|
  
   

| July
5, 2004 |
| June
27, 2004 |
| June
20, 2004 |
| June
13, 2004 |
| June
6, 2004 |
| May
30, 2004 |
| May
23, 2004 |
| May
16, 2004 |
| May
9, 2004 |
| May
2, 2004 |
| April
25, 2004 |
| April
18, 2004 |
| April
11, 2004 |
| April
4, 2004 |
| March
28, 2004 |
| March
21, 2004 |
| March
14, 2004 |
| March
7, 2004 |
| February
29, 2004 |
| February
22, 2004 |
| February
16, 2004 |
| February
8, 2004 |
| February
1, 2004 |
| January
25, 2004 |
| January
19, 2004 |
| January
11, 2004 |
| January
4, 2004 |
| Dec
28, 2003 |
| Dec
21, 2003 |
| Dec
14, 2003 |
| Dec
7, 2003 |

..Gary
Dretzka
..Leonard
Klady
..Emanuel
Levy
..David
Poland
..Doug
Pratt
..Ray
Pride

|
|

Weekend Finals
Top Worldwide Grosses
Domestic Market Share
Domo
Arigato, Mr. Roboto
Where there's
a Will, there's a big time payoff.
I, Robot
was a clinker with the critics but the film's estimated $51.2
million debut drowned out the cavil calls. It was a dynamic opening
in a frame that also saw the distaff counter-programmed A Cinderella
Story do a passable $13.7 million while most continuing titles
were holding their own in the highly competitive marketplace.
The liberally
adapted screen version of Isaac Asimov's short stories,
I, Robot, had largely thwarted filmmaker's attempts at cinematic
translation for decades. Time largely dictated a less than faithful
approach to the source but that mattered little to a general public
more familiar than conversant with the title. A $50 million bow
was certainly the target for the Will Smith vehicle but
tracking suggested it might come up slightly short of that mark.
Robot's initial
success is the latest reversal of fortune for the Fox studio,
coming on the heels of recent over achievers Garfield and
Dodgeball. Regardless of final seasonal rankings, Fox and
DreamWorks have to be considered the chief beneficiaries of summer
movie going.
Obviously
the production team at Warners has a soft spot for romantic comedies
centered on young women, with A Cinderella Story following
such studio fare as New York Minute and What a Girl
Wants. While hardly a breakout title for that demographic
its third place ranking and gross provides sufficient ammunition
for continued development of a largely underserved audience sector.
Overall business
should weigh in at roughly $150 million for the weekend for a
modest 2% boost from the prior frame. The figure is roughly consistent
with 2003 and the season itself, while slightly ahead of last
year at the box office, appears to be trailing in ticket sales.
Spider-Man
2 added $24.2 million to its larder and slipped into second
spot. The web master added another record to its resume as it
crossed past $300 million Sunday in a lightning fast 23 days.
The film continued to have enormous success overseas with debuts
in such major territories as the U.K., France and Spain contributing
to a $60 million plus international weekend and $200 million cume.
While the
top the charts were dominated by youth driven titles, decidedly
adult fare including Fahrenheit 9/11 and The Notebook
remained the most sturdy commercially. The Michael Moore
documentary is poised to exceed $100 million next weekend.
The span also
had a number of robust limited releases including The Door
in the Floor, adapted from the John Irving novel. It
rang up $127,000 on Wednesday and Thursday from 47 screens and
added $410,000 on the weekend. There was also excellent response
for the Sundance-prized social thriller Maria Full of Grace
with a $130,000 tally from just seven screens.
The gay-themed
Touch of Pink bowed in 18 venues including 11 playdates
in Canada where it was co-produced. Its $82,000 gross was sufficiently
encouraging to indicate definite niche appeal but limited potential
in securing crossover engagements.
Several upscale
titles maintained slow roll outs to great effect including Warner
Independent's Before Sunset and the Cole Porter homage
De-Lovely. However, the seasonal surprise continues to
be the Sundance acquisition Napoleon Dynamite that has
grossed more than $4 million and has yet to exceed 200 playdates.
