June 6, 2004
May 30, 2004
May 23, 2004
May 16, 2004
May 9, 2004
May 2, 2004
April 25, 2004
April 18, 2004
April 11, 2004
April 4, 2004
March 28, 2004
March 21, 2004
March 14, 2004
March 7, 2004
February 29, 2004
February 22, 2004
February 16, 2004
February 8, 2004
February 1, 2004
January 25, 2004
January 19, 2004
January 11, 2004
January 4, 2004
Dec 28, 2003
Dec 21, 2003
Dec 14, 2003
Dec 7, 2003


..Gary Dretzka
..Leonard Klady
..Emanuel Levy
..David Poland
..Doug Pratt
..Ray Pride





Three Day Finals
Top Domestic Releases
Domestic Market Share

A Stepford in the Right Direction

Harry Potter remained lord of the box office realm but a trio of new films debuted with unexpected commercial strength that provided a big bounce to domestic movie going. It also contributed to propelling the year's gross past $4 billion - five days faster than that mark was hit in 2003.

While Harry Potter and the Prisoner of Azkaban rang in with an estimated $34.4 million weekend, the third installment took a sharp 63% drop from its debut frame. The summer placement is likely to provide a faster burn factor in the picture's box office life though that same factor contributed to greater opening strength. Those commercial pluses and minuses will likely even out with the film's ultimate domestic tally on par with Harry Potter and the Chamber of Secret's $262 million tally.

The Chronicles of Riddick, the follow up to the 2000 Pitch Black that set Van Diesel's career on the ascendant, bowed in second spot with $24.8 million. The sci-fi opus has a glossier sheen than the original at the expense of the nitty gritty quality that gave the first outing a cult following and $40 million North American gross.

Riddick performed to expectations but both the reconceived The Stepford Wives and the screen version of comic strip feline Garfield exceeded what tracking studies had forecast. Neither titles was expected to climb out of the teens, particularly the latter film that was bumping up against both Harry Potter and Shrek 2.

The Stepford Wives, based on Ira Levin's dark, foreboding novel, was translated with relative earnestness in 1975. The new version has refashioned its humor from black to broad comic and appears to have hit a nerve with contemporary audiences. Its $22.2 million bow ranked fourth in the lineup, a whisker ahead of Garfield's $21.6 million meow.

The top five said a great deal about recycling with three sequels, a remake and an adaptation fueling ticket sales of slightly better than $160 million. It provided that rare instance of five titles each with better than a $20 million gross. Overall, that was 33% better than 2003 when a trio of new films - Rugrats Go Wild, Hollywood Homicide, Dumb and Dumberer - performed below expectations.

New Line sneaked its four hankie The Notebook Saturday in roughly 1,200 locations and reported average capacities of 80%. Exit polls on the adaptation of the bestselling novel pulled 92% favorable response and as expected the film's audience was predominantly female though the company said response from women under the age of 25 was stronger than expected. It opens theatrically on June 25.

The weekend also provided good news for MGM's irreverent comedy Saved! as it expanded into major markets and grossed $2.6 million and a solid $4,450 theater average. The indie acquisition is earning its theaters as it bucks the seasonal trend of big event movies.

In a more limited but no less impressive fashion, Control Room added 31 screens to its exclusive Manhattan run for a healthy $120,000 frame. The documentary on the Al Jazeera network and the invasion of Iraq benefited from strong reviews and the pre-release attention accorded Fahrenheit 9/11 that opens in two weeks.

The majority of niche titles entering the marketplace bowed to disappointing response with the major exception of Napoleon Dynamite. The offbeat comedy that debuted at Sundance opened at six theaters with an impressive per engagement average of more than $17,000. Single screen preems in Los Angeles were unimpressive with the portrait film My Sister Maria grossing $3,500 and the long-delayed political drama Imagining Argentina eking by $2,300.

