|
  
   

| August
29, 2004 |
| August
22, 2004 |
| August
15, 2004 |
| August
8, 2004 |
| August
1, 2004 |
| July
25, 2004 |
| July
18, 2004 |
| July
11, 2004 |
| July
5, 2004 |
| June
27, 2004 |
| June
20, 2004 |
| June
13, 2004 |
| June
6, 2004 |
| May
30, 2004 |
| May
23, 2004 |
| May
16, 2004 |
| May
9, 2004 |
| May
2, 2004 |
| April
25, 2004 |
| April
18, 2004 |
| April
11, 2004 |
| April
4, 2004 |
| March
28, 2004 |
| March
21, 2004 |
| March
14, 2004 |
| March
7, 2004 |
| February
29, 2004 |
| February
22, 2004 |
| February
16, 2004 |
| February
8, 2004 |
| February
1, 2004 |
| January
25, 2004 |
| January
19, 2004 |
| January
11, 2004 |
| January
4, 2004 |
| Dec
28, 2003 |
| Dec
21, 2003 |
| Dec
14, 2003 |
| Dec
7, 2003 |

..Gary
Dretzka
..Leonard
Klady
..Emanuel
Levy
..David
Poland
..Doug
Pratt
..Ray
Pride

|
|

Weekend Finals
Summer Market Share
Not
With A Bang ...
The closing
weekend of CineSummer crawled to the finish line with a trio of
afterthought releases that did little to enhance a season that
looked better in print that on spreadsheets. The best of the new
bunch was the reality-challenged Paparazzi with $7.6 million
to rank fourth overall.
The long delayed
Hero from China again led the field with an estimated $11.3
million but saw its initial momentum halved. The four-day holiday
frame should generate about $108 in ticket sales for a 19% drop
from the comparable 2003 Labor Day period. However, a year ago
the holiday was celebrated a week earlier on the calendar.
Among the
other freshmen entries, the romantic thriller Wicker Park grossed
$6.6 million and the African-American comedy The Cookout
tallied $6 million. Respectively they placed 6th and 8th in the
lineup.
Slightly more
potent was the screen adaptation of Vanity Fair that entered
the weekend with a two-day advance of a little better than $1.1
million and added $5.9 million for a $5,600 theater average. Critical
response to the film was mixed and it remains to be seen whether
it can sustain commercial power as an early prestige/award entry.
Initial estimates
pegged the seasonal box office at $3.73 billion for a modest gain
of 7% but no better than a 2% boost in actual admissions. However,
the number of both wide and limited releases also increased along
with production and marketing costs for a net industry loss that
was only softened by theatrical upturns overseas and presumed
hearty DVD sales for the event titles later in the year and into
2005.
The tides
of fortune were all too apparent among the market share leaders.
Both DreamWorks and Fox - ranked first and second - experienced
huge boosts following very disappointing performances in 2003.
Conversely, Buena Vista and Universal that held those positions
one year ago had box office drops of roughly 60% as a result of
releases that proved tepid once they hit the big screen.
That noted
there were no abject commercial catastrophes with the domestic
slack of such films as Troy and King Arthur offset
by international exposure that performed with more than twice
as much potency. However, improved overseas exhibition won't stave
off significant losses for the likes of Catwoman or Thunderbirds.
Simultaneously,
there were very few runaway successes as most saw a considerable
portion of profits consumed by talent. The major releases that
could well achieve the best cost-to-return ratios were not franchises
but such films as Fahrenheit 9/11 and Dodgeball: A True
Underdog's Story. Additionally, the summer proved to be a
bonanza for a handful of Sundance acquisitions including Napoleon
Dynamite, Open Water and Maria Full of Grace.
The weekend
also featured a handful of limited or exclusive debuts though
few generated impressive returns. The major exception was a $10,000
plus per engagement average for Tae Guk Gi: The Brotherhood,
Korea's all-time box office champ. The Korean war saga opened
in 29 venues and was largely propelled by ethnic crowds.
