|
  
   

| August
8, 2004 | | August
1, 2004 | | July
25, 2004 | | July
18, 2004 | | July
11, 2004 | | July
5, 2004 | | June
27, 2004 | | June
20, 2004 | | June
13, 2004 | | June
6, 2004 | | May
30, 2004 | | May
23, 2004 | | May
16, 2004 | | May
9, 2004 | | May
2, 2004 | | April
25, 2004 | | April
18, 2004 | | April
11, 2004 | | April
4, 2004 | | March
28, 2004 | | March
21, 2004 | | March
14, 2004 | | March
7, 2004 | | February
29, 2004 | | February
22, 2004 | | February
16, 2004 | | February
8, 2004 | | February
1, 2004 | | January
25, 2004 | | January
19, 2004 | | January
11, 2004 | | January
4, 2004 | | Dec
28, 2003 | | Dec
21, 2003 | | Dec
14, 2003 | | Dec
7, 2003 |

..Gary
Dretzka
..Leonard
Klady
..Emanuel
Levy
..David
Poland
..Doug
Pratt
..Ray
Pride

|
|

Weekend Finals
Summer Market Share
Domestic Market Share
Resurrected!
The debut
of Exorcist: The Beginning staked out an estimated $18.4
million to lead weekend movie going as the summer season crept
closer to a conclusion. Along with an OK opening for the low brow
comedy Without a Paddle business experienced a significant
17% boost from 2003 and the current season appears headed for
a 7% increase from last year while admissions might be up only
a single percentage point.
It used to
be said of Dracula movies that "you can't keep or a good
man down" or "he's not down for the Count." Exorcist:
The Beginning challenged that contention with a truly plague-infested
production history but despite commercial trepidation was the
box office leader. Ironically, the swan song at Warner Bros. for
Morgan Creek Productions was not only its best debut in its past
dozen releases but exceeded the entire gross of its best performer
Diabolique.
The wilderness
adventure comedy Without a Paddle fought for second spot
with The Princess Diaries 2 and came up a stroke behind
with $13.2 million. Also making a national bow was the bygone
canine cutie Benji in Benji Off the Leash that grossed
roughly $1.3 million and is headed for better results in the video
kennel.
Overall business
should hit about $118 million for a 16% drop from last weekend.
However, that's a 17% improvement from 2003 when the best debut
- Jackie Chan in The Medallion - ranked fifth with
$8.1 million and the other freshmen - My Boss's Daughter
and Marci X - had more discouraging results.
With two weeks
remaining in the summer season, it's clear that both 2004's highs
were generally higher and nonetheless its lows were lower. That
added up to a near stasis in attendance with increases in grosses
keyed to boosts in the price of a movie ticket. As with society
itself, the chasm between the haves and have nots has widened
with summer and indeed all seasons rarely producing a mid-range
success. DreamWorks will be the clear box office winner with four
consecutive hits and the year's top grosser with Shrek 2.
Only Fox can claim comparable success with the rest of the field
experiencing a score card with both hits and misses.
The frame
was also laden with regional and exclusive openers. The Arenas
Group targeted Hispanic and art house audiences with its Mexican
import Nicotina and fared reasonably well with a $410,000
gross from 98 locations. It was an encouraging response but this
and past efforts have yet to generate a breakthrough success or
anything that would sustain a continuing flow of product.
In Canada,
Alliance Atlantis had an aggressive opening for its teen comedy
Going the Distance that generated an OK result of $310,000
and there were fair results of $90,000 for Fida on the
Bollywood circuit.
In exclusive
engagements the best performer was the British frothy import Bright
Young Things that grossed close to $50,000 from just three
screens. There was a comparable gross for the reflective German
war era Rosenstrasse but that film opening in 10 theaters.
Magnolia opened a single screen on the non-fiction Ramones:
End of the Century and its $20,000 tally could well bode for
the type of result generated recently by the Metallica
documentary.
A couple of
politically oriented docs also bowed with Cinema Libre's Uncovered:
The War on Iraq grossing $35,200 from seven engagements and
Bush's Brain stirring up $11,700 from four outings in Texas.
