|
  
   

| June
6, 2004 |
| May
30, 2004 |
| May
23, 2004 |
| May
16, 2004 |
| May
9, 2004 |
| May
2, 2004 |
| April
25, 2004 |
| April
18, 2004 |
| April
11, 2004 |
| April
4, 2004 |
| March
28, 2004 |
| March
21, 2004 |
| March
14, 2004 |
| March
7, 2004 |
| February
29, 2004 |
| February
22, 2004 |
| February
16, 2004 |
| February
8, 2004 |
| February
1, 2004 |
| January
25, 2004 |
| January
19, 2004 |
| January
11, 2004 |
| January
4, 2004 |
| Dec
28, 2003 |
| Dec
21, 2003 |
| Dec
14, 2003 |
| Dec
7, 2003 |

..Gary
Dretzka
..Leonard
Klady
..Emanuel
Levy
..David
Poland
..Doug
Pratt
..Ray
Pride

|
|

Three Day Finals
Top Domestic Releases
Domestic Market Share
A
Stepford in the Right Direction
Harry Potter
remained lord of the box office realm but a trio of new films
debuted with unexpected commercial strength that provided a big
bounce to domestic movie going. It also contributed to propelling
the year's gross past $4 billion - five days faster than that
mark was hit in 2003.
While Harry
Potter and the Prisoner of Azkaban rang in with an estimated
$34.4 million weekend, the third installment took a sharp 63%
drop from its debut frame. The summer placement is likely to provide
a faster burn factor in the picture's box office life though that
same factor contributed to greater opening strength. Those commercial
pluses and minuses will likely even out with the film's ultimate
domestic tally on par with Harry Potter and the Chamber of
Secret's $262 million tally.
The Chronicles
of Riddick, the follow up to the 2000 Pitch Black that
set Van Diesel's career on the ascendant, bowed in second
spot with $24.8 million. The sci-fi opus has a glossier sheen
than the original at the expense of the nitty gritty quality that
gave the first outing a cult following and $40 million North American
gross.
Riddick
performed to expectations but both the reconceived The Stepford
Wives and the screen version of comic strip feline Garfield
exceeded what tracking studies had forecast. Neither titles was
expected to climb out of the teens, particularly the latter film
that was bumping up against both Harry Potter and Shrek
2.
The Stepford
Wives, based on Ira Levin's dark, foreboding novel,
was translated with relative earnestness in 1975. The new version
has refashioned its humor from black to broad comic and appears
to have hit a nerve with contemporary audiences. Its $22.2 million
bow ranked fourth in the lineup, a whisker ahead of Garfield's
$21.6 million meow.
The top five
said a great deal about recycling with three sequels, a remake
and an adaptation fueling ticket sales of slightly better than
$160 million. It provided that rare instance of five titles each
with better than a $20 million gross. Overall, that was 33% better
than 2003 when a trio of new films - Rugrats Go Wild, Hollywood
Homicide, Dumb and Dumberer - performed below expectations.
New Line sneaked
its four hankie The Notebook Saturday in roughly 1,200
locations and reported average capacities of 80%. Exit polls on
the adaptation of the bestselling novel pulled 92% favorable response
and as expected the film's audience was predominantly female though
the company said response from women under the age of 25 was stronger
than expected. It opens theatrically on June 25.
The weekend
also provided good news for MGM's irreverent comedy Saved!
as it expanded into major markets and grossed $2.6 million and
a solid $4,450 theater average. The indie acquisition is earning
its theaters as it bucks the seasonal trend of big event movies.
In a more
limited but no less impressive fashion, Control Room added
31 screens to its exclusive Manhattan run for a healthy $120,000
frame. The documentary on the Al Jazeera network and the invasion
of Iraq benefited from strong reviews and the pre-release attention
accorded Fahrenheit 9/11 that opens in two weeks.
The majority
of niche titles entering the marketplace bowed to disappointing
response with the major exception of Napoleon Dynamite.
The offbeat comedy that debuted at Sundance opened at six theaters
with an impressive per engagement average of more than $17,000.
