|
  
   

| July
18, 2004 |
| July
11, 2004 |
| July
5, 2004 |
| June
27, 2004 |
| June
20, 2004 |
| June
13, 2004 |
| June
6, 2004 |
| May
30, 2004 |
| May
23, 2004 |
| May
16, 2004 |
| May
9, 2004 |
| May
2, 2004 |
| April
25, 2004 |
| April
18, 2004 |
| April
11, 2004 |
| April
4, 2004 |
| March
28, 2004 |
| March
21, 2004 |
| March
14, 2004 |
| March
7, 2004 |
| February
29, 2004 |
| February
22, 2004 |
| February
16, 2004 |
| February
8, 2004 |
| February
1, 2004 |
| January
25, 2004 |
| January
19, 2004 |
| January
11, 2004 |
| January
4, 2004 |
| Dec
28, 2003 |
| Dec
21, 2003 |
| Dec
14, 2003 |
| Dec
7, 2003 |

..Gary
Dretzka
..Leonard
Klady
..Emanuel
Levy
..David
Poland
..Doug
Pratt
..Ray
Pride

|
|

Weekend Finals
Top Limited Grosses
Domestic Market Share
ReBourne
or CATastrophe
The claws
were out but the pause that refreshed this weekend was the debut
of The Borne Supremacy with an estimated $53.5 million.
Lapping up poor thirds (almost literally) was the launch of Catwoman
with $16.7 million.
Overall business
was clocking in at slightly better than $155 million for a modest
1% boost from the prior frame. It was also close to status quo
with 97% of 2003 business when Spy Kids 3-D was top ranked
with $33.4 million and the debuts of Lara Croft: the Cradle
of Life and Seabiscuit listing fourth and fifth with
$21.8 million and $20.8 million respectively.
The spy thriller
sequel to The Bourne Identity got out to a decidedly faster
start than its inspiration, that bowed to $27.1 million two years
ago. There's no question familiarity did not breed contempt and
advance word was largely positive on the CIA shenanigans that
inform the picture. Still, few were expecting the picture to perform
on a comparable level to last weekend's I, Robot; let alone
gross a silly little millimeter more. The difference would appear
to have come from women that eschewed the more blatant distaff
appeal of Catwoman.
Certainly
the feline crimefighter had obvious commercial hooks (or claws).
It had star appeal, name recognition and title recognition. However,
the advance word was close to dire and then the reviews kicked
in things had obviously not worked out purrfectly. The mega production
performed considerably below a calculated franchise level and
that's bound to have echoes in both the upcoming revivals of Warner's
beleaguered Batman and Superman series.
Taking a hard
58% plunge in its second weekend, I, Robot ranked second in the
lineup with just shy of $22 million. However, most continuing
titles were experiencing 40% hits with the rare exceptions providing
some of the season's biggest surprises.
Fahrenheit
9/11 added $4.9 million to its larder and passed a $100 million
level on Saturday. Only two other non-fiction films have ever
reached such heights and the Michael Moore political Bushwhack
may well benefit from current political awareness to finish at
the top of that rarefied list.
The other
quasi-surprise is The Notebook that's managed to sustain
better than any other summer 2004 release on a week-to-week basis.
One of the few mainstream releases targeted at adults, it's played
at 80% to 85% levels as it's progressed and underlines both the
strength of an older audience and the paucity of choice they confront
during the summer months. It should top out at about $75 million.
To a more
limited extent one can see a similar potency in De-Lovely that
has rolled out gradually and crept to $5 million with now slightly
more than 300 playdates. Regardless of its final tally, it's doubtful
the picture would have done as well in the more adult-competitive
spring of autumn periods.
The frame
also saw potent launches of a number of alternative titles including
Warner Independent's family drama Home at the End of the World
that scored a $12,500 average from five engagements. The second
weekend of the Sundance social drama Maria Full of Grace
was rock solid and the film expands next weekend.
Also impressive
were a pair of Asian genre films. Japan's samurai saga Zatoichi
entered American cinemas (it opened last month in Canada) and
its four U.S. screens generated a screen average close to $15,000.
