|
  
   

| August
1, 2004 |
| July
25, 2004 |
| July
18, 2004 |
| July
11, 2004 |
| July
5, 2004 |
| June
27, 2004 |
| June
20, 2004 |
| June
13, 2004 |
| June
6, 2004 |
| May
30, 2004 |
| May
23, 2004 |
| May
16, 2004 |
| May
9, 2004 |
| May
2, 2004 |
| April
25, 2004 |
| April
18, 2004 |
| April
11, 2004 |
| April
4, 2004 |
| March
28, 2004 |
| March
21, 2004 |
| March
14, 2004 |
| March
7, 2004 |
| February
29, 2004 |
| February
22, 2004 |
| February
16, 2004 |
| February
8, 2004 |
| February
1, 2004 |
| January
25, 2004 |
| January
19, 2004 |
| January
11, 2004 |
| January
4, 2004 |
| Dec
28, 2003 |
| Dec
21, 2003 |
| Dec
14, 2003 |
| Dec
7, 2003 |

..Gary
Dretzka
..Leonard
Klady
..Emanuel
Levy
..David
Poland
..Doug
Pratt
..Ray
Pride

|
|

Weekend Estimates
Top Canadian Grosses
Domestic Market Share
Taxicab
Fare Hikes
Collateral
was in the front seat of weekend film going as it cruised to an
estimated $24.6 million. The frame also saw a mediocre bow for
the comedy-lite Little Black Book that grossed about $7
million. However, stealing the thunder of the frame was the low
budget indie thriller Open Water with a $1 million bow
and close to $22,000 theater average.
While there
was good news on an anecdotal basis, overall business of about
$116 million was a decided downturn from the prior weekend and
ticket sales in 2003. Following three weeks of boffo premieres,
the Collateral ride dipped 28% from the immediate prior
frame and sank 19% from 12 months earlier. In 2003, SWAT
bowed to $37 million with Freaky Friday in the place position
with $22 million. The premieres roughly doubled the past weekend's
openers.
The domestic
marketplace passed $6 million Saturday, roughly 10 days ahead
of the pace set in 2003. The summer season is still significantly
ahead of last year's performance by 14% and around 9% better in
terms of attendance.
Anticipation
for the Tom Cruise-Jamie Foxx thriller match up was high,
though not in the same strata as such recent entries as I,
Robot and The Bourne Identity. Industry tracking suggested
Collateral would debut with a gross in the mid-$20 million
range but stellar critical response, a full press ad campaign
and less ferocious marketplace competition had many predicting
a weekend tally of more than $30 million. One industry wag suggested
ironically that pre-Olympics anticipation curbed Collateral's
momentum but certainly some of its audience appeared to detour
to Bourne and The Manchurian Candidate.
The tepid
fifth place finish of Little Black Book was also anticipated
with the film's concept readily appreciated but drawing little
heat. Its fungible quality reflects upcoming releases hoping to
generate a little extra box office at the end of the summer season.
This is also
the time of year when alternative fare positions itself for the
buoyant fall movie going period. While not targeted to the core
specialized audience, Open Water tapped into a vein of
thrillseekers to great effect. It stands to reap big rewards almost
immediately with mainstream playdates and an easily appreciated
yarn of two people abandoned at sea and menaced by sharks.
Summer 2004
has been a big thumbs up for films acquired at Sundance that,
in addition to Open Water, include Garden State, Napoleon
Dynamite and Maria Full of Grace. All three continue
to expand and maintain strong business with Napoleon emerging
as one of the biggest niche success of the year to date.
Sophomore
frame titles performed predictably with The Village taking
a major 67% hit and The Manchurian Candidate and Harold
& Kumar hemorrhaging by half form their opening salvos.
The hectic
release pace of niche titles continued with the regional premiere
of Saints and Soldiers registering an OK $100,000 from
25 Utah venues. The tale of heroism and faith set in the closing
days of the European campaign during the Second World War faces
a stiff challenge of securing dates beyond the Heartland.
Publicity
and familiarity provided a solid boost for the documentary Outfoxed
with a frame average of $14,300 from four engagements. The slam
at Fox Cable News should be able to expand to other major news
based on first response. The news was not as fierce for other
