|
  
   

| Dec
28, 2003 |
| Dec
21, 2003 |
| Dec
14, 2003 |
| Dec
7, 2003 |
| Nov
30, 2003 |
| Nov
22, 2003 |
| Nov
16, 2003 |
| Nov
9, 2003 |
| Nov
2, 2003 |
| October
26, 2003 |
| October
19, 2003 |
| October
12, 2003 |
| October
5, 2003 |
| Sept
28, 2003 |
| Sept
21, 2003 |
| Sept
14, 2003 |
| Sept
7, 2003 |
| Sept
1, 2003 |
| August
24, 2003 |
| August
17, 2003 |
| August
10, 2003 |
| August
3, 2003 |
| July
27, 2003 |
| July
20, 2003 |
| July
13, 2003 |
| July
6, 2003 |
| June
29, 2003 |
| June
22, 2003 |
| June
15, 2003 |
| June
8, 2003 |
| June
1, 2003 |
| May
27, 2003 |
| May
18, 2003 |
| May
11, 2003 |
| May
4, 2003 |
| April
26, 2003 |
| April
13, 2003 |
| April
6, 2003 |
| March
30, 2003 |
| March
23, 2003 |
| March
16, 2003 |
| March
9, 2003 |
| March
2, 2003 |
| February
23, 2003 |
| February
23, 2003 |
| February
17, 2003 |
| February
9, 2003 |
| February
2, 2003 |
| January
26, 2003 |
| January
20, 2003 |
| January
12, 2003 |
| January
5, 2003 |

..Gary
Dretzka
..Leonard
Klady
..Emanuel
Levy
..David
Poland
..Doug
Pratt
..Ray
Pride

|
|

Weekend Finals
Worldwide Grosses
Market Share
So
Good, So Far
The Lord
of the Rings: The Return of the King rang in the first weekend
of 2004 with an estimated $28.9 million and a cumulative domestic
gross of $290.6 million that led the frame to a record for an
annual debut. The final installment of the Tolkien trilogy is
maintaining a slightly better pace than The Two Towers
both in North America and internationally and with excellent Oscar
prospects could push toward an eventual $400 million box office.
Typically,
there were no new national debuts and those films that had been
playing both well and poorly continued to variously soar and struggle.
Overall box office for the weekend should ring in with approximately
$145 million for a 23% decline from the prior weekend. It's also
roughly 13% better than the start of 2003 when the second chapter
of The Rings grossed $25 million and Catch Me If You Can
followed with $21.1 million.
Initial tallies
for the calendar year total slightly more than $9.2 billion and
that would indicate a very slim box office boost of 4/10th of
1% from 2002 and a 4% decline in admissions. Other reports comparing
last year's 52 week span to the prior year's 53 week reporting
period saw a small box office downturn. However, since 1989, the
most salient factors are admission upturns and declines in average
production and marketing costs that occurred respectively twice,
once and never. Were it not for new ancillary revenue streams
and growing overseas markets, the overall industry picture would
be very grim.
Though there
was a paucity of new movies, Buena Vista effectively expanded
its lively Brit import Calendar Girls and cracked the top
10 with a $4.5 million weekend. While hardly a dynamo, the film
is doing exceptionally well for a movie of its ilk (think The
Full Monty or Bend It Like Beckham) and that could
cement perhaps a couple of nominations when the Oscar ballot is
announced in a couple of weeks.
Other current
limited releases including In America, 21 Grams and House
of Sand and Fog are truly struggling and desperately hoping
for Academy recognition to provide a commercial second wind. Next
weekend Big Fish - which has been performing extremely
well in semi-exclusive release - expands nationally. It's worth
noting that historically more than 70% of Oscar ballots are returned
within 72 hours of receipt by members. However, given the abbreviated
award season it's likely that percentage will decline this year.
Apart from
the Hobbits, comedy has emerged as the seasonal trump card with
both the inane Cheaper by the Dozen and the adult appeal
Something's Gotta Give poised to gross more than $100 million.
The Thanksgiving entry The Cat in the Hat is also on the
cusp of that figure and there's little doubt that The Last
Samurai will trudge to that level. In the latter two instance
one can only repeat the significance ancillary revenues have in
putting a picture into profit for a studio.