Continuing the outflow of Sundance acquisitions, Paramount Classics
unveiled Mean Creek at four sites for $30,000 and will
expand the picture to 10 markets next weekend.
- by Leonard
Klady
|
|
Weekend
Finals
- Ending August 22, 2004
|
Title |
Distrib
|
Weekend
|
%
Change
|
Theaters
|
Cume
|
Wks
|
|
1
|
New
|
Exorcist: The
Beginning |
WB
|
18,054,001 |
|
2803 |
18,054,001 |
1
|
|
2
|
New
|
Without a Paddle |
Par
|
13,528,946 |
|
2730 |
13,528,946 |
1
|
|
3
|
2
|
Princess Diaries
2: Royal Engagement |
BV
|
13,051,560 |
-43% |
3490 |
61,217,735 |
2
|
|
4
|
1
|
Alien vs. Predator |
Fox
|
12,409,624 |
-68% |
3401 |
62,962,235 |
2
|
|
5
|
17
|
Open Water |
Lions
Gate
|
11,413,017 |
1175% |
2709 |
14,493,924 |
3
|
|
6
|
3
|
Collateral |
DreamWorks
|
10,156,357 |
-37% |
3029 |
69,721,408 |
3
|
|
7
|
5
|
The Bourne
Supremacy |
Uni
|
6,469,275 |
-25% |
2532 |
150,393,515 |
5
|
|
8
|
7
|
The Manchurian
Candidate |
Par
|
4,017,560 |
-33% |
1920 |
54,543,247 |
4
|
|
9
|
6
|
The Village |
BV
|
3,722,806 |
-48% |
2249 |
107,049,072 |
4
|
|
10
|
4
|
Yu-Gi-Oh! |
WB
|
3,245,167 |
-66% |
2411 |
15,514,005 |
2
|
|
11
|
13
|
Garden State |
Fox
Searchlight
|
3,020,555 |
117% |
652 |
6,510,004 |
4
|
|
12
|
10
|
Spider-Man
2 |
Sony
|
2,421,434 |
-31% |
1343 |
365,173,462 |
8
|
|
13
|
8
|
I, Robot |
Fox
|
2,408,877 |
-38% |
1609 |
138,292,990 |
6
|
|
14
|
11
|
Napoleon Dynamite |
Fox
Searchlight
|
1,787,873 |
2% |
577 |
19,111,581 |
11
|
|
15
|
9
|
Little Black
Book |
Sony
|
1,517,423 |
-60% |
1640 |
18,427,929 |
3
|
|
16
|
New
|
Benji Off the
Leash! |
Benji
Dist.
|
1,512,000 |
|
876 |
1,551,028 |
7
|
|
17
|
14
|
The Notebook |
New
Line
|
774,126 |
-33% |
621 |
76,295,611 |
9
|
|
18
|
15
|
Fahrenheit
9/11 |
Lions
Gate/Alliance
|
596,499 |
-41% |
446 |
116,761,122 |
8
|
|
19
|
19
|
De-Lovely |
MGM
|
561,938 |
-19% |
317 |
10,776,149 |
8
|
|
20
|
12
|
Harold &
Kumar Go to White Castle |
New
Line
|
489,985 |
-65% |
401 |
17,327,672 |
4
|
|
21
|
22
|
Maria Full
of Grace |
New
Line
|
458,426 |
-7% |
117 |
3,315,918 |
5
|
|
22
|
New
|
Nicotina |
Arenas
Group
|
446,768 |
|
96 |
447 |
1
|
|
23
|
21
|
Shrek 2 |
DreamWorks
|
422,786 |
-26% |
435 |
436,471,036 |
14
|
|
24
|
16
|
Catwoman |
WB
|
386,319 |
-59% |
444 |
39,050,726 |
5
|
|
25
|
23
|
Harry Potter
& Prisoner of Azkaban |
WB
|
353,507 |
-22% |
248 |
256,900,818 |
12
|
|
26
|
New
|
