July 5, 2004
June 27, 2004
June 20, 2004
June 13, 2004
June 6, 2004
May 30, 2004
May 23, 2004
May 16, 2004
May 9, 2004
May 2, 2004
April 25, 2004
April 18, 2004
April 11, 2004
April 4, 2004
March 28, 2004
March 21, 2004
March 14, 2004
March 7, 2004
February 29, 2004
February 22, 2004
February 16, 2004
February 8, 2004
February 1, 2004
January 25, 2004
January 19, 2004
January 11, 2004
January 4, 2004
Dec 28, 2003
Dec 21, 2003
Dec 14, 2003
Dec 7, 2003


..Gary Dretzka
..Leonard Klady
..Emanuel Levy
..David Poland
..Doug Pratt
..Ray Pride





Weekend Estimates

They Call Me, Mr. Parker

Spider-Man 2 reigned on King Arthur's parade as it added an estimated $46.9 million to its coffers and handily won the weekend viewing sweepstakes. There was also good news for the low brow Anchorman that placed second in the lineup but while it wasn't La Morte d'Artur the distant third place finish for King Arthur was a decided disappointment. The results for the teen comedy Sleepover were also less than stellar and the battle of the sexes comedy Camping Sauvage proved a summer tonic for Quebec viewers.

Spider-Man 2 fell 47% in its second weekend and in the increasingly crowded and brutal summer playtime the result seemed rather mild. The picture breezed passed $250 million in its 12th day of release to beat the speed record previously established at 13 days by Shrek 2. The web spinner was also afire internationally where it was looking at a $53 million gross in 50 territories. Among the debuting territories were boffo results of $12.6 million in Japan and $9.4 million in Germany. The overseas cume is estimated at $115.7 million.

Expectations were high for the inane antics of Will Ferrell as a vain, insufferable news broadcaster in Anchorman with some pundits predicting opening numbers as high as $35 million. It arrived with just shy of $29 million but could hardly be considered a disappointment even with Saturday box office dipping 10% from opening day.

King Arthur - claiming to be more historical than the legend of Camelot - got a head start on the weekend with a Wednesday debut. It entered the frame with $8.4 million and added $14.9 million to its takings. Largely excoriated by the critics, the big hurdle the film failed to clear was drawing in other than its core young male crowd. That same audience was fixated on Spider-Man 2 and Anchorman to the detriment of Excalibur-Man and that was very bad news for Disney's major seasonal attraction.

The marketplace itself was holding its own as a result of strong holds for continuing titles and the mainstream presence of such older appeal fare as Fahrenheit 9/11 and The Notebook. The Michael Moore film ascended to $78.9 million and now ranks as the biggest grossing non-fiction film in a conventional format.

Overall business should clock in with slightly better than $150 million for a modest 10% decline placed alongside the 3-day span of last weekend's 4-day holiday period. It was also a 3% improvement from 2003 when Bad Boys II (also from Arthur producer Jerry Bruckheimer) bowed to $46.5 million and Johnny English debuted in 5th spot with $9.1 million.

The session's fourth national freshman release, the teen comedy Sleepover, had an uninspired $4.2 million to nip into position number 10. However, there was dynamic response to the romantic comedy Camping Sauvage in Quebec that translated into a theater average of more than $7,000. Despite a title with horror connotations, the yarn deals with the age old situation of opposites attracting under bizarre circumstances.

There was also torrid activity in the niches with the Cole Porter homage De-Lovely maintaining a potent $14,000 plus average at 24 venues and the bow of the musical portrait Metallica: Some Kind of Monster grossing roughly $53,000 from three screens. Also debuting Friday was the surfing documentary Riding Giants that rode the wave to $170,000 in 26 locations.

Fox Searchlight's Sundance acquisition Napoleon Dynamite continued to hold its own with a $530,000 weekend and $1.7 million cume but its star powered thriller The Clearing was beginning to show strains as it expanded from 56 to 261 theaters and saw its screen average cut in half.


- by Leonard Klady


Weekend Estimates - July 9-11, 2004

Title
Distributor
Gross (average)
% change
Theaters
Cume
Spider-Man 2
Sony
46.9 (11,250)
-47% 4166 258.1
Anchorman
DreamWorks
28.5 (9,230)
= 3091 28.5
King Arthur
BV
14.9 (4,830)
= 3086 23.4
Fahrenheit 9/11
LGF/Alliance
10.5 (5,220)
-36% 2011 78.9
White Chicks
Sony
6.4 (2.930)
-26% 2201 57.1
The Notebook
New Line
6.3 (2,770)
-15% 2288 42.6
Dodgeball: A True Underdog's Story
Fox
5.3 (2,180)
-34% 2444 97.5
The Terminal
DreamWorks
5.0 (2,170)
-36% 2313 6.3
Shrek 2
DreamWorks
4.4 (2,070)
-24% 2142 418.5
Sleepover
MGM
4.2 (1,890)
= 2207 4.2
Harry Potter & Prisoner of Azkaban
WB
4.1 (2,070)
-30% 2002 232.9
Garfield
Fox
1.7 (990)
-45% 1681 67.7
Two Brothers
Uni
1.2 (960)
-55% 1272 15.7
The Stepford Wives
Par
1.1 (1,050)
-53% 1033 56.6
The Clearing
Fox Searchlight
1.1 (4,060)
124% 261 1.8
The Day After Tomorrow
Fox
1.0 (1,400)
-50% 728 182.1
Camping Sauvage
Alliance
.70 (7,070)
99 0.7
Before Sunset
WIP
.55 (8,730)
150% 63 0.95
Napoleon Dynamite
Fox Searchlight
.53 (3,760)
3% 141 1.7
The Chronicles of Riddick
Uni
.52 (1,000)
-61% 520 55.7
Weekend Total ($500,000+ Films)
=
$144.90
=
% Change (Last Year)
=
4%
=
% Change (Last Week)
=
-10%
=
Also Debuting/Expanding
De-Lovely
MGM
.34 (14,170)
16% 24 0.85
Riding Giants
Sony Classics
.17 (6,500)
= 26 0.17
Metallica: Some Kind of Monster
IFC
53,200 (17,730)
= 3 0.05

 

 

 


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