On the heels
of Hero, China's Warriors of Heaven and Earth had
a lukewarm $18,000 from four screens while the American indie
Remember Me, My Love scored $20,000 from two locations.
Single screen outings for the Dutch musical comedy Yes Nurse!
No Nurse! grossed a little more than $7,000 and $6,000 for
another U.S. independent Virgin.
- by Leonard
Klady
|
|
Weekend
Finals - September 3-6, 2004
|
|
Title |
Distrib
|
Weekend
|
%
Change
|
Theaters
|
Cume
|
Wks
|
|
1
|
1
|
Hero |
Miramax
|
11,514,779 |
-51% |
2092 |
35,237,282 |
2
|
|
2
|
3
|
Without a Paddle |
Par
|
9,014,918 |
-18% |
2756 |
39,854,910 |
3
|
|
3
|
2
|
Anacondas |
Sony
|
8,008,188 |
-50% |
2905 |
23,860,466 |
2
|
|
4
|
New
|
Paparazzi |
Fox
|
7,855,111 |
|
2115 |
7,855,111 |
1
|
|
5
|
4
|
Princess Diaries
2: Royal Engagement |
BV
|
7,537,330 |
-31% |
3139 |
85,500,804 |
4
|
|
6
|
New
|
Wicker Park |
MGM
|
6,803,510 |
|
2598 |
6,803,510 |
1
|
|
7
|
6
|
Collateral |
DreamWorks
|
6,480,801 |
-23% |
2348 |
87,427,974 |
5
|
|
8
|
New
|
Vanity Fair |
Focus
|
6,268,925 |
|
1051 |
7,406,660 |
1
|
|
9
|
New
|
The Cookout |
Lions
Gate
|
6,219,794 |
|
1303 |
6,219,794 |
1
|
|
10
|
9
|
The Bourne
Supremacy |
Uni
|
5,314,115 |
-12% |
1717 |
164,769,215 |
7
|
|
11
|
5
|
Exorcist: The
Beginning |
WB
|
4,511,507 |
-49% |
2452 |
38,046,687 |
3
|
|
12
|
13
|
Garden State |
Fox
Searchlight
|
3,756,822 |
4% |
813 |
15,878,904 |
6
|
|
13
|
14
|
Napoleon Dynamite |
Fox
Searchlight
|
3,742,949 |
35% |
886 |
27,199,631 |
13
|
|
14
|
7
|
Alien vs. Predator |
Fox
|
3,178,806 |
-49% |
1944 |
77,030,348 |
4
|
|
15
|
8
|
Open Water |
Lions
Gate
|
3,146,443 |
-48% |
1929 |
28,224,140 |
5
|
|
16
|
12
|
The Manchurian
Candidate |
Par
|
2,591,543 |
-29% |
1085 |
62,449,110 |
6
|
|
17
|
10
|
Suspect Zero |
Par
|
2,521,808 |
-44% |
1501 |
7,227,348 |
2
|
|
18
|
11
|
Superbabies:
Baby Geniuses 2 |
Sony/Equinoxe
|
2,521,192 |
-45% |
1276 |
6,803,510 |
2
|
|
19
|
16
|
Spider-Man
2 |
Sony
|
1,520,116 |
-26% |
807 |
369,888,512 |
10
|
|
20
|
15
|
The Village |
BV
|
1,064,344 |
-56% |
751 |
112,179,413 |
6
|
|
21
|
18
|
I, Robot |
Fox
|
920,571 |
-43% |
551 |
141,886,658 |
8
|
|
22
|
20
|
Shrek 2 |
DreamWorks
|
855,054 |
4% |
436 |
438,477,864 |
16
|
|
23
|
22
|
The Notebook |
New
Line
|
826,716 |
11% |
562 |
78,480,132 |
11
|
|
24
|
17
|
Yu-Gi-Oh! |
WB
|
740,352 |
-64% |
1103 |
19,307,392 |
4
|
|
25
|
24
|
Harry Potter
& Prisoner of Azkaban |
WB
|
562,326 |
-15% |
391 |
248,344,516 |
14
|
|
26
|
23
|
De-Lovely |
MGM
|
531,683 |
-23% |
320 |
12,362,893 |
10
|
|
27
|
26
|
We Don't Live
Here Anymore |
WIP
|
483,429 |
6% |
190 |
1,418,069 |
4
|
|
28
|
25
|
Maria Full
of Grace |
New
Line
|
471,103 |
-6% |
119 |
4,553,869 |
7
|
|
29
|
19
|
Benji Off the
Leash! |
Benji
Dist.