Going the Distance |
Odeon
|
333,126 |
|
153 |
333,126 |
1
|
|
27
|
24
|
Dodgeball:
A True Underdog Story |
Fox
|
282,594 |
-15% |
283 |
113,005,058 |
10
|
|
28
|
29
|
Intimate Strangers |
Par
Classics/TVA
|
278,064 |
21% |
82 |
962,068 |
4
|
|
29
|
18
|
A Cinderella
Story |
WB
|
270,126 |
-69% |
435 |
50,249,672 |
6
|
|
30
|
25
|
Garfield |
Fox
|
248,958 |
-3% |
293 |
74,405,479 |
10
|
|
31
|
20
|
Anchorman:
Legend of Ron Burgundy |
DreamWorks
|
241,442 |
-63% |
322 |
84,136,909 |
7
|
|
32
|
35
|
King Arthur |
BV
|
235,431 |
37% |
287 |
51,003,407 |
7
|
|
33
|
28
|
The Day After
Tomorrow |
Fox
|
207,237 |
-10% |
233 |
185,984,768 |
13
|
|
34
|
44
|
We Don't Live
Here Anymore |
WIP
|
192,472 |
90% |
29 |
340,842 |
2
|
|
35
|
38
|
What the #$*!
Do We Know |
Lord
of the Wind
|
184,152 |
31% |
37 |
2,165,576 |
29
|
|
36
|
26
|
The Door in
the Floor |
Focus
|
179,571 |
-29% |
112 |
3,179,110 |
6
|
|
37
|
31
|
Nascar: The
Imax Experience |
WB
|
178,551 |
-19% |
56 |
17,830,552 |
24
|
|
38
|
27
|
Before Sunset |
WIP
|
171,309 |
-27% |
113 |
4,560,080 |
8
|
|
39
|
32
|
The Stepford
Wives |
Par
|
150,371 |
-28% |
206 |
59,176,740 |
11
|
|
40
|
33
|
Around the
World in 80 Days |
BV
|
134,453 |
-29% |
193 |
23,775,251 |
10
|
|
41
|
39
|
Bugs! |
SK
Film
|
132,681 |
0% |
31 |
12,362,206 |
76
|
|
42
|
40
|
Riding Giants |
Sony
Classics
|
128,787 |
-2% |
64 |
1,687,033 |
7
|
|
43
|
43
|
Space Station |
Imax
|
113,589 |
-3% |
8 |
53,979,933 |
123
|
|
44
|
42
|
Adrenaline
Rush: The Science of Risk |
Giant
Screen
|
111,945 |
-9% |
17 |
7,758,253 |
95
|
|
45
|
46
|
Zatoichi |
Seville/Miramax
|
108,394 |
11% |
55 |
819,842 |
9
|
|
46
|
New
|
Fida |
Rainbow
Films
|
98,297 |
|
30 |
98,297 |
1
|
|
47
|
34
|
Kyon? Ho Gaya
Pyu |
Eros
|
89,968 |
-48% |
47 |
336,909 |
2
|
|
48
|
36
|
The Terminal |
DreamWorks
|
87,237 |
-43% |
153 |
77,032,279 |
10
|
|
49
|
41
|
A Home at the
End of the World |
WIP
|
82,380 |
-36% |
51 |
774,651 |
5
|
|
50
|
47
|
Camping Sauvage |
Alliance
|
77,672 |
-19% |
51 |
3,642,327 |
7
|
|
51
|
30
|
Thunderbirds |
Uni
|
67,185 |
-70% |
168 |
6,768,055 |
4
|
|
52
|
50
|
Saints and
Soldiers |
Excel
|
63,375 |
-42% |
27 |
396,534 |
3
|
|
53
|
49
|
Festival Express |
Thinkfilm
|
61,887 |
-25% |
26 |
525,167 |
5
|
|
54
|
59
|
Outfoxed: War
on Journalism |
Cinema
Libre
|
58,029 |
29% |
17 |
245,677 |
3
|
|
55
|
51
|
The Corporation |