- by Leonard Klady


Weekend Finals - June 11-13, 2004

Title
Distrib
Weekend
% Change
Theaters
Cume
Wks
1
1
Harry Potter & Prisoner of Azkaban
WB
34,910,393 -63% 3855 157,975,042
2
2
New
The Chronicles of Riddick
Uni
24,289,165 2757 24,289,165
1
3
2
Shrek 2
DreamWorks
23,316,920 -39% 3843 353,333,317
4
4
New
Garfield
Fox
21,727,611 3094 21,727,611
1
5
New
The Stepford Wives
Par
21,406,781 3057 21,406,781
1
6
3
The Day After Tomorrow
Fox
14,538,226 -48% 3210 153,144,814
3
7
4
Raising Helen
BV
3,705,336 -43% 2103 31,284,112
3
8
5
Troy
WB
3,417,016 -43% 2003 125,604,418
5
9
13
Saved!
MGM
2,535,013 645% 589 3,717,375
3
10
6
Mean Girls
Par
1,486,032 -49% 944 81,303,696
7
11
8
Van Helsing
Uni
1,194,255 -51% 1034 116,989,795
6
12
7
Soul Plane
MGM
933,068 -66% 783 13,009,074
3
13
10
Super Size Me
IDP/Odeon
820,686 -3% 230 7,533,912
6
14
9
Man on Fire
Fox
452,980 -57% 402 76,293,464
8
15
14
Kill Bill Vol. 2 
Miramax
221,512 -33% 201 65,075,745
9
16
18
Nascar: The Imax Experience
WB
213,014 10% 45 13,742,209
14
17
12
A Day Without a Mexican
Televisa
189,403 -47% 73 2,832,595
5
18
11
13 Going on 30
Sony
180,276 -50% 193 55,664,410
8
19
17
Coffee and Cigarettes
MGM
156,703 -21% 46 1,362,068
5
20
53
The Ladykillers
BV
146,368 246% 231 39,349,265
12
21
65
Control Room
Magnolia
141,070 457% 41 290,174
4
22
40
Ella Enchanted
Miramax
140,479 90% 262 22,382,179
10
23
20
Hidalgo
BV
128,719 -25% 233 66,862,696
15
24
24
50 First Dates
Sony
127,642 -3% 151 120,616,191
17
25
22
Starsky & Hutch
WB
123,139 -25% 212 88,019,197
15
26
16
Scooby-Doo 2: Monsters Unleashed
WB
121,790 -43% 138 82,654,491
12
27
19
Eternal Sunshine of the Spotless Mind
Focus
119,120 -36% 98 33,971,672
13
28
27
Adrenaline Rush: The Science of Risk
Giant Screen
118,223 7% 15 6,538,416
85
29
New
Napoleon Dynamite
Fox Searchlight
116,666 6 116,666
1
30
15
Breakin' All the Rules
Sony
111,566 -63% 109 11,740,428
5
31
21
Spring, Summer, Fall, Winter, Spring …
Sony Classics
110,830 -24% 71 1,741,051
11
32
28
Bugs!
SK Film
105,761 -2% 14 9,052,352
66
33
26
Johnson Family Vacation
Fox Searchlight
97,924 -17% 113 30,644,575
10
34
36
Space Station
Imax
88,133 1% 20 51,151,681
113
35
New
Dev
Eros
84,728 35 84,728
1
36
25
Bon Voyage
Sony Classics
80,948 -35% 70 2,164,387
13
37
50
The Corporation
Mongrel/Zeitgeist
66,579 51% 15 1,569,940
22
38
33
Love Me If You Dare/Jeux d'enfants
Par Classics/TVA
65,288 -30% 57 419,571
4
39
30
Walking Tall
MGM
63,467 -34% 103 46,213,824
11
40
29
The Passion of the Christ
Newmarket
63,467 -35% 208 370,025,697
15
41
38
The Mother
Sony Classics
59,356 -23% 17 268,116
3
42
45
Pulse: A Stomp Odyssey
Giant Screen
56,594 8% 8 6,730,267
87
43
47
Baadasssss!
Sony Classics
51,944 5% 41 202,798
3
44
23
Hum Tum
Yash Raj
51,732 -64% 26 640,437
3
45
35
New York Minute
WB
51,410 -42% 58 13,742,209
6
46
34
Jersey Girl
Miramax
51,170 -45% 135 25,197,718
11
47
37
The Prince & Me
Par
51,116 -39% 91 28,108,440
11
48
32
Laws of Attraction
New Line
48,084 -49% 122 17,848,322
7
49
42
What the #$*! Do We Know
Lord of the Wind
46,201 -19% 14 807,220
19
50
43
Strayed
Wellspring
46,107 -18% 29 344,193
5
51
39
I'm Not Scared
Miramax
44,244 -40% 46 1,368,170
10
52
46
Home on the Range
BV
42,318 -16% 137 48,963,935
11
53
41
Good Bye, Lenin!
Sony Class/Seville
41,031 -41% 57 3,841,470
16
54
70
The Story of the Weeping Camel
Thinkfilm
38,792 78% 7 72,926
3
55
54
Young Adam
Sony Classics
33,025 -15% 31 668,585
9
56
49
The Saddest Music in the World
TVA/IFC
30,419 -35% 24 583,883
7
57
52
Cold Mountain
Miramax
28,389 -34% 59 95,589,607
26
58
51
The Life of Brian (reissue)
Rainbow
28,151 -35% 20 464,295
7
59
59
Since Otar Left
Zeitgeist/Mongrel
27,817 -14% 16 311,177
6
60
New
Imelda
Unitel
27,617 6 27,617
1
61
55
The Twilight Samurai
Empire
26,109 -29% 11 322,422
8
62
61
Bukowski: Born Into This
Magnolia
25,788 -6% 8 126,471
3
63
56
Dawn of the Dead
Uni
25,134 -32% 33 58,990,765
13
64
58
T-Rex: Back to the Cretacious
Imax
24,845 -21% 6 48,268,425
295
65
98
Twist
TVA/Strand
22,341 123% 6 50,968
4
66
57
My Architect
New York/Mongl
22,145 -34% 21 2,822,522
30
67
31
Envy
DreamWorks
20,751 -78% 18 13,548,322
7
68
44
The Whole Ten Yards
WB
20,391 -62% 93 16,302,288
10
69
48
Monsieur Ibrahim
Sony Class/TVA
20,334 -57% 24 2,809,405
26
70
74
Ghosts of the Abyss
BV
19,534 30% 11 16,185,352
62
71
64
The Punisher
Lions Gate
19,397 -25% 41 33,462,241
9
72
62
Carandiru
Sony Classics
19,161 -28% 14 159,723
5