Single screen preems in Los Angeles were unimpressive with the
portrait film My Sister Maria grossing $3,500 and the long-delayed
political drama Imagining Argentina eking by $2,300.
- by Leonard
Klady
|
|
Weekend
Finals - June 11-13, 2004
|
|
Title |
Distrib
|
Weekend
|
%
Change
|
Theaters
|
Cume
|
Wks
|
|
1
|
1
|
Harry Potter
& Prisoner of Azkaban |
WB
|
34,910,393 |
-63% |
3855 |
157,975,042 |
2
|
|
2
|
New
|
The Chronicles
of Riddick |
Uni
|
24,289,165 |
|
2757 |
24,289,165 |
1
|
|
3
|
2
|
Shrek 2 |
DreamWorks
|
23,316,920 |
-39% |
3843 |
353,333,317 |
4
|
|
4
|
New
|
Garfield |
Fox
|
21,727,611 |
|
3094 |
21,727,611 |
1
|
|
5
|
New
|
The Stepford
Wives |
Par
|
21,406,781 |
|
3057 |
21,406,781 |
1
|
|
6
|
3
|
The Day After
Tomorrow |
Fox
|
14,538,226 |
-48% |
3210 |
153,144,814 |
3
|
|
7
|
4
|
Raising Helen |
BV
|
3,705,336 |
-43% |
2103 |
31,284,112 |
3
|
|
8
|
5
|
Troy |
WB
|
3,417,016 |
-43% |
2003 |
125,604,418 |
5
|
|
9
|
13
|
Saved! |
MGM
|
2,535,013 |
645% |
589 |
3,717,375 |
3
|
|
10
|
6
|
Mean Girls |
Par
|
1,486,032 |
-49% |
944 |
81,303,696 |
7
|
|
11
|
8
|
Van Helsing |
Uni
|
1,194,255 |
-51% |
1034 |
116,989,795 |
6
|
|
12
|
7
|
Soul Plane |
MGM
|
933,068 |
-66% |
783 |
13,009,074 |
3
|
|
13
|
10
|
Super Size
Me |
IDP/Odeon
|
820,686 |
-3% |
230 |
7,533,912 |
6
|
|
14
|
9
|
Man on Fire |
Fox
|
452,980 |
-57% |
402 |
76,293,464 |
8
|
|
15
|
14
|
Kill
Bill Vol. 2 |
Miramax
|
221,512 |
-33% |
201 |
65,075,745 |
9
|
|
16
|
18
|
Nascar: The
Imax Experience |
WB
|
213,014 |
10% |
45 |
13,742,209 |
14
|
|
17
|
12
|
A Day Without
a Mexican |
Televisa
|
189,403 |
-47% |
73 |
2,832,595 |
5
|
|
18
|
11
|
13 Going on
30 |
Sony
|
180,276 |
-50% |
193 |
55,664,410 |
8
|
|
19
|
17
|
Coffee and
Cigarettes |
MGM
|
156,703 |
-21% |
46 |
1,362,068 |
5
|
|
20
|
53
|
The Ladykillers |
BV
|
146,368 |
246% |
231 |
39,349,265 |
12
|
|
21
|
65
|
Control Room |
Magnolia
|
141,070 |
457% |
41 |
290,174 |
4
|
|
22
|
40
|
Ella Enchanted |
Miramax
|
140,479 |
90% |
262 |
22,382,179 |
10
|
|
23
|
20
|
Hidalgo |
BV
|
128,719 |
-25% |
233 |
66,862,696 |
15
|
|
24
