Dec 28, 2003
Dec 21, 2003
Dec 14, 2003
Dec 7, 2003
Nov 30, 2003
Nov 22, 2003
Nov 16, 2003
Nov 9, 2003
Nov 2, 2003
October 26, 2003
October 19, 2003
October 12, 2003
October 5, 2003
Sept 28, 2003
Sept 21, 2003
Sept 14, 2003
Sept 7, 2003
Sept 1, 2003
August 24, 2003
August 17, 2003
August 10, 2003
August 3, 2003
July 27, 2003
July 20, 2003
July 13, 2003
July 6, 2003
June 29, 2003
June 22, 2003
June 15, 2003
June 8, 2003
June 1, 2003
May 27, 2003
May 18, 2003
May 11, 2003
May 4, 2003
April 26, 2003
April 13, 2003
April 6, 2003
March 30, 2003
March 23, 2003
March 16, 2003
March 9, 2003
March 2, 2003
February 23, 2003
February 23, 2003
February 17, 2003
February 9, 2003
February 2, 2003
January 26, 2003
January 20, 2003
January 12, 2003
January 5, 2003

 


..Gary Dretzka
..Leonard Klady
..Emanuel Levy
..David Poland
..Doug Pratt
..Ray Pride





Weekend Finals
Worldwide Grosses
Market Share


So Good, So Far

The Lord of the Rings: The Return of the King rang in the first weekend of 2004 with an estimated $28.9 million and a cumulative domestic gross of $290.6 million that led the frame to a record for an annual debut. The final installment of the Tolkien trilogy is maintaining a slightly better pace than The Two Towers both in North America and internationally and with excellent Oscar prospects could push toward an eventual $400 million box office.

Typically, there were no new national debuts and those films that had been playing both well and poorly continued to variously soar and struggle. Overall box office for the weekend should ring in with approximately $145 million for a 23% decline from the prior weekend. It's also roughly 13% better than the start of 2003 when the second chapter of The Rings grossed $25 million and Catch Me If You Can followed with $21.1 million.

Initial tallies for the calendar year total slightly more than $9.2 billion and that would indicate a very slim box office boost of 4/10th of 1% from 2002 and a 4% decline in admissions. Other reports comparing last year's 52 week span to the prior year's 53 week reporting period saw a small box office downturn. However, since 1989, the most salient factors are admission upturns and declines in average production and marketing costs that occurred respectively twice, once and never. Were it not for new ancillary revenue streams and growing overseas markets, the overall industry picture would be very grim.

Though there was a paucity of new movies, Buena Vista effectively expanded its lively Brit import Calendar Girls and cracked the top 10 with a $4.5 million weekend. While hardly a dynamo, the film is doing exceptionally well for a movie of its ilk (think The Full Monty or Bend It Like Beckham) and that could cement perhaps a couple of nominations when the Oscar ballot is announced in a couple of weeks.

Other current limited releases including In America, 21 Grams and House of Sand and Fog are truly struggling and desperately hoping for Academy recognition to provide a commercial second wind. Next weekend Big Fish - which has been performing extremely well in semi-exclusive release - expands nationally. It's worth noting that historically more than 70% of Oscar ballots are returned within 72 hours of receipt by members. However, given the abbreviated award season it's likely that percentage will decline this year.

Apart from the Hobbits, comedy has emerged as the seasonal trump card with both the inane Cheaper by the Dozen and the adult appeal Something's Gotta Give poised to gross more than $100 million. The Thanksgiving entry The Cat in the Hat is also on the cusp of that figure and there's little doubt that The Last Samurai will trudge to that level. In the latter two instance one can only repeat the significance ancillary revenues have in putting a picture into profit for a studio.

The most conspicuous causality remains Mona Lisa Smile, especially as its overseas prospects are soft and a great big question mark looms over Cold Mountain. The latter film is unquestionably playing the Oscar card as - apart from Golden Globe nominations - it's yet to find favor from year end critics group lists.