The subdued teen comedy despite a lack of obvious commercial hooks
has managed to develop momentum on word-of-mouth that's caused
industry vets to be happily surprised.
- by Leonard
Klady
|
|
Weekend
Finals - July 16-18, 2004
|
|
Title |
Distrib
|
Weekend
|
%
Change
|
Theaters
|
Cume
|
Wks
|
|
1
|
New
|
I, Robot |
Fox
|
52,179,887 |
|
3420 |
52,179,887 |
1
|
|
2
|
1
|
Spider-Man
2 |
Sony
|
24,775,450 |
-45% |
4058 |
302,287,882 |
3
|
|
3
|
2
|
Anchorman:
Legend of Ron Burgundy |
DreamWorks
|
13,839,313 |
-51% |
3104 |
56,956,256 |
2
|
|
4
|
New
|
A Cinderella
Story |
WB
|
13,623,350 |
|
2625 |
13,623,350 |
1
|
|
5
|
4
|
Fahrenheit
9/11 |
Lions
Gate/Alliance
|
7,175,674
|
-35% |
2004 |
93,984,261 |
3
|
|
6
|
3
|
King Arthur |
BV
|
7,161,648 |
-53% |
3086 |
38,110,849 |
2
|
|
7
|
5
|
The Notebook |
New
Line
|
5,651,212 |
-14% |
2089 |
53,880,561 |
4
|
|
8
|
7
|
Dodgeball:
A True Underdog Story |
Fox
|
3,813,719 |
-33% |
1945 |
105,165,752 |
5
|
|
9
|
6
|
White Chicks |
Sony
|
3,436,328 |
-45% |
1730 |
63,470,104 |
4
|
|
10
|
9
|
Shrek 2 |
DreamWorks
|
3,230,786 |
-27% |
1857 |
425,011,646 |
9
|
|
11
|
8
|
The Terminal |
DreamWorks
|
3,162,067 |
-37% |
1804 |
71,210,710 |
5
|
|
12
|
11
|
Harry Potter
& Prisoner of Azkaban |
WB
|
2,758,045 |
-32% |
1460 |
238,344,679 |
7
|
|
13
|
22
|
De-Lovely |
MGM
|
1,493,593 |
338% |
185 |
2,530,024 |
3
|
|
14
|
14
|
The Clearing |
Fox
Searchlight
|
1,294,334 |
11% |
449 |
3,718,329 |
3
|
|
15
|
10
|
Sleepover |
MGM
|
1,170,307 |
-72% |
2207 |
8,070,311 |
2
|
|
16
|
12
|
Garfield |
Fox
|
1,057,301 |
-44% |
1028 |
70,486,628 |
5
|
|
17
|
18
|
Napoleon Dynamite |
Fox
Searchlight
|
750,491 |
35% |
179 |
4,214,677 |
6
|
|
18
|
16
|
The Day After
Tomorrow |
Fox
|
617,208 |
-43% |
487 |
183,304,973 |
8
|
|
19
|
20
|
Before Sunset |
WIP
|
581,261 |
20% |
123 |
1,709,920 |
3
|
|
20
|
13
|
Two Brothers |
Uni
|
547,945 |
-56% |
562 |
17,247,970 |
4
|
|
21
|
New
|
The Door in
the Floor |
Focus
|
456,876 |
|
47 |
584,171 |
1
|
|
22
|
17
|
Camping Sauvage |
Alliance
|
452,720 |
-30% |
99 |
1,675,551 |
2
|
|
23
|
15
|
The Stepford
Wives |
Par
|
434,666 |
-60% |
522 |
57,809,251 |
6
|
|
24
|
19
|
The Chronicles
of Riddick |
Uni
|
287,850 |
-46% |
303 |
56,329,545 |
6
|
|
25
|
24
|
Nascar: The
Imax Experience |
WB
|
278,045 |
9% |
54 |
15,573,079 |
19
|
|
26
|
23
|
Mean Girls |
Par
|
255,916 |
-23% |
268 |
84,815,603 |
12
|
|
27
|
32
|
Riding Giants |
Sony
Classics
|
195,317 |
45% |
41 |