The most conspicuous
causality remains Mona Lisa Smile, especially as its overseas
prospects are soft and a great big question mark looms over Cold
Mountain. The latter film is unquestionably playing the Oscar
card as - apart from Golden Globe nominations - it's yet to find
favor from year end critics group lists.
Japanese
Story, the winner of the Australian Oscar, nipped in as an
Oscar qualifier but was a commercial also ran with a $17,000 weekend
in five locations. It palled beside a trio of movies that are
currently creating buzz in semi-exclusive release including Monster,
Girl with a Pearl Earring and The Company. Again, the
future of those films will largely be shaped by award recognition
and none has very good across the board prospects. Still, Monster
has to benefit from Charlize Theron's performance that's
sure to be vying for Oscar voter's hearts against the individual
and career achievement work of Diane Keaton in Something's
Gotta Give.
Also stay
tuned for year end charts for top grosser and market share in
the next week.
- by Leonard
Klady
|
|
Weekend
Finals - January 2-4, 2004
|
|
Title |
Distrib
|
Weekend
|
%
Change
|
Theaters
|
Cume
|
Wks
|
|
1
|
1
|
Lord of the
Rings: Return of the King |
New
Line
|
28,180,378 |
-44% |
3703 |
290,410,961 |
3
|
|
2
|
2
|
Cheaper by
the Dozen |
Fox
|
21,644,537 |
-22% |
3307 |
85,620,095 |
2
|
|
3
|
4
|
Something's
Gotta Give |
Sony
|
11,705,123 |
-15% |
2808 |
81,211,676 |
3
|
|
4
|
3
|
Cold Mountain |
Miramax
|
11,579,747 |
-21% |
2216 |
43,737,222 |
2
|
|
5
|
5
|
Paycheck |
Par
|
9,837,313 |
-27% |
2762 |
38,644,452 |
2
|
|
6
|
7
|
Peter Pan |
Uni
|
8,818,715 |
-21% |
2813 |
34,179,235 |
2
|
|
7
|
6
|
Mona Lisa Smile |
Sony
|
8,300,794 |
-27% |
2714 |
50,006,766 |
3
|
|
8
|
8
|
The Last Samurai |
WB
|
7,373,719 |
-11% |
2401 |
90,017,337 |
5
|
|
9
|
25
|
Calendar Girls |
BV
|
4,437,082 |
1019% |
745 |
6,953,194 |
3
|
|
10
|
9
|
Bad Santa |
Miramax
|
2,937,737 |
-35% |
1710 |
56,909,596 |
6
|
|
11
|
11
|
Stuck on You |
Fox
|
2,802,420 |
-23% |
2064 |
30,721,406 |
4
|
|
12
|
14
|
Big Fish |
Sony
|
2,544,450 |
24% |
125 |
8,454,208 |
4
|
|
13
|
13
|
The Haunted
Mansion |
BV
|
2,506,251 |
-12% |
1501 |
70,422,751 |
6
|
|
14
|
10
|
Elf |
New
Line
|
2,303,567 |
-41% |
1768 |
170,837,644 |
9
|
|
15
|
12
|
Love Don't
Cost a Thing |
WB
|
1,921,466 |
-35% |
1015 |
20,179,317 |
4
|
|
16
|
15
|
House of Sand
and Fog |
DreamWorks
|
1,788,293 |
4% |
442 |
5,383,663 |
3
|
|
17
|
18
|
21 Grams |
Focus
|
1,340,872 |
9% |
289 |
7,272,165 |
7
|
|
18
|
20
|
In America |
Fox
Searchlight
|
1,229,445 |
15% |
327 |
5,305,891 |
6
|
|
19
|
19
|
Master and
Commander |
Fox
|
1,117,880 |
-4% |
701 |
83,006,144 |
8
|
|