The Hong Kong horror outing Ju-on (The Grudge) was
a notch down with roughly a $9,000 average from three locations.
Finally, the
record of the 1970 musical marathon Festival Express pulled
into a single station in San Francisco and fired up $11,400 on
tuneful echoes of Joplin, The Band and The Grateful
Dead.
- by Leonard
Klady
|
|
Weekend
Finals - July 23-25, 2004
|
|
Title |
Distrib
|
Weekend
|
%
Change
|
Theaters
|
Cume
|
Wks
|
|
1
|
New
|
The Bourne
Supremacy |
Uni
|
52,521,865
|
|
3165 |
52,521,865 |
1
|
|
2
|
1
|
I, Robot |
Fox
|
21,728,525
|
-58% |
3494 |
95,123,749 |
2
|
|
3
|
New
|
Catwoman |
WB
|
16,728,411
|
|
3117 |
16,728,411 |
1
|
|
4
|
2
|
Spider-Man
2 |
Sony
|
15,015,872
|
-39% |
3753 |
328,468,763 |
4
|
|
5
|
4
|
A Cinderella
Story |
WB
|
7,834,289
|
-43% |
2625 |
29,608,773 |
1
|
|
6
|
3
|
Anchorman:
Legend of Ron Burgundy |
DreamWorks
|
6,974,614
|
-50% |
2936 |
71,060,084 |
3
|
|
7
|
5
|
Fahrenheit
9/11 |
Lions
Gate/Alliance
|
4,759,921
|
-34% |
1855 |
103,115,645 |
4
|
|
8
|
7
|
The Notebook |
New
Line
|
4,268,634
|
-24% |
2003 |
62,318,684 |
5
|
|
9
|
6
|
King Arthur |
BV
|
3,036,114
|
-58% |
2104 |
45,169,967 |
3
|
|
10
|
10
|
Shrek 2 |
DreamWorks
|
2,316,663
|
-28% |
1559 |
429,441,294 |
10
|
|
11
|
8
|
Dodgeball:
A True Underdog Story |
Fox
|
2,022,019
|
-47% |
1373 |
109,335,049 |
6
|
|
12
|
12
|
Harry Potter
& Prisoner of Azkaban |
WB
|
1,677,458
|
-39% |
1008 |
241,770,359 |
8
|
|
13
|
11
|
The Terminal |
DreamWorks
|
1,650,183
|
-48% |
1254 |
74,491,946 |
6
|
|
14
|
13
|
De-Lovely |
MGM
|
1,630,062
|
9% |
333 |
4,952,195 |
4
|
|
15
|
9
|
White Chicks |
Sony
|
1,622,797
|
-53% |
1152 |
66,811,304 |
5
|
|
16
|
17
|
Napoleon Dynamite |
Fox
Searchlight
|
1,608,412
|
114% |
389 |
6,517,812 |
7
|
|
17
|
16
|
Garfield |
Fox
|
683,554
|
-35% |
680 |
71,926,472 |
6
|
|
18
|
14
|
The Clearing |
Fox
Searchlight
|
642,731
|
-50% |
429 |
4,933,892 |
4
|
|
19
|
21
|
The Door in
the Floor |
Focus
|
571,825
|
25% |
119 |
1,363,123 |
2
|
|
20
|
19
|
Before Sunset |
WIP
|
522,434
|
-10% |
140 |
2,527,918 |
4
|
|
21
|
18
|
The Day After
Tomorrow |
Fox
|
464,114
|
-25% |
374 |
184,110,900 |
9
|
|
22
|
20
|
Two Brothers |
Uni
|
335,635
|
-39% |
377 |
18,024,760 |
5
|
|
23
|
24
|
The Chronicles
of Riddick |
Uni
|
308,305
|
7% |
240 |
56,816,620 |
7
|
|
24
|
25
|
Nascar: The
Imax Experience |