|
429,145 |
-57% |
406 |
3,430,446 |
9
|
|
30
|
New
|
Tae Guk Gi:
The Brotherhood of War |
IDP
|
363,439 |
|
29 |
363,439 |
1
|
|
31
|
27
|
Fahrenheit
9/11 |
Lions
Gate/Alliance
|
358,748 |
-15% |
245 |
118,002,561 |
10
|
|
32
|
40
|
Before Sunset |
WIP
|
335,670 |
98% |
197 |
5,174,384 |
10
|
|
33
|
38
|
Anchorman:
Legend of Ron Burgundy |
DreamWorks
|
312,579 |
72% |
258 |
84,789,585 |
9
|
|
34
|
29
|
White Chicks |
Sony
|
309,999 |
14% |
181 |
69,897,980 |
11
|
|
35
|
32
|
What the #$*!
Do We Know |
Lord
of the Wind
|
296,586 |
10% |
43 |
2,902,740 |
31
|
|
36
|
28
|
Intimate Strangers |
Par
Classics/TVA
|
276,330 |
-9% |
94 |
1,672,625 |
6
|
|
37
|
54
|
Elles etaient
cinq |
Alliance
|
281,606 |
210% |
45 |
408,966 |
2
|
|
38
|
21
|
Little Black
Book |
Sony
|
281,015 |
-63% |
309 |
20,307,508 |
5
|
|
39
|
34
|
Dodgeball:
A True Underdog Story |
Fox
|
279,677 |
20% |
238 |
113,726,099 |
12
|
|
40
|
36
|
Nascar: The
Imax Experience |
WB
|
236,960 |
13% |
58 |
18,417,840 |
26
|
|
41
|
37
|
Garfield |
Fox
|
232,881 |
22% |
209 |
75,004,555 |
12
|
|
42
|
39
|
A Cinderella
Story |
WB
|
203,085 |
21% |
208 |
50,813,294 |
8
|
|
43
|
33
|
Harold &
Kumar Go to White Castle |
New
Line
|
190,293 |
-16% |
129 |
18,125,011 |
6
|
|
44
|
35
|
King Arthur |
BV
|
174,289 |
-26% |
186 |
51,607,161 |
9
|
|
45
|
47
|
Bugs! |
SK
Film
|
146,396 |
15% |
31 |
12,723,279 |
78
|
|
46
|
49
|
Mean Creek |
Par
Classics
|
130,544 |
14% |
41 |
295,919 |
3
|
|
47
|
30
|
Nicotina |
Arenas
Group
|
129,313 |
-55% |
55 |
992,065 |
3
|
|
48
|
53
|
Festival Express |
Thinkfilm
|
129,086 |
38% |
43 |
817,725 |
7
|
|
49
|
44
|
The Day After
Tomorrow |
Fox
|
124,196 |
-9% |
129 |
186,369,548 |
15
|
|
50
|
42
|
The Door in
the Floor |
Focus
|
120,205 |
-24% |
76 |
3,542,785 |
8
|
|
51
|
45
|
Adrenaline
Rush: The Science of Risk |
Giant
Screen
|
114,578 |
-13% |
17 |
7,978,318 |
97
|
|
52
|
52
|
Rosenstrasse |
IDP
|
102,436 |
1% |
24 |
277,843 |
3
|
|
53
|
60
|
Donnie Darko
- Director's Cut |
Newmarket
|
93,875 |
45% |
19 |
538,574 |
14
|
|
54
|
41
|
Catwoman |
WB
|
91,528 |
-38% |
121 |
39,520,912 |
7
|
|
55
|
48
|
Riding Giants |
Sony
Classics
|
88,311 |
-23% |
