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Weekend Estimates
They
Call Me, Mr. Parker
Spider-Man
2 reigned on King Arthur's parade as it added an estimated
$46.9 million to its coffers and handily won the weekend viewing
sweepstakes. There was also good news for the low brow Anchorman
that placed second in the lineup but while it wasn't La
Morte d'Artur the distant third place finish for King Arthur
was a decided disappointment. The results for the teen comedy
Sleepover were also less than stellar and the battle of
the sexes comedy Camping Sauvage proved a summer tonic
for Quebec viewers.
Spider-Man
2 fell 47% in its second weekend and in the increasingly crowded
and brutal summer playtime the result seemed rather mild. The
picture breezed passed $250 million in its 12th day of release
to beat the speed record previously established at 13 days by
Shrek 2. The web spinner was also afire internationally
where it was looking at a $53 million gross in 50 territories.
Among the debuting territories were boffo results of $12.6 million
in Japan and $9.4 million in Germany. The overseas cume is estimated
at $115.7 million.
Expectations
were high for the inane antics of Will Ferrell as a vain,
insufferable news broadcaster in Anchorman with some pundits
predicting opening numbers as high as $35 million. It arrived
with just shy of $29 million but could hardly be considered a
disappointment even with Saturday box office dipping 10% from
opening day.
King Arthur
- claiming to be more historical than the legend of Camelot -
got a head start on the weekend with a Wednesday debut. It entered
the frame with $8.4 million and added $14.9 million to its takings.
Largely excoriated by the critics, the big hurdle the film failed
to clear was drawing in other than its core young male crowd.
That same audience was fixated on Spider-Man 2 and Anchorman
to the detriment of Excalibur-Man and that was very bad news for
Disney's major seasonal attraction.
The marketplace
itself was holding its own as a result of strong holds for continuing
titles and the mainstream presence of such older appeal fare as
Fahrenheit 9/11 and The Notebook. The Michael
Moore film ascended to $78.9 million and now ranks as the
biggest grossing non-fiction film in a conventional format.
Overall business
should clock in with slightly better than $150 million for a modest
10% decline placed alongside the 3-day span of last weekend's
4-day holiday period. It was also a 3% improvement from 2003 when
Bad Boys II (also from Arthur producer Jerry Bruckheimer)
bowed to $46.5 million and Johnny English debuted in 5th
spot with $9.1 million.
The session's
fourth national freshman release, the teen comedy Sleepover,
had an uninspired $4.2 million to nip into position number 10.
However, there was dynamic response to the romantic comedy Camping
Sauvage in Quebec that translated into a theater average of
more than $7,000. Despite a title with horror connotations, the
yarn deals with the age old situation of opposites attracting
under bizarre circumstances.
There was
also torrid activity in the niches with the Cole Porter
homage De-Lovely maintaining a potent $14,000 plus average
at 24 venues and the bow of the musical portrait Metallica:
Some Kind of Monster grossing roughly $53,000 from three screens.
Also debuting Friday was the surfing documentary Riding Giants
that rode the wave to $170,000 in 26 locations.
Fox Searchlight's
Sundance acquisition Napoleon Dynamite continued to hold
its own with a $530,000 weekend and $1.7 million cume but its
star powered thriller The Clearing was beginning to show
strains as it expanded from 56 to 261 theaters and saw its screen
average cut in half.
- by Leonard
Klady
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