|
  
   

| Dec
14, 2003 |
| Dec
7, 2003 |
| Nov
30, 2003 |
| Nov
22, 2003 |
| Nov
16, 2003 |
| Nov
9, 2003 |
| Nov
2, 2003 |
| October
26, 2003 |
| October
19, 2003 |
| October
12, 2003 |
| October
5, 2003 |
| Sept
28, 2003 |
| Sept
21, 2003 |
| Sept
14, 2003 |
| Sept
7, 2003 |
| Sept
1, 2003 |
| August
24, 2003 |
| August
17, 2003 |
| August
10, 2003 |
| August
3, 2003 |
| July
27, 2003 |
| July
20, 2003 |
| July
13, 2003 |
| July
6, 2003 |
| June
29, 2003 |
| June
22, 2003 |
| June
15, 2003 |
| June
8, 2003 |
| June
1, 2003 |
| May
27, 2003 |
| May
18, 2003 |
| May
11, 2003 |
| May
4, 2003 |
| April
26, 2003 |
| April
13, 2003 |
| April
6, 2003 |
| March
30, 2003 |
| March
23, 2003 |
| March
16, 2003 |
| March
9, 2003 |
| March
2, 2003 |
| February
23, 2003 |
| February
23, 2003 |
| February
17, 2003 |
| February
9, 2003 |
| February
2, 2003 |
| January
26, 2003 |
| January
20, 2003 |
| January
12, 2003 |
| January
5, 2003 |

..Gary
Dretzka
..Leonard
Klady
..Emanuel
Levy
..David
Poland
..Doug
Pratt
..Ray
Pride