|
24
|
50 First Dates |
Sony
|
127,642 |
-3% |
151 |
120,616,191 |
17
|
|
25
|
22
|
Starsky &
Hutch |
WB
|
123,139 |
-25% |
212 |
88,019,197 |
15
|
|
26
|
16
|
Scooby-Doo
2: Monsters Unleashed |
WB
|
121,790 |
-43% |
138 |
82,654,491 |
12
|
|
27
|
19
|
Eternal Sunshine
of the Spotless Mind |
Focus
|
119,120 |
-36% |
98 |
33,971,672 |
13
|
|
28
|
27
|
Adrenaline
Rush: The Science of Risk |
Giant
Screen
|
118,223 |
7% |
15 |
6,538,416 |
85
|
|
29
|
New
|
Napoleon Dynamite |
Fox
Searchlight
|
116,666 |
|
6 |
116,666 |
1
|
|
30
|
15
|
Breakin' All
the Rules |
Sony
|
111,566 |
-63% |
109 |
11,740,428 |
5
|
|
31
|
21
|
Spring, Summer,
Fall, Winter, Spring … |
Sony
Classics
|
110,830 |
-24% |
71 |
1,741,051 |
11
|
|
32
|
28
|
Bugs! |
SK
Film
|
105,761 |
-2% |
14 |
9,052,352 |
66
|
|
33
|
26
|
Johnson Family
Vacation |
Fox
Searchlight
|
97,924 |
-17% |
113 |
30,644,575 |
10
|
|
34
|
36
|
Space Station |
Imax
|
88,133 |
1% |
20 |
51,151,681 |
113
|
|
35
|
New
|
Dev |
Eros
|
84,728 |
|
35 |
84,728 |
1
|
|
36
|
25
|
Bon Voyage |
Sony
Classics
|
80,948 |
-35% |
70 |
2,164,387 |
13
|
|
37
|
50
|
The Corporation |
Mongrel/Zeitgeist
|
66,579 |
51% |
15 |
1,569,940 |
22
|
|
38
|
33
|
Love Me If
You Dare/Jeux d'enfants |
Par
Classics/TVA
|
65,288 |
-30% |
57 |
419,571 |
4
|
|
39
|
30
|
Walking Tall |
MGM
|
63,467 |
-34% |
103 |
46,213,824 |
11
|
|
40
|
29
|
The Passion
of the Christ |
Newmarket
|
63,467 |
-35% |
208 |
370,025,697 |
15
|
|
41
|
38
|
The Mother |
Sony
Classics
|
59,356 |
-23% |
17 |
268,116 |
3
|
|
42
|
45
|
Pulse: A Stomp
Odyssey |
Giant
Screen
|
56,594 |
8% |
8 |
6,730,267 |
87
|
|
43
|
47
|
Baadasssss! |
Sony
Classics
|
51,944 |
5% |
41 |
202,798 |
3
|
|
44
|
23
|
Hum Tum |
Yash
Raj
|
51,732 |
-64% |
26 |
640,437 |
3
|
|
45
|
35
|
New York Minute |
WB
|
51,410 |
-42% |
58 |
13,742,209 |
6
|
|
46
|
34
|
Jersey Girl |
Miramax
|
51,170 |
-45% |
135 |
25,197,718 |
11
|
|
47
|
37
|
The Prince
& Me |
Par
|
51,116 |
-39% |
91 |
28,108,440 |
11
|
|
48
|
32
|
Laws of Attraction |
New
Line
|
48,084 |
-49% |
122 |
17,848,322 |
7
|
|
49
|
42
|
What the #$*!
