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Weekend Estimates
The
Rise (Passion)
and Fall (Alamo) of Easter
There are
a lot of old jokes that start out: I've got good news
and
I've got bad news.
First, the
good. In the spirit of Easter, The Passion of The Christ was
commercially resurrected to top viewing choice with an estimated
$17.9 million weekend and domestic cume to date of $355.7 million.
Searchlight's debut of the broadly black comic Johnson Family
Vacation had excellent results of $9.2 million for the weekend
and a five-day gross of $11.6 million. And overall business for
the frame was up either 13% (comparative weekend) or 25% (Easter
weekend 2003) from last year.
And, now the
bad. The Alamo could not weather intense media scrutiny
and hobbled to a roughly $9.3 million debut. Three other national
bows were undone by holdover titles and barely ranked among the
top 10 viewing choices.
The weekend
should tally up to close to $120 million for a significant bump
from 2003 when Anger Management was launched with an impressive
$42 million and held sway over such freshmen entries as Holes
and Malibu's Most Wanted the following Easter weekend.
However, ticket sales took a 7% from hit from last weekend's bow
of Hellboy that slipped to second spot this weekend with
a gross just shy of $11 million.
It was anticipated
that The Passion of The Christ would benefit slightly from
the Easter holiday and its 69% box office boost was even better
than expected. Newmarket is taking a more cautious position, estimating
$17.1 million but some industry trackers believe that church and
individual sales will be more robust and are predicting as much
as $19 million for the three day span. Regardless, the film is
now on track to gross close to $400 million domestically and rank
among the most successful films ever on the basis of cost to return.
Historically
the Easter weekend has not been a prime viewing time, so Disney's
decision to release The Alamo was a bit nervy. However,
the company could not have anticipated the deluge of bad press
it would receive from reviewers and the attention accorded its
blighted production history and the current and future fortunes
of the studio. The result was akin to poisoning the well and the
film's $9.3 million opening will certainly generate countless
stories positioning the film as one of Disney's and the industry's
biggest commercial failures.
It's also
a bit of a head scratcher that so many of the majors decided to
open films Easter weekend. Ironically, the only one of the five
with demonstrable potency was the low budget Johnson Family
Vacation, a broad comedy headlining Cedric the Entertainer
that was positioned as counter programming and generated a
theater average roughly double of any of the other freshmen quartet.
The critically
ravaged sequel The Whole Ten Yards slotted eighth in the
lineup with approximately $6.7 million and was followed by the
fairy tale spoof Ella Enchanted and the youth comedy
The Girl Next Door. The two latter titles each grossed roughly
$6 million and unquestionably got lost in the shuffle of new and
recent releases.
In regional
and specialized arenas, there were some encouraging openers including
the 75 print debut of Dans une Galaxie pres de chez vous,
a spoof of Star Trek that's been a popular TV skein in
Quebec and grossed better than $500,000. The latest Hindi title,
Masti, had only fair returns of $87,000 from 27 venues as
was the case for Twentynine Palms with a $13,000 gross
from two screens.
However, the
four screen launch of Italian Oscar submission I'm Not Scared
on four screens generated an impressive $13,000 per screen average.
Specialized
expansions were also disappointing including the addition of 76
sites (to 90 playdates) for Lars von Trier's Dogville.
The Nicole Kidman starrer barked up only a respectable
$210,000 weekend.
- by Leonard
Klady
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