WB
|
278,835
|
1% |
52 |
16,119,985 |
20
|
|
25
|
28
|
Bugs! |
SK
Film
|
260,565
|
43% |
30 |
11,158,439 |
72
|
|
26
|
22
|
Camping Sauvage |
Alliance
|
210,676
|
-54% |
81 |
2,428,881 |
3
|
|
27
|
23
|
The Stepford
Wives |
Par
|
195,398
|
-55% |
256 |
58,295,045 |
7
|
|
28
|
26
|
Mean Girls |
Par
|
182,651
|
-29% |
236 |
85,222,509 |
13
|
|
29
|
27
|
Riding Giants |
Sony
Classics
|
176,584
|
-10% |
41 |
726,645 |
3
|
|
30
|
36
|
Troy |
WB
|
170,897
|
32% |
301 |
132,703,006 |
11
|
|
31
|
44
|
Raising Helen |
BV
|
166,324
|
159% |
241 |
36,781,917 |
9
|
|
32
|
30
|
Van Helsing |
Uni
|
141,410
|
-15% |
179 |
119,857,215 |
12
|
|
33
|
33
|
Maria Full
of Grace |
New
Line
|
136,932
|
-2% |
7 |
365,456 |
2
|
|
34
|
40
|
The Corporation |
Mongrel/Zeitgeist
|
130,966
|
18% |
31 |
2,401,459 |
28
|
|
35
|
39
|
Space Station |
Imax
|
128,376
|
9% |
11 |
52,906,320 |
119
|
|
36
|
29
|
13 Going on
30 |
Sony
|
128,143
|
-24% |
139 |
56,725,409 |
13
|
|
37
|
15
|
Sleepover |
MGM
|
120,358
|
-90% |
300 |
9,134,665 |
3
|
|
38
|
31
|
Super Size
Me |
IDP/Odeon
|
118,498
|
-19% |
118 |
10,861,901 |
12
|
|
39
|
32
|
Control Room |
Magnolia/Odeon
|
113,774
|
-19% |
63 |
1,885,396 |
10
|
|
40
|
42
|
Adrenaline
Rush: The Science of Risk |
Giant
Screen
|
112,485
|
10% |
17 |
7,268,282 |
91
|
|
41
|
34
|
Metallica:
Some Kind of Monster |
IFC/Capri
|
107,558
|
-20% |
42 |
387,803 |
3
|
|
42
|
38
|
The Story of
the Weeping Camel |
Thinkfilm
|
103,164
|
-13% |
55 |
1,055,919 |
9
|
|
43
|
37
|
Scooby-Doo
2: Monsters Unleashed |
WB
|
79,453
|
-34% |
160 |
83,916,289 |
18
|
|
44
|
35
|
Around the
World in 80 Days |
BV
|
76,304
|
-42% |
105 |
22,804,073 |
6
|
|
45
|
41
|
Man on Fire |
Fox
|
68,827
|
-37% |
117 |
77,693,892 |
14
|
|
46
|
72
|
Zatoichi |
Seville/Miramax
|
65,350
|
381% |
7 |
300,179 |
6
|
|
47
|
New
|
A Home at the
End of the World |
WIP
|
64,728
|
|
5 |
64,728 |
1
|
|
48
|
43
|
Touch of Pink |
Mongrel/Sony
Class
|
61,408
|
-21% |
21 |
183,711 |
2
|
|
49
|
48
|
What the #$*!
Do We Know |
Lord
of the Wind
|
56,672
|
5% |
14 |
1,409,575 |
25
|
|
50
|
RE
|
Donnie Darko
(Director's Cut) |
Newmarket
|
53,507
|
|
6 |
150,130 |
8
|
|
51
|
49
|
Pulse: A Stomp
Odyssey |
Giant
Screen
|
46,251
|
-11% |
9 |
7,057,876 |
93
|
|
52
|
50
|
Facing Windows |
Sony
Classics
|
42,876
|
-16% |
18 |
373,955 |
6
|
|
53
|
58
|
Seducing Dr.