Do We Know |
Lord
of the Wind
|
46,201 |
-19% |
14 |
807,220 |
19
|
|
50
|
43
|
Strayed |
Wellspring
|
46,107 |
-18% |
29 |
344,193 |
5
|
|
51
|
39
|
I'm Not Scared |
Miramax
|
44,244 |
-40% |
46 |
1,368,170 |
10
|
|
52
|
46
|
Home on the
Range |
BV
|
42,318 |
-16% |
137 |
48,963,935 |
11
|
|
53
|
41
|
Good Bye, Lenin! |
Sony
Class/Seville
|
41,031 |
-41% |
57 |
3,841,470 |
16
|
|
54
|
70
|
The Story of
the Weeping Camel |
Thinkfilm
|
38,792 |
78% |
7 |
72,926 |
3
|
|
55
|
54
|
Young Adam |
Sony
Classics
|
33,025 |
-15% |
31 |
668,585 |
9
|
|
56
|
49
|
The Saddest
Music in the World |
TVA/IFC
|
30,419 |
-35% |
24 |
583,883 |
7
|
|
57
|
52
|
Cold Mountain |
Miramax
|
28,389 |
-34% |
59 |
95,589,607 |
26
|
|
58
|
51
|
The Life of
Brian (reissue) |
Rainbow
|
28,151 |
-35% |
20 |
464,295 |
7
|
|
59
|
59
|
Since Otar
Left |
Zeitgeist/Mongrel
|
27,817 |
-14% |
16 |
311,177 |
6
|
|
60
|
New
|
Imelda |
Unitel
|
27,617 |
|
6 |
27,617 |
1
|
|
61
|
55
|
The Twilight
Samurai |
Empire
|
26,109 |
-29% |
11 |
322,422 |
8
|
|
62
|
61
|
Bukowski: Born
Into This |
Magnolia
|
25,788 |
-6% |
8 |
126,471 |
3
|
|
63
|
56
|
Dawn of the
Dead |
Uni
|
25,134 |
-32% |
33 |
58,990,765 |
13
|
|
64
|
58
|
T-Rex: Back
to the Cretacious |
Imax
|
24,845 |
-21% |
6 |
48,268,425 |
295
|
|
65
|
98
|
Twist |
TVA/Strand
|
22,341 |
123% |
6 |
50,968 |
4
|
|
66
|
57
|
My Architect |
New
York/Mongl
|
22,145 |
-34% |
21 |
2,822,522 |
30
|
|
67
|
31
|
Envy |
DreamWorks
|
20,751 |
-78% |
18 |
13,548,322 |
7
|
|
68
|
44
|
The Whole Ten
Yards |
WB
|
20,391 |
-62% |
93 |
16,302,288 |
10
|
|
69
|
48
|
Monsieur Ibrahim |
Sony
Class/TVA
|
20,334 |
-57% |
24 |
2,809,405 |
26
|
|
70
|
74
|
Ghosts of the
Abyss |
BV
|
19,534 |
30% |
11 |
16,185,352 |
62
|
|
71
|
64
|
The Punisher |
Lions
Gate
|
19,397 |
-25% |
41 |
33,462,241 |
9
|
|
72
|
62
|
Carandiru |
Sony
Classics
|
19,161 |
-28% |
14 |
159,723 |
5
|
Estimates
- June 11-13, 2004
| Title |
Distributor
|
Gross
(average)
|
%
change
|
Theaters
|
Cume
|
| Harry
Potter & Prisoner of Azkaban |
WB
|
34.4
(8,930)
|
-63% |
3855 |
157.5 |
| The
Chronicles of Riddick |
Uni
|
24.8
(8,990)
|
- |
2757 |
24.8 |
| Shrek
2 |
DreamWorks
|
23.8
(6,200)
|
-37% |
3843 |
353.8 |
| The
Stepford Wives |
Par
|
22.2
(7,270)
|
- |
3057 |
22.2 |
| Garfield |
Fox
|
21.6
(6,970)
|
- |
3094 |
21.6 |
| The
Day After Tomorrow |
Fox
|
14.7
(4,570)
|
-47% |
3210 |
153.4 |
| Raising
Helen |
BV
|
3.8
(1,810)
|
-42% |
2103 |
31.4 |
| Troy |
WB
|
3.5
(2,760)
|
-41% |
2003 |
125.7 |
| Saved! |
MGM
|
2.6
(4,450)
|
670% |
589 |
3.8 |
| Mean
Girls |
Par
|
1.6
(1,740)
|
-44% |
944 |
81.5 |
| Van
Helsing |
Uni
|
1.2
(1,140)
|
-52% |
1034 |
117 |
| Soul
Plane |
MGM
|
.93
(1,180)
|
-66% |
783 |
13 |
| Super
Size Me |
IDP/Odeon
|
.87
(3,770)
|
3% |
230 |
7.6 |
| Man
on Fire |
Fox
|
.44
(1,090)
|
-58% |
402 |
76.3 |
| Weekend
Total ($500,000+ Films) |
$156.00
|
- |
| %
Change (Last Year) |
-
|
33%
|
- |
| %
C | |