415,652 |
2
|
|
28
|
28
|
Bugs! |
SK
Film
|
181,751 |
27% |
31 |
10,711,492 |
71
|
|
29
|
56
|
13 Going on
30 |
Sony
|
169,318 |
537% |
147 |
56,449,140 |
12
|
|
30
|
26
|
Van Helsing |
Uni
|
167,075 |
-17% |
217 |
119,596,370 |
11
|
|
31
|
27
|
Super Size
Me |
IDP/Odeon
|
145,975 |
-16% |
127 |
10,633,019 |
11
|
|
32
|
29
|
Control Room |
Magnolia/Odeon
|
139,881 |
-1% |
56 |
1,687,384 |
9
|
|
33
|
New
|
Maria Full
of Grace |
New
Line
|
139,066 |
|
7 |
139,066 |
1
|
|
34
|
49
|
Metallica:
Some Kind of Monster |
IFC
|
133,566 |
188% |
23 |
204,149 |
2
|
|
35
|
21
|
Around the
World in 80 Days |
BV
|
131,995 |
-62% |
149 |
22,626,931 |
5
|
|
36
|
25
|
Troy |
WB
|
129,420 |
-42% |
110 |
132,459,414 |
10
|
|
37
|
31
|
Scooby-Doo
2: Monsters Unleashed |
WB
|
120,884 |
-10% |
185 |
83,766,187 |
17
|
|
38
|
35
|
The Story of
the Weeping Camel |
Thinkfilm
|
119,065 |
6% |
51 |
877,076 |
8
|
|
39
|
33
|
Space Station |
Imax
|
118,115 |
-3% |
9 |
52,602,677 |
118
|
|
40
|
42
|
The Corporation |
Mongrel/Zeitgeist
|
111,239 |
60% |
21 |
2,179,536 |
27
|
|
41
|
34
|
Man on Fire |
Fox
|
109,591 |
-9% |
145 |
77,564,559 |
13
|
|
42
|
30
|
Adrenaline
Rush: The Science of Risk |
Giant
Screen
|
101,733 |
-27% |
17 |
7,155,797 |
90
|
|
43
|
New
|
Touch of Pink |
Mongrel/Sony
Class
|
78,018 |
|
16 |
78,018 |
1
|
|
44
|
37
|
Raising Helen |
BV
|
64,279 |
-40% |
107 |
36,569,331 |
8
|
|
45
|
36
|
Kill
Bill Vol. 2 |
Miramax
|
58,747 |
-47% |
149 |
66,074,034 |
14
|
|
46
|
39
|
Home on the
Range |
BV
|
56,914 |
-34% |
146 |
49,795,115 |
16
|
|
47
|
New
|
Flavors |
Net
Effect
|
56,000 |
|
14 |
56,000 |
1
|
|
48
|
51
|
What the #$*!
Do We Know |
Lord
of the Wind
|
53,697 |
32% |
14 |
1,306,587 |
24
|
|
49
|
44
|
Pulse: A Stomp
Odyssey |
Giant
Screen
|
52,154 |
-10% |
8 |
7,011,625 |
92
|
|
50
|
45
|
Facing Windows |
Sony
Classics
|
51,130 |
-10% |
23 |
307,512 |
5
|
|
51
|
52
|
Soul Plane |
MGM
|
44,782 |
13% |
45 |
14,133,315 |
8
|
|
52
|
38
|
Saved! |
MGM
|
44,072 |
-55% |
60 |
8,786,715 |
8
|
|
53
|
40
|
Breakin' All
the Rules |
Sony
|
43,110 |
-45% |
69 |
12,178,644 |
10
|
|
54
|
41
|
Elvis Gratton
XXX |
Christal
|
43,078 |
-42% |
51 |
1,753,797 |
4
|
|
55
|
46
|
Coffee and
Cigarettes |
MGM
|
38,028 |
-29% |
45 |
1,971,135 |
10
|
|
56
|
50
|
T-Rex: Back
to the Cretacious |
Imax
|
36,299 |
-12% |
5 |
48,672,016 |
300
|
|
57
|
48
|
I'll Sleep
When I'm Dead |
Par
Classics
|
34,541 |
-33% |
16 |
212,359 |
5
|
|
58
|
69
|
Seducing Dr.
