and Ladder 49 will provide fuel for the fall. However,
the degree of intensity may not live up to the ferocity the industry
so dearly desires. Domestic box office passed $7 billion Friday
and while that's 4% ahead of last year's tally, its behind the
number of actual admissions.
Last weekend's
trio of freshmen - including box office leader Sky Captain
- experienced drops of between 42% and 54% and that's pretty much
on par with the rest of the fare in local multiplexes.
Activity in
specialized and regional arenas was highly competitive but new
offerings generally did little to enliven box office sales. The
exception was The Motorcycle Diaries based on the formative
years of Ernesto "Che" Guevara that bowed in
two Manahattan and a single L.A. screen and should tally better
than $150,000. The film expands to the top 10 markets next weekend
and could well prove to be a highlight of award's season.
John Waters'
outré comedy A Dirty Shame followed its single screen
debut with the addition of 132 engagements and a just OK $440,000
box office. On a comparable commercial level, the Hollywood vs.
organized crime comedy The Last Shot tallied slightly more
than $160,000 from 35 venues.
There was
little of a lasting nature for the 65-screen launch of the supernatural
romance Eternal in Quebec that grossed about $130,000 and
limited release offerings rated fair to dismal. The non-fiction
The Yes Men on latter day political merry pranksters averaged
about $7,500 from three screens while the gay targeted The
Raspberry Reich tallied about $5,100 from a single NYC venue.
Other debuts
included a five-screen launch for the Hong Kong hit Infernal
Affairs of $24,000; a $16,000 gross from four sites for the
indie comedy Hollywood Buddha; just shy of $6,000 for the
provocative French import Anatomy of Hell in two playdates;
and dire consequences of $5,000 total from eight screens for the
documentary The September Tapes.
- by Leonard
Klady
|
|
Weekend
Estimates
- September 24-26, 2004
| Title |
Distributor
|
Gross
(average)
|
%
change
|
Theaters
|
Cume
|
| The
Forgotten |
Sony
|
22.2
(7,160)
|
- |
3104 |
22.2 |
| Sky
Captain & the World of Tomorrow |
Par
|
7.1
(2,240)
|
-54% |
3170 |
25.9 |
| Mr.
3000 |
BV
|
5.1
(1,850)
|
-42% |
2736 |
15.4 |
| First
Daughter |
Fox
|
4.2
(1,850)
|
- |
2259 |
4.2 |
| Resident
Evil: Apocalypse |
Sony/Alliance
|
4.1
(1,450)
|
-53% |
2836 |
43.5 |
| Cellular |
New
Line
|
3.7
(1,330)
|
-46% |
2763 |
25.1 |
| Wimbledon |
Uni
|
3.4
(1,660)
|
-52% |
2039 |
12.2 |
| Shaun
of the Dead |
Focus
|
3.3
(5,410)
|
- |
607 |
3.3 |
| Without
a Paddle |
Par
|
2.5
(1,090)
|
-31% |
2319 |
53.6 |
| Hero |
Miramax
|
2.1
(1,210)
|
-27% |
1713 |
49.1 |
| Napoleon
Dynamite |
Fox
Searchlight
|
1.8
(1,750)
|
-21% |
1024 |
35.7 |
| Collateral |
DmWks
|
1.4
(1,090)
|
-38% |
1287 |
98.1 |
| The
Bourne Supremecy |