Japanese Story, the winner of the Australian Oscar, nipped in as an Oscar qualifier but was a commercial also ran with a $17,000 weekend in five locations. It palled beside a trio of movies that are currently creating buzz in semi-exclusive release including Monster, Girl with a Pearl Earring and The Company. Again, the future of those films will largely be shaped by award recognition and none has very good across the board prospects. Still, Monster has to benefit from Charlize Theron's performance that's sure to be vying for Oscar voter's hearts against the individual and career achievement work of Diane Keaton in Something's Gotta Give.

Also stay tuned for year end charts for top grosser and market share in the next week.


- by Leonard Klady


Weekend Finals - January 2-4, 2004

Title
Distrib
Weekend
% Change
Theaters
Cume
Wks
1
1
Lord of the Rings: Return of the King
New Line
28,180,378 -44% 3703 290,410,961
3
2
2
Cheaper by the Dozen
Fox
21,644,537 -22% 3307 85,620,095
2
3
4
Something's Gotta Give
Sony
11,705,123 -15% 2808 81,211,676
3
4
3
Cold Mountain
Miramax
11,579,747 -21% 2216 43,737,222
2
5
5
Paycheck
Par
9,837,313 -27% 2762 38,644,452
2
6
7
Peter Pan
Uni
8,818,715 -21% 2813 34,179,235
2
7
6
Mona Lisa Smile
Sony
8,300,794 -27% 2714 50,006,766
3
8
8
The Last Samurai
WB
7,373,719 -11% 2401 90,017,337
5
9
25
Calendar Girls
BV
4,437,082 1019% 745 6,953,194
3
10
9
Bad Santa
Miramax
2,937,737 -35% 1710 56,909,596
6
11
11
Stuck on You
Fox
2,802,420 -23% 2064 30,721,406
4
12
14
Big Fish
Sony
2,544,450 24% 125 8,454,208
4
13
13
The Haunted Mansion
BV
2,506,251 -12% 1501 70,422,751
6
14
10
Elf
New Line
2,303,567 -41% 1768 170,837,644
9
15
12
Love Don't Cost a Thing
WB
1,921,466 -35% 1015 20,179,317
4
16
15
House of Sand and Fog
DreamWorks
1,788,293 4% 442 5,383,663
3
17
18
21 Grams
Focus
1,340,872 9% 289 7,272,165
7
18
20
In America
Fox Searchlight
1,229,445 15% 327 5,305,891
6
19
19
Master and Commander
Fox
1,117,880 -4% 701 83,006,144
8
20
16
Honey
Uni
1,071,845 -24% 672 28,816,190
4
21
17
The Cat in the Hat
Uni
988,295 -22% 1057 99,383,495
7
22
22
The Young Black Stallion
BV
755,381 20% 51 2,349,976
2
23
21
Love Actually
Uni
732,755 -12% 406 57,429,915
9
24
24
Brother Bear
BV
529,059 4% 532 83,297,298
11
25
26
Lost in Translation
Focus
499,543 37% 123 31,586,561
17
26
27
Mystic River
WB
409,678 26% 201 58,224,334
13
27
23
Gothika
WB
375,661 -38% 406 57,455,180
7
28
28
The Cooler
Lions Gate
340,002 10% 77 1,836,224
6
29
34
The Triplets of Belleville
Sony Class/Allian
300,531 49% 45 1,224,065
7
30
29
The School of Rock
Par
264,606 2% 237 80,232,030
14
31
45
Monster
Newmarket
230,642 166% 14 455,848
2
32
36
Looney Toons: Back in Action
WB
223,096 18% 336 20,678,510
8
33
35
Girl with a Pearl Earring
Lions Gate
210,348 11% 26 865,240
4
34
33
Radio
Sony
188,136 -9% 193 51,801,566
11
35
30
Matrix Revolutions
WB
186,142 -24% 116 138,294,428
9
36
37
Nez rouge
Cristal
166,598 -10% 44 1,698,108
6
37
39
Scary Movie 3
Miramax
157,996 -4% 201 109,563,395
11
38
32
Santa vs. the Snowman
Imax
144,832 -35% 35 2,833,643
59
39
41
The Station Agent
Miramax/Alliance
143,998 10% 106 4,853,898
14
40
40
The Missing
Sony
116,290 -14% 146 26,121,804
6
41
42
Under the Tuscan Sun
BV
111,625 10% 158 43,323,006
15
42
44
The Barbarian Invasions
Alliance/Miramax
103,856 16% 52 5,897,378
35
43
43
The Company
Sony Classics
92,139 -2% 11 316,013
2
44
31
L.O.C. (Kargil)
Eros
83,678 -63% 56 587,978
2
45
49
The Fog of War
Sony Classics
81,427 40% 6 276,427
3
46
46
Underworld
Sony
79,990 1% 103 51,892,664
16
47
38
Space Station
Imax
71,565 -61% 12 46,173,527
90
48
47
Runaway Jury
Fox
69,006 -11% 110 49,022,597
11
49
48
Freaky Friday
BV
57,758 -21% 106 110,180,505
22
50
50
The Statement
Sony Class/Think
57,219 1% 17 280,167
3
51
54
Alexander's Project
Alliance
56,803 31% 10 217,694
2
52
53
Annie Brocoli dans les fonds marin
TVA
49,604 2% 33 291,844
1
53
57
The Texas Chainsaw Massacre
New Line
44,905 27% 53 80,288,112
11
54
55
Kill Bill Vol. 1
Miramax
40,164 12% 38 69,655,060
13
55
52
Timeline
Par
34,156 -31% 270 19,113,328
6
56
59
Spy Kids 3-D: Game Over
Miramax
32,270 3% 44 111,678,621
24
57
62
My Architect
New Yorker
28,984 51% 4 366,039
8
58
58
Blizzard
Alliance
27,691 -13% 45 504,600
4
59
60
Shattered Glass
Lions Gate
26,225 5% 35 2,105,024
9
60
67
Bugs!
SK Film
26,187 56% 13 4,374,388
43
61
New
Japanese Story
IDP
23,962 5 32,699
1
62
61
Intolerable Cruelty
Uni
22,510 -1% 24 35,296,248
13
63
51
Kal Ho Naa Ho
Yash Raj
22,414 -57% 15 1,936,933
6
64
63
Pieces of April
MGM
21,413 18% 19 2,397,565
13
65
64
Elephant
New Line
17,941 -1% 13 1,257,377
11
66
65
Ghosts of the Abyss
BV
17,765 2% 6 15,283,482
39