Lewis |
Wellspring
|
31,047 |
121% |
9 |
86,031 |
5
|
|
59
|
43
|
The Mother |
Sony
Classics
|
30,033 |
-49% |
27 |
755,489 |
8
|
|
60
|
54
|
Johnson Family
Vacation |
Fox
Searchlight
|
25,018 |
-33% |
35 |
31,081,528 |
15
|
|
61
|
74
|
The Hunting
of the President |
Regent
|
24,977 |
240% |
8 |
121,571 |
5
|
|
62
|
59
|
Ella Enchanted |
Miramax
|
24,760 |
1% |
44 |
22,859,592 |
15
|
|
63
|
62
|
Eternal Sunshine
of the Spotless Mind |
Focus
|
23,495 |
17% |
27 |
34,328,429 |
18
|
|
64
|
New
|
Zhou Yu's Train |
Sony
Classics
|
22,933 |
|
6 |
22,933 |
1
|
|
65
|
RE
|
Godsend |
Lions
Gate
|
21,811 |
|
59 |
14,361,361 |
12
|
|
66
|
93
|
Godzilla (reissue) |
Rialto
|
20,453 |
250% |
3 |
332,382 |
11
|
|
67
|
55
|
The Punisher |
Lions
Gate/Alliance
|
18,082 |
-45% |
29 |
33,781,011 |
14
|
Estimates
- July 16-18, 2004
| Title |
Distributor
|
Gross
(average)
|
%
change
|
Theaters
|
Cume
|
| I,
Robot |
Fox
|
51.2
(14,960)
|
- |
3420 |
51.5 |
| Spider-Man
2 |
Sony
|
24.0
(5,910)
|
-47% |
4058 |
301.5 |
| A
Cinderella Story |
WB
|
13.7
(5,230)
|
- |
2625 |
13.7 |
| Anchorman |
DreamWorks
|
13.4
(4,330)
|
-53% |
3104 |
56.5 |
| Fahrenheit
9/11 |
LGF/Alliance
|
7.0
(3,510)
|
-36% |
2004 |
93.8 |
| King
Arthur |
BV
|
6.7
(2,170)
|
-56% |
3086 |
37.7 |
| The
Notebook |
New
Line
|
5.5
(2,620)
|
-16% |
2089 |
53.7 |
| White
Chicks |
Sony
|
3.5
(2,030)
|
-44% |
1730 |
63.5 |
| Dodgeball:
A True Underdog's Story |
Fox
|
3.3
(1,700)
|
-42% |
1945 |
104.7 |
| The
Terminal |
DreamWorks
|
3.1
(1,740)
|
-37% |
1804 |
71.2 |
| Shrek
2 |
DreamWorks
|
3.1
(1,680)
|
-30% |
1857 |
424.9 |
| Harry
Potter & Prisoner of Azkaban |
WB
|
2.6
(1,770)
|
-36% |
1460 |
238.2 |
| De-Lovely |
MGM
|
1.4
(7,300)
|
296% |
185 |
2.4 |
| The
Clearing |
Fox
Searchlight
|
1.2
(2,610)
|
1% |
449 |
3.7 |
| Sleepover |
MGM
|
1.1
(510)
|
-73% |
2207 |
8 |
| Garfield |
Fox
|
.86
(840)
|
-55% |
1028 |
70.3 |
| Napoleon
Dynamite |
Fox
Searchlight
|
.69
(3,860)
|
24% |
179 |
4.2 |
| Camping
Sauvage |
Alliance
|
.63
(6,260)
|
|