59 |
1,992,893 |
9
|
|
56
|
43
|
A Day Without
a Mexican |
Televisa
|
84,475 |
-44% |
36 |
3,482,905 |
17
|
|
57
|
61
|
The Brown Bunny |
Wellspring
|
82,339 |
41% |
10 |
156,497 |
2
|
|
58
|
46
|
Dhoom |
Yash
Raj
|
76,634 |
-39% |
29 |
203,748 |
1
|
|
59
|
31
|
Going the Distance |
Odeon
|
75,839 |
-71% |
56 |
1,053,024 |
3
|
|
60
|
59
|
Saints and
Soldiers |
Excel
|
71,753 |
-11% |
25 |
582,485 |
5
|
|
61
|
New
|
Red Lights |
Wellspring
|
71,208 |
|
4 |
79,210 |
1
|
|
62
|
51
|
Space Station |
Imax
|
69,649 |
-16% |
8 |
54,273,151 |
125
|
|
63
|
65
|
The Corporation |
Mongrel/Zeitgeist
|
69,563 |
15% |
23 |
3,136,524 |
34
|
|
64
|
50
|
The Stepford
Wives |
Par
|
63,612 |
-41% |
63 |
59,448,703 |
13
|
|
65
|
62
|
The Story of
the Weeping Camel |
Thinkfilm
|
61,399 |
-9% |
34 |
1,604,739 |
15
|
|
66
|
69
|
Bright Young
Things |
Thinkfilm
|
57,090 |
10% |
15 |
177,582 |
3
|
|
67
|
63
|
Pulse: A Stomp
Odyssey |
Giant
Screen
|
56,892 |
1% |
8 |
7,352,426 |
99
|
|
68
|
58
|
The Terminal |
DreamWorks
|
51,042 |
-23% |
49 |
77,196,021 |
12
|
|
69
|
67
|
Zatoichi |
Seville/Miramax
|
49,979 |
-11% |
53 |
1,000,330 |
11
|
|
70
|
72
|
Two Brothers |
Uni
|
47,278 |
16% |
52 |
19,175,579 |
11
|
|
71
|
55
|
Les Rivieres
pourpres 2 |
TVA
|
46,376 |
-48% |
47 |
152,148 |
2
|
|
72
|
57
|
Around the
World in 80 Days |
BV
|
43,620 |
-49% |
63 |
23,976,128 |
12
|
|
73
|
68
|
Danny Deckchair |
Lions
Gate
|
42,795 |
-18% |
29 |
121,205 |
4
|
|
74
|
56
|
A Home at the
End of the World |
WIP
|
35,720 |
-57% |
34 |
951,887 |
7
|
|
75
|
64
|
Uncovered:
The War on Iraq |
Cinema
Libre
|
33,212 |
-46% |
20 |
145,606 |
3
|
|
|
70
|
Phir Milenge |
UTV
|
32,767 |
-33% |
22 |
81,137 |
2
|
|
|
75
|
Outfoxed: War
on Journalism |
Cinema
Libre
|
32,271 |
-5% |
18 |
343,288 |
5
|
|
|
91
|
The Hunting
of the President |
Regent
|
31,798 |
48% |
20 |
328,725 |
12
|
|
|
76
|
Super Size
Me |
IDP/Odeon
|
30,981 |
2% |
31 |
11,395,563 |
18
|
|
85
|
79
|
Haunted Castle |
nWave
|
18,560 |
4% |
1 |
8,903,210 |
188
|
|
|
84
|
End of the
Century: The Ramones |
Magnolia
|
28,357 |
6% |
4 |
95,069 |
3
|
|
|
66
|
Camping Sauvage |
Alliance
|
24,196 |
-57% |
21 |
3,809,665 |
9 | |