Uni
|
1.2
(1,190)
|
-33% |
1028 |
172.2 |
| Garden
State |
Fox
Searchlight
|
1.1
(1,590)
|
-33% |
667 |
22.5 |
| Princess
Diaries 2: Royal Engagement |
BV
|
.93
(660)
|
-52% |
1408 |
93.2 |
| Anacondas |
Sony
|
.79
(750)
|
-50% |
1054 |
30.8 |
| Vanity
Fair |
Focus
|
.77
(920)
|
-51% |
835 |
14.9 |
| Paparazzi |
Fox
|
.51
(700)
|
-62% |
730 |
15.3 |
| Weekend
Total ($500,000+ Films) |
$66.20
|
- |
- |
- |
| %
Change (Last Year) |
-
|
-23%
|
- |
- |
- |
| %
Change (Last Week) |
-
|
-8%
|
- |
- |
|
| Also
Debuting/Expanding |
| A
Dirty Shame |
New
Line
|
.44
(3,340)
|
- |
133 |
0.48 |
| The
Last Shot |
BV
|
.16
(4,630)
|
- |
35 |
0.16 |
| The
Motorcycle Diaries |
Focus
|
.15
(51,100)
|
- |
3 |
0.15 |
| Eternal |
TVA
|
.13
(2,030)
|
- |
65 |
0.13 |
| Infernal
Affairs |
Miramax
|
24,050
(4,810)
|
-- |
5 |
0.02 |
| Yes
Men |
MGM
|
22,700
(7,560)
|
- |
3 |
0.02 |
| Hollywood
Buddha |
Artistic
Licence
|
16,380
(4,100)
|
- |
4 |
0.02 |
| Anatomy
of Hell |
Tartan
|
5,820
(2,910)
|
- |
2 |
0.01 |
| The
Raspberry Reich |
Strand
|
5,100
(5,100)
|
- |
1 |
0.01 |
| September
Tapes |
First
Look
|
5,040
(630)
|
- |
8 |
0.01 |
Top
Worldwide Grosses: January 1 - September 23, 2004
| Title |
Distributor
|
Gross
|
| Shrek
2 |
DmWks/UIP
|
870,426,575 |
| Harry
Potter and the Prisoner of Azkaban |
WB
|
784,014,017 |
| Spider-Man
2 |
Sony
|
762,549,595 |
| The
Passion of the Christ |
Newmarket/Icon
|
623,489,009 |
| Lord
of Rings: Return of the King * |
New
Line
|
545,355,621 |
| The
Day After Tomorrow |
Fox
|
538,919,169 |
| Troy |
WB
|
491,800,423 |
| The
Last Samurai * |
WB
|
322,311,224 |
| I,
Robot |
Fox
|
303,250,447 |
| Van
Helsing |
Uni
|
294,977,186 |
| The
Bourne Supremacy |
Uni
|
228,190,899 |
| Fahrenheit
9/11 |
LGF/Wild
Bunch
|
208,700,202 |
| Something's
Gotta Give * |
Sony/WB
|
200,716,230 |
| 50
First Dates |
Sony
|
195,171,755 |
| The
Village |
BV
|
194,945,635 |
| King
Arthur |
BV
|
180,263,436 |
| Scooby-Doo
2: Monsters Unleashed |
WB
|
179,022,097 |
| Along
Came Polly |
Uni
|
171,072,358 |
| Starsky
& Hutch |
WB/BVI
|
169,318,174 |
| Garfield |
Fox
|
167,646,962 |
| *
does not include 2003 box office |
|
|
Domestic
Market Share: January 1 - September 23, 2004
| Distributor
(releases) |
Gross
(millions)
|
Percentage |
| Sony
(19) |
1021.7
|
14.70% |
| Warner
Bros. (27) |
920.7
|
13.20% |
| Fox
(14) |
839.7
|
12.10% |
| DreamWorks
(9) |
757.9
|
10.90% |
| Buena
Vista (21) |
657.7
|
9.50% |
| Universal
(14) |
573.8
|
8.20% |
| Newmarket
(5) |
405.7
|
5.80% |
| Paramount
(13) |
389.3
|
5.60% |
| New
Line (11) |
329.9
|
4.70% |
| Miramax
(17) |
264
|
3.80% |
| Lions
Gate (19) |
220.4
|
3.20% |
| MGM
(12) |
197.2
|
2.80% |
| Fox
Searchlight (8) |
117.3
|
1.70% |
| Focus
(6) |
76.9
|
1.10% |
| Alliance
(15) |
47.5
|
0.70% |
| Other
* (181) |
142.1
|
2.00% |
| *
none greater than .5% |
6961.8
|
100.00% |
|