 

Weekend Estimates - January 2-4, 2004

Title
Distributor
Gross (average)
% change
Theaters
Cume
Lord of the Rings: Return of King
New Line
28.9 (7,800)
-43% 3703 290.6
Cheaper By the Dozen
Fox
21.7 (6,570)
-21% 3307 86.1
Something's Gotta Give
Sony
12.2 (4,360)
-11% 2808 81.4
Cold Mountain
Miramax
11.8 (5,340)
-19% 2216 43.9
Paycheck
Par
10.1 (3,650)
-25% 2762 38.9
Peter Pan
Uni
8.5 (3,030)
-24% 2813 33.8
Mona Lisa Smile
Sony
8.5 (3,150)
-25% 2714 49.9
The Last Samurai
WB
7.2 (3,020)
-13% 2401 89.8
Calendar Girls
BV
4.5 (6,090)
1033% 745 7.1
Stuck on You
Fox
3.0 (1,440)
-18% 2064 30.5
Bad Santa
Miramax
2.8 (1,630)
-39% 1710 56.7
Big Fish
Sony
2.5 (19,860)
21% 125 8.4
Haunted Mansion
BV
2.4 (1,600)
-17% 1501 70.3
Elf
New Line
2.3 (1,320)
-40% 1768 170.9
Love Don't Cost a Thing
WB
2.2 (2,140)
-27% 1015 20.5
House of Sand and Fog
DreamWorks
1.8 (4,140)
6% 442 5.2
21 Grams
Focus
1.4 (4,910)
16% 289 7.3
In America
Fox Searchlight
1.2 (3,730)
14% 327 5.3
Master and Commander
Fox
1.1 (1,580)