Mongrel/Zeitgeist
|
56,054 |
-14% |
27 |
2,958,759 |
32
|
|
56
|
53
|
Mean Girls |
Par
|
54,919 |
-1% |
79 |
85,974,306 |
17
|
|
57
|
62
|
Code 46 |
MGM
|
54,385 |
42% |
21 |
142,603 |
3
|
|
58
|
48
|
Two Brothers |
Uni
|
53,918 |
-36% |
88 |
19,053,433 |
9
|
|
59
|
37
|
White Chicks |
Sony
|
53,110 |
-62% |
72 |
69,263,055 |
9
|
|
60
|
69
|
She Hate Me |
Sony
Classics
|
49,594 |
121% |
28 |
248,368 |
4
|
|
61
|
60
|
Pulse: A Stomp
Odyssey |
Giant
Screen
|
47,458 |
16% |
8 |
7,250,677 |
97
|
|
62
|
New
|
Bright Young
Things |
Thinkfilm
|
46,926 |
|
3 |
46,926 |
1
|
|
63
|
New
|
Rosenstrasse |
IDP
|
45,024 |
|
10 |
45,024 |
1
|
|
64
|
55
|
Control Room |
Magnolia/Odeon
|
40,060 |
-22% |
32 |
2,301,502 |
14
|
|
65
|
58
|
Super Size
Me |
IDP/Odeon
|
39,253 |
-18% |
39 |
11,269,350 |
16
|
|
66
|
56
|
Troy |
WB
|
39,236 |
-19% |
77 |
133,298,577 |
15
|
|
67
|
45
|
The Chronicles
of Riddick |
Uni
|
37,456 |
-62% |
71 |
57,712,751 |
11
|
|
68
|
57
|
The Story of
the Weeping Camel |
Thinkfilm
|
35,412 |
-26% |
24 |
1,434,170 |
13
|
|
69
|
52
|
Mujhse Shaadi
Karogi |
Zee
TV
|
35,362 |
-44% |
24 |
893,142 |
4
|
|
70
|
77
|
Donnie Darko
- Director's Cut |
Newmarket
|
33,626 |
97% |
11 |
347,521 |
12
|
|
71
|
54
|
Raising Helen |
BV
|
33,097 |
-39% |
65 |
37,451,587 |
13
|
|
72
|
New
|
Uncovered:
The War on Iraq |
Cinema
Libre
|
31,481 |
|
7 |
31,481 |
1
|
|
73
|
67
|
The Clearing |
Fox
Searchlight
|
31,149 |
21% |
36 |
5,675,703 |
8
|
|
74
|
New
|
Mean Creek |
Par
Classics
|
29,170 |
|
4 |
29,170 |
1
|
|
75
|
65
|
T-Rex: Back
to the Cretacious |
Imax
|
26,770 |
-8% |
5 |
49,058,593 |
305
|
|
76
|
80
|
Man on Fire |
Fox
|
23,302 |
44% |
31 |
77,894,965 |
18
|
|
77
|
61
|
Metallica:
Some Kind of Monster |
IFC/Capri
|
21,299 |
-45% |
26 |
1,114,222 |
7
|
|
78
|
63
|
Touch of Pink |
Mongrel/Sony
Class
|
21,288 |
-42% |
18 |
422,844 |
6
|
|
79
|
73
|
Ju-on: The
Grudge |
Lions
Gate
|
21,264 |
15% |
9 |
138,721 |
5
|
|
80
|
New
|
End of the
Century: The Ramones |
Magnolia
|
18,422 |
|
1 |
18,422 |
1
|
Estimates
| Title |
Distributor
|
Gross
(average)
|
%
change
|
Theaters
|
Cume
|
| Exorcist:
The Beginning |
WB
|
18.4
(6,570)
|
|
2803 |
18.4 |
| Princess
Diaries 2: Royal Engagement |
BV
|
13.3
(3,810)
|
-42% |
3490 |
61.5 |
| Without
a Paddle |
Par
|
13.2
(4,840)
|
|
2730 |
13.2 |
| Alien
vs. Predator |
Fox
|
11.8
(3,460)
|
-69% |
|