20
|
16
|
Honey |
Uni
|
1,071,845 |
-24% |
672 |
28,816,190 |
4
|
|
21
|
17
|
The Cat in
the Hat |
Uni
|
988,295 |
-22% |
1057 |
99,383,495 |
7
|
|
22
|
22
|
The Young Black
Stallion |
BV
|
755,381 |
20% |
51 |
2,349,976 |
2
|
|
23
|
21
|
Love Actually |
Uni
|
732,755 |
-12% |
406 |
57,429,915 |
9
|
|
24
|
24
|
Brother Bear |
BV
|
529,059 |
4% |
532 |
83,297,298 |
11
|
|
25
|
26
|
Lost in Translation |
Focus
|
499,543 |
37% |
123 |
31,586,561 |
17
|
|
26
|
27
|
Mystic River |
WB
|
409,678 |
26% |
201 |
58,224,334 |
13
|
|
27
|
23
|
Gothika |
WB
|
375,661 |
-38% |
406 |
57,455,180 |
7
|
|
28
|
28
|
The Cooler |
Lions
Gate
|
340,002 |
10% |
77 |
1,836,224 |
6
|
|
29
|
34
|
The Triplets
of Belleville |
Sony
Class/Allian
|
300,531 |
49% |
45 |
1,224,065 |
7
|
|
30
|
29
|
The School
of Rock |
Par
|
264,606 |
2% |
237 |
80,232,030 |
14
|
|
31
|
45
|
Monster |
Newmarket
|
230,642 |
166% |
14 |
455,848 |
2
|
|
32
|
36
|
Looney Toons:
Back in Action |
WB
|
223,096 |
18% |
336 |
20,678,510 |
8
|
|
33
|
35
|
Girl with a
Pearl Earring |
Lions
Gate
|
210,348 |
11% |
26 |
865,240 |
4
|
|
34
|
33
|
Radio |
Sony
|
188,136 |
-9% |
193 |
51,801,566 |
11
|
|
35
|
30
|
Matrix Revolutions |
WB
|
186,142 |
-24% |
116 |
138,294,428 |
9
|
|
36
|
37
|
Nez rouge |
Cristal
|
166,598 |
-10% |
44 |
1,698,108 |
6
|
|
37
|
39
|
Scary Movie
3 |
Miramax
|
157,996 |
-4% |
201 |
109,563,395 |
11
|
|
38
|
32
|
Santa vs. the
Snowman |
Imax
|
144,832 |
-35% |
35 |
2,833,643 |
59
|
|
39
|
41
|
The Station
Agent |
Miramax/Alliance
|
143,998 |
10% |
106 |
4,853,898 |
14
|
|
40
|
40
|
The Missing |
Sony
|
116,290 |
-14% |
146 |
26,121,804 |
6
|
|
41
|
42
|
Under the Tuscan
Sun |
BV
|
111,625 |
10% |
158 |
43,323,006 |
15
|
|
42
|
44
|
The Barbarian
Invasions |
Alliance/Miramax
|
103,856 |
16% |
52 |
5,897,378 |
35
|
|
43
|
43
|
The Company |
Sony
Classics
|
92,139 |
-2% |
11 |
316,013 |
2
|
|
44
|
31
|
L.O.C. (Kargil) |
Eros
|
83,678 |
-63% |
56 |
587,978 |
2
|
|
45
|
49
|
The Fog of
War |
Sony
Classics
|
81,427 |
40% |
6 |
276,427 |
3
|
|
46
|
46
|
Underworld |
Sony
|
79,990 |
1% |
103 |
51,892,664 |
16
|
|
47
|
38
|
Space Station |
Imax
|
71,565 |
-61% |
12 |
46,173,527 |
90
|
|
48
|
47
|
Runaway Jury |
Fox
|
69,006 |
-11% |
110 |
49,022,597 |
11
|
|
49
|
48
|
Freaky Friday |
BV
|
57,758 |
-21% |
106 |
110,180,505 |
22
|
|
50
|
50
|
The Statement |
Sony
Class/Think
|
57,219 |
1% |
17 |
280,167 |
3
|
|
51
|
54
|
Alexander's
Project |
Alliance
|
56,803 |
31% |
10 |
217,694 |
2
|
|
52
|
53
|
Annie Brocoli
dans les fonds marin |
TVA
|
49,604 |
2% |
33 |
291,844 |
1
|
|
53
|
57
|
The Texas Chainsaw
Massacre |
New
Line
|
44,905 |
27% |
53 |
80,288,112 |
11
|
|
54
|
55
|
Kill Bill Vol.
