|

Weekend Estimates
Summer Market Share
Domestic Market Share
Zero
to Hero
All's well
that ends well.
Despite close
to two years of aborted release plans and more campaign strategies
than you can shake a blade at, China's Hero debuted at
the top of weekend movie going with an estimated $17.9 million.
It was a surprising upbeat result in a field of fair to poor bows
in what's traditionally been the season's dumping ground of remorseful
productions.
Second place
went to the horror sequel Anacondas with an OK result of
$12.9 million while the other national freshmen - Suspect Zero
and Superbabies: Super Geniuses 2 - where battling it out
for scraps with respective estimates of $3.3 million and $3.2
million. There was a clutch of regional and limited releases with
largely undistinguished returns and some steep declines for a
handful of continuing titles.
Overall business
should tally to slightly more than $100 million that represented
a 13% erosion from the immediate prior frame. It was surprisingly
1% ahead of 2003 that corresponded with the Labor Day weekend
(for the 3-day period). Last year the sole newcomer was Jeepers
Creepers 2 with a gross of $15.3 million for the three days.
Hero,
a period adventure drama, opened in Asia in the Fall of 2002 and
set records in Mainland China that have only recently fallen to
House of Flying Daggers, also directed by Zhang Yimou.
It set records for a Chinese movie in Japan and grossed slightly
more than $100 million internationally. It was also an Oscar foreign-language
nominee and it was anticipated Miramax would schedule a Spring
2003 opening to capitalize on award's heat.
However, that
didn't occur and in retrospect may have fallen through the cracks
because it coincided with the period when Harvey Weinstein's
had health issues. Release dates were announced and rescinded
as well as plans to open wide in a dubbed version and myriad edits
for the U.S. audience. In the end a bold decision was made for
a wide, sub-titled release that rang in second only to Passion
of the Christ in the size and gross it generated. It was an
excellent roll of the dice.
The trio of
other national debs opened without much enthusiasm from either
their distributors or the public. The best one can say is that
the horror sequel Anacondas is that it's a "snake
movie." Its inspiration was unexpectedly potent while its
successor is what used to be called a two-week picture. Similarly,
Superbabies is the follow up to another film that performed better
than anticipated but failed to strike twice theatrically. It should
be considerably more viable on video.
Last and almost
least, Suspect Zero was a thriller that failed to spark
with audiences and its distrib found an appropriately inconspicuous
time to release the film. The film had a long development history
and no one was ever able to overcome plot inconsistencies or raise
the level of excitement to engage crowds.
Without
a Paddle had a better than expected sophomore session while
Exorcist: The Beginning collapsed 62% in its second weekend.
Another film experiencing a fast fade is Open Water that
began with exceptional returns in limited exposure. Its current
frame had a 60% decline.
The situation
was no better for the regional and limited freshmen. The broad
release of French crime sequel Crimson Rivers 2 wilted
in Quebec with a $110,000 salvo from 47 theaters while another
French import, Elles etaient cinq (She Was Five), had more
encouraging results with an $80,000 gross from 10 venues. Bollywood
also provided a pair of films to indifferent response and the
same rang true for a number of American independents including
the family friendly Grand Champion with $16,100 from five
screens and Chooch grossing $11,000 from three playdates.
Controversy
provided a slight edge for the Cannes premiered The Brown Bunny
that tallied up to about $50,000 from three engagements. Vincent
Gallo's follow up to Buffalo 66 was deemed as the worst
film ever invited to the French fest but the filmmaker-actor's
subsequent re-edit has been more positively received.
- by Leonard
Klady
|