Lewis |
Wellspring
|
36,988
|
19% |
15 |
142,106 |
6
|
|
54
|
56
|
T-Rex: Back
to the Cretacious |
Imax
|
36,104
|
-1% |
4 |
48,757,550 |
301
|
|
55
|
47
|
Flavors |
Net
Effect
|
35,698
|
-36% |
12 |
93,370 |
2
|
|
56
|
61
|
The Hunting
of the President |
Regent
|
34,376
|
38% |
16 |
171,457 |
6
|
|
57
|
52
|
Saved! |
MGM
|
32,987
|
-25% |
30 |
8,846,873 |
9
|
|
58
|
46
|
Home on the
Range |
BV
|
32,193
|
-43% |
78 |
49,887,802 |
17
|
|
59
|
55
|
Coffee and
Cigarettes |
MGM
|
31,201
|
-18% |
31 |
2,030,210 |
11
|
|
60
|
45
|
Kill
Bill Vol. 2 |
Miramax
|
28,864
|
-51% |
72 |
66,145,221 |
15
|
|
61
|
53
|
Breakin' All
the Rules |
Sony
|
26,060
|
-40% |
35 |
12,232,382 |
10
|
|
62
|
New
|
Ju-on: The
Grudge |
Vitagraph
|
25,447
|
|
3 |
25,447 |
1
|
|
63
|
64
|
Zhou Yu's Train |
Sony
Classics
|
22,908
|
0% |
11 |
57,101 |
2
|
|
64
|
57
|
I'll Sleep
When I'm Dead |
Par
Classics
|
21,942
|
-37% |
14 |
250,043 |
6
|
|
65
|
59
|
The Mother |
Sony
Classics
|
21,084
|
-30% |
21 |
794,603 |
9
|
|
66
|
New
|
Asambhav |
Eros
|
19,504
|
|
15 |
19,504 |
1
|
|
67
|
63
|
Eternal Sunshine
of the Spotless Mind |
Focus
|
18,551
|
-21% |
19 |
34,366,518 |
19
|
|
68
|
60
|
Johnson Family
Vacation |
Fox
Searchlight
|
18,068
|
-28% |
32 |
31,113,310 |
16
|
Estimates
- July 23-25, 2004
| Title |
Distributor
|
Gross
(average)
|
%
change
|
Theaters
|
Cume
|
| The
Bourne Supremecy |
Uni
|
53.5
(16,910)
|
- |
3165 |
53.5 |
| I,
Robot |
Fox
|
21.7
(6,200)
|
-58% |
3494 |
95.1 |
| Catwoman |
WB
|
16.7
(5,320)
|
- |
3117 |
16.7 |
| Spider-Man
2 |
Sony
|
15.2
(4,060)
|
-39% |
3753 |
328.7 |
| A
Cinderella Story |
WB
|
7.7
(2,940)
|
-43% |
2625 |
29.5 |
| Anchorman |
DreamWorks
|
7.3
(2,480)
|
-48% |
2936 |
71.3 |
| Fahrenheit
9/11 |
LGF/Alliance
|
4.9
(2,640)
|
-32% |
1855 |
103.2 |
| The
Notebook |
New
Line
|
4.5
(2,260)
|
-20% |
2003 |
62.5 |
| King
Arthur |
BV
|
3.1
(1,490)
|
-56% |
2104 |
45.3 |
| Shrek
2 |
DreamWorks
|
2.6
(1,680)
|
-19% |
1559 |
429.7 |
| The
Terminal |
DreamWorks
|
1.9
(1,500)
|
-41% |
1254 |
74.7 |
| Dodgeball:
A True Underdog's Story |
Fox
|
1.8
(1,340)
|
-52% |
1373 |
109.2 |
| White
Chicks |
Sony
|
1.7
(1,490)
|
-50% |
1152 |
66.9 |
| Napoleon
Dynamite |
Fox
Searchlight
|
1.7
(4,400)
|
128% |
389 |
6.6 |
| Harry
Potter & Prisoner of Azkaban |
WB
|
1.6
(1,620)
|
-41% |
1008 |
241.7 |
| De-Lovely |
MGM
|
1.6
(4,710)
|
5%< | |