1 |
Miramax
|
40,164 |
12% |
38 |
69,655,060 |
13
|
|
55
|
52
|
Timeline |
Par
|
34,156 |
-31% |
270 |
19,113,328 |
6
|
|
56
|
59
|
Spy Kids 3-D:
Game Over |
Miramax
|
32,270 |
3% |
44 |
111,678,621 |
24
|
|
57
|
62
|
My Architect |
New
Yorker
|
28,984 |
51% |
4 |
366,039 |
8
|
|
58
|
58
|
Blizzard |
Alliance
|
27,691 |
-13% |
45 |
504,600 |
4
|
|
59
|
60
|
Shattered Glass |
Lions
Gate
|
26,225 |
5% |
35 |
2,105,024 |
9
|
|
60
|
67
|
Bugs! |
SK
Film
|
26,187 |
56% |
13 |
4,374,388 |
43
|
|
61
|
New
|
Japanese Story |
IDP
|
23,962 |
|
5 |
32,699 |
1
|
|
62
|
61
|
Intolerable
Cruelty |
Uni
|
22,510 |
-1% |
24 |
35,296,248 |
13
|
|
63
|
51
|
Kal Ho Naa
Ho |
Yash
Raj
|
22,414 |
-57% |
15 |
1,936,933 |
6
|
|
64
|
63
|
Pieces of April |
MGM
|
21,413 |
18% |
19 |
2,397,565 |
13
|
|
65
|
64
|
Elephant |
New
Line
|
17,941 |
-1% |
13 |
1,257,377 |
11
|
|
66
|
65
|
Ghosts of the
Abyss |
BV
|
17,765 |
2% |
6 |
15,283,482 |
39
|
Weekend
Estimates - January 2-4, 2004
| Title |
Distributor
|
Gross
(average)
|
%
change
|
Theaters
|
Cume
|
| Lord
of the Rings: Return of King |
New
Line
|
28.9
(7,800)
|
-43% |
3703 |
290.6 |
| Cheaper
By the Dozen |
Fox
|
21.7
(6,570)
|
-21% |
3307 |
86.1 |
| Something's
Gotta Give |
Sony
|
12.2
(4,360)
|
-11% |
2808 |
81.4 |
| Cold
Mountain |
Miramax
|
11.8
(5,340)
|
-19% |
2216 |
43.9 |
| Paycheck |
Par
|
10.1
(3,650)
|
-25% |
2762 |
38.9 |
| Peter
Pan |
Uni
|
8.5
(3,030)
|
-24% |
2813 |
33.8 |
| Mona
Lisa Smile |
Sony
|
8.5
(3,150)
|
-25% |
2714 |
49.9 |
| The
Last Samurai |
WB
|
7.2
(3,020)
|
-13% |
2401 |
89.8 |
| Calendar
Girls |
BV
|
4.5
(6,090)
|
1033% |
745 |
7.1 |
| Stuck
on You |
Fox
|
3.0
(1,440)
|
-18% |
2064 |
30.5 |
| Bad
Santa |
Miramax
|
2.8
(1,630)
|
-39% |
1710 |
56.7 |
| Big
Fish |
Sony
|
2.5
(19,860)
|
21% |
125 |
8.4 |
| Haunted
Mansion |
BV
|
2.4
(1,600)
|
-17% |
1501 |
70.3 |
| Elf |
New
Line
|
2.3
(1,320)
|
-40% |
1768 |
170.9 |
| Love
Don't Cost a Thing |
WB
|
2.2
(2,140)
|
-27% |
1015 |
20.5 |
| House
of Sand and Fog |
DreamWorks
|
1.8
(4,140)
|
6% |
442 |
5.2 |
| 21
Grams |
Focus
|
1.4
(4,910)
|
16% |
289 |
7.3 |
| In
America |
Fox
Searchlight
|
1.2
(3,730)
|
14% |
327 |
5.3 |
| Master
and Commander |
Fox
|
1.1
(1,580)
| |