debutants with the sci-fi drama Code 46 grossing $18,400
at three locations, the offbeat drama Stander generating
a wan $17,300 from seven theaters and the single screen for the
Asian epic Bang Rajan limping to $3,400.
- by Leonard
Klady
|
|
Weekend
Estimates - Ending August 8, 2004
| Title |
Distributor
|
Gross
(average)
|
%
change
|
Theaters
|
Cume
|
| Collateral |
DmWks
|
24.6
(7,720)
|
- |
3188 |
24.6 |
| The
Village |
BV
|
16.5
(4,400)
|
-67% |
3733 |
85.7 |
| The
Bourne Supremecy |
Uni
|
14.3
(4,320)
|
-41% |
3304 |
124.5 |
| The
Manchurian Candidate |
Par
|
10.6
(3,700)
|
-47% |
2867 |
38.3 |
| Little
Black Book |
Sony
|
7.0
(2,850)
|
- |
2445 |
7 |
| I,
Robot |
Fox
|
6.5
(2,300)
|
-38% |
2806 |
126.9 |
| Spider-Man
2 |
Sony
|
5.6
(2,190)
|
-35% |
2564 |
354.7 |
| Harold
& Kumar Go to White Castle |
New
Line
|
3.1
(1,450)
|
-43% |
2163 |
12.2 |
| A
Cinderella Story |
WB
|
3.0
(1,450)
|
-38% |
2065 |
47 |
| Catwoman |
WB
|
2.8
(1,260)
|
-56% |
2275 |
36 |
| Fahrenheit
9/11 |
LGF/Alliance
|
2.1
(2,040)
|
-34% |
1009 |
113.4 |
| The
Notebook |
New
Line
|
1.9
(1,500)
|
-30% |
1255 |
72.3 |
| Napoleon
Dynamite |
Fox
Searchlight
|
1.7
(3,150)
|
23% |
546 |
12.5 |
| Anchorman |
DreamWorks
|
1.7
(1,260)
|
-45% |
1370 |
82 |
| Thunderbirds |
Uni
|
1.2
(570)
|
-57% |
2062 |
5.6 |
| Open
Water |
Lions
Gate
|
1.0
(21,800)
|
- |
47 |
1 |
| Shrek
2 |
DreamWorks
|
1.0
(1,180)
|
-27% |
812 |
434.5 |
| De-Lovely |
MGM
|
.92
(2,240)
|
-23% |
410 |
8.6 |
| Harry
Potter & Prisoner of Azkaban |
WB
|
.75
(1,840)
|
-24% |
409 |
245.4 |
| King
Arthur |
BV
|
.57
(1,190)
|
-61% |
480 |
50.1 |
| Garden
State |
Fox
Searchlight
|
.55
(15,600)
|
174% |
35 |
0.97 |
| Maria
Full of Grace |
New
Line
|
.51
(5,310)
|
-3% |
96 |
1.8 |
| Weekend
Total ($500,000+ Films) |
$107.90
|
- |
| %
Change (Last Year) |
-
|
-19%
|
- |
| %
Change (Last Week) |
-
|
-28%
|
- |
| Also
Debuting/Expanding |
| Before
Sunset |
WIP
|
.47
(2,300)
|
-11% |
202 |
3.2 |
| The
Door in the Floor |
Focus
|
.24
(1,780)
|
-34% |
134 |
2.4 |
| Saints
and Soldiers |
Excel
|
.10
(4,120)
|
- |
25 |
0.1 |
| Outfoxed |
Cinemalibre
|
57,300
(14,330)
|
- |
4 |
0.06 |
| Code
46 |
MGM
|
18,400
(6,140)
|
- |
3 |
0.02 |
| Stander |
Newmarket
|
17,300
(2,470)
|
- |
7 |
0.02 |
| Bang
Rajan |
Magnolia
|
3,400
(3,400)
|
- |
1 |
0.01 |
Top
Canadian Releases - January 1 - August 5, 2004
| Title |
Distributor
|
Gross
(millions)
|
%
Domestic
|
| Shrek
2 |
DmWks
|
40,380,348
|
9.30% |
| Spider-Man
2 |
Sony
|
35,210,432
|
10.10% |
| Harry
Potter & the Prisoner of Azkaban |
WB
|
30,517,351
|
12.50% |
| The
Passion of the Christ |
Equinox
|
24,185,997
|
6.50% |
| Lord
of the Rings: Return of King * |
Alliance
|
21,892,922
|
10% |
| Troy |
WB
|
19,311,766
|
14.50% |
| Fahrenheit
9/11 |
Alliance
|
17,671,659
|
15.90% |
| The
Day After Tomorrow |
Fox
|
17,035,867
|
9.20% |
| 50
First Dates |
Sony
|
14,300,677
|
11.80% |
| The
Bourne Identity |
Uni
|
12,096,339
|
11% |
| Starsky
& Hutch |
WB
|
10,587,495
|
12% |
| Van
Helsing |
Uni
|
10,421,983
|
8.70% |
| Kill
Bill, Vol. 2 |
Alliance
|
10,048,108
|
15.20% |
| I,
Robot |
Fox
|
9,869,469
|
8.20% |
| The
Butterfly Effect |
Alliance
|
9,591,468
|
16.50% |
| Along
Came Polly |
Uni
|
9,041,994
|
10.30% |
| Dodgeball:
A True Underdog Story |
Fox
|
8,773,150
|
7.90% |
| The
Notebook |
Alliance
|
8,369,456
|
11.90% |
| Mean
Girls |
Par
|
8,309,226
|
9.70% |
| Hidalgo |
BV
|
7,962,506
|
11.80% |
*
does not include 2003 box office
Figures in CDN |
Domestic
Market Share - January 1 - August 5, 2004
| Sony
(15) |
904.4
|
15.30%
|
| Warner
Bros. (23) |
834.1
|
14.10%
|
| Fox
(12) |
716.5
|
12.10%
|
| DreamWorkd
(7) |
648.6
|
10.90%
|
| Buena
Vista (19) |
507.4
|
8.60%
|
| Universal
(13) |
501.5
|
8.50%
|
| Newmarket
(3) |
404.8
|
6.80%
|
| New
Line (10) |
285.7
|
4.80%
|
| Paramount
(10) |
272.1
|
4.60%
|
| Miramax
(16) |
216.3
|
3.60%
|
| MGM
(10) |
178.7
|
3.00%
|
| Lions
Gate (14) |
173.3
|
2.90%
|
| Fox
Searchlight (8) |
72.9
|
1.20%
|
| Focus
(5) |
61.2
|
1.00%
|
| Alliance
(9) |
36.9
|
0.60%
|
| Sony
Classics (16) |
26.6
|
0.50%
|
| Other
* (137) |
87.7
|
1.50%
|
| *
none greater than .4% |
5928.7
|
100.00%
|
|