 

 

Estimates - June 11-13, 2004

Title
Distributor
Gross (average)
% change
Theaters
Cume
Harry Potter & Prisoner of Azkaban
WB
34.4 (8,930)
-63% 3855 157.5
The Chronicles of Riddick
Uni
24.8 (8,990)
- 2757 24.8
Shrek 2
DreamWorks
23.8 (6,200)
-37% 3843 353.8
The Stepford Wives
Par
22.2 (7,270)
- 3057 22.2
Garfield
Fox
21.6 (6,970)
- 3094 21.6
The Day After Tomorrow
Fox
14.7 (4,570)
-47% 3210 153.4
Raising Helen
BV
3.8 (1,810)
-42% 2103 31.4
Troy
WB
3.5 (2,760)
-41% 2003 125.7
Saved!
MGM
2.6 (4,450)
670% 589 3.8
Mean Girls
Par
1.6 (1,740)
-44% 944 81.5
Van Helsing
Uni
1.2 (1,140)
-52% 1034 117
Soul Plane
MGM
.93 (1,180)
-66% 783 13
Super Size Me
IDP/Odeon
.87 (3,770)
3% 230 7.6
Man on Fire
Fox
.44 (1,090)
-58% 402 76.3
Weekend Total ($500,000+ Films)
$156.00
-
% Change (Last Year)
-
33%
-
% C