|
|

Weekend Finals
Limited Releases
Market Share
It's Very Good To Be The King
There were
two very strong responses to weekend movie going from those who
track the business. The most obvious goes something like this:
"Wow! Just look at the business The Return of the King
is doing. Isn't it sumptin'."
The appropriate
response is "Yes." The final installment of The Lord
of the Rings trilogy arrived in theaters Wednesday, grossed
about $51 million in its first two days and added an estimated
$73.5 million weekend for a five-day cume of approximately $125
million. The film set too many records to enumerate internationally
and domestically and accounted for approximately 54% of all tickets
sold in North America this past weekend.
The Return
of the King opened 18% better than last year's The Two
Towers and New Line's $300 million gamble on the three movies
will undoubtedly reap rewards more than 10 fold its risk. The
entirety of the achievement both artistically and financially
is unparalleled and no amount of adjectival initiative quite does
justice to that simple fact.
Which brings
us to response number two that follows after a slight gasped pause.
Imagine a spectator looking across the charred remains of a battlefield;
the aftermath of a near apocalyptic encounter that one might have
seen in the Rings movies. Slowly he turns away and says with gravitas,
"Oh, my god, there's nothing else out there."
While the
assessment is a tad hyperbolic, the grim truth is that virtually
all other films in the marketplace - new and continuing, limited
or expanding - are performing at less than optimum levels. The
few exceptions cited to the current landscape include Bad Santa
and Elf and a ruminative silence.
There was
indeed a collective gasp when Saturday numbers trickled in on
Mona Lisa Smile and its gross declined slightly from opening
day figures. The period drama headlined by Julia Roberts
was, according to its co-producer, the film with the highest scoring
preview response in Sony's history. It's estimated $11.3 million
weekend ranks it second by less than $1 million to the studio's
other adult movie, Something's Gotta Give.
In retrospect,
the glib assessment on Mona Lisa Smile is that it had a
one-quadrant audience and that older female crowd was largely
consumed with higher priority items related to the holiday season.
The spin is that the movie will find its audience after December
25. That might indeed happen but obscures several more pertinent
questions beginning with Sony's decision to release the film at
a time when adult films traditionally do not play well. One can
make the case that the movie was alternative programming for all
those who wanted to kick the Hobbit. However, that placed the
film in direct competition with Something's Gotta Give
and hobbled both film's present and likely future business. Next
weekend, the Julia Roberts film confronts Cold Mountain
and the results could be chilling for either or both movies.
Overall business
of close to $140 million not unexpectedly ballooned by 58% from
the prior weekend but despite the Tolkien of respect was 4% softer
than in 2002. Last year, The Two Towers bowed with $62
million, followed by a $14.3 million debut of Two Weeks Notice
and the fourth place $9.5 million opening of Gangs of New York.
The year's current $8.8 billion tally trails 2002 by about 1%
in gross and 4% in actual admissions.
Debuting limited
releases performed respectably but without true dynamism. The
admittedly tough to sell Calendar Girls opened in 24 theaters
and rang up about $140,000. The film definitely gets a boost from
word-of-mouth response but at this very competitive time of year
the trick is getting butts in seats. And despite critical hosannas,
DreamWorks' The House of Sand and Fog had a soft $39,000
debut from two engagements. The considerably less grim Big
Fish playing on six screens in its second weekend had a 25%
higher theater average.
Comparatively
speaking Sony Classics' profile of former Secretary of State
Robert McNamara in The Fog of War was more buoyant
with a $38,000 gross from three encounters.
Continuing
fare as noted was sluggish with such varied appeal movies as The
Last Samurai, Haunted Mansion and Stuck on You
experiencing significant erosion and the onslaught of four Christmas
day wide releases unlikely to provide those movies with a reversal
of box office fortune.
- by Leonard
Klady
|
|
Weekend
Finals - December 19-21, 2003
|
Title |
Distrib |
Weekend
|
%
Change
|
Theaters
|
Cume
|
Wks
|
|
1
|
New
|
Lord of the
Rings: Return of the King |
New Line |
72,629,713 |
|
3703 |
124,100,534 |
1
|
|
2
|
New
|
Mona Lisa Smile |
Sony |
11,528,498 |
|
2677 |
11,528,498 |
1
|
|
3
|
1
|
Something's
Gotta Give |
Sony |
11,416,793 |
-29% |
2677 |
33,429,833 |
2
|
|
4
|
2
|
The Last Samurai |
WB |
7,769,301 |
-45% |
2938 |
59,487,166 |
3
|
|
5
|
6
|
Elf |
New Line |
5,502,635 |
-9% |
2451 |
154,812,967 |
7
|
|
6
|
3
|
Stuck on You |
Fox |
5,284,023 |
-44% |
3007 |
16,983,906 |
2
|
|
7
|
7
|
Bad Santa |
Miramax |
5,102,135 |
-15% |
2225 |
42,910,876 |
4
|
|
8
|
5
|
The Haunted
Mansion |
BV |
3,928,641 |
-36% |
2414 |
58,802,462 |
4
|
|
9
|
4
|
Love Don't
Cost a Thing |
WB |
3,750,265 |
-41% |
1844 |
11,192,300 |
2
|
|
10
|
8
|
Honey |
Uni |
2,708,610 |
-44% |
1824 |
23,596,315 |
3
|
|
11
|
9
|
The Cat in
the Hat |
Uni |
2,311,890 |
-45% |
2121 |
93,924,705 |
5
|
|
12
|
11
|
Master and
Commander |
Fox |
1,500,514 |
-37% |
1050 |
78,522,124 |
6
|
|
13
|
10
|
Gothika |
WB |
1,230,085 |
-55% |
1055 |
56,099,360 |
5
|
|
14
|
12
|
Love Actually |
Uni |
1,145,395 |
-46% |
902 |
54,184,810 |
7
|
|
15
|
20
|
In America |
Fox Searchlight |
505,989 |
84% |
146 |
1,422,980 |
4
|
|
16
|
17
|
Brother Bear |
BV |
451,406 |
-31% |
724 |
81,110,628 |
9
|
|
17
|
13
|
The Missing |
Sony |
415,502 |
-73% |
605 |
25,547,057 |
4
|
|
18
|
18
|
Mystic River |
WB |
305,385 |
-23% |
302 |
52,989,083 |
11
|
|
19
|
46
|
The Cooler |
Lions Gate |
284,871 |
527% |
70 |
678,555 |
4
|
|
20
|
21
|
Santa vs. the
Snowman |
Imax |
277,744 |
14% |
45 |
1,942,265 |
58
|
|
21
|
16
|
Matrix Revolutions |
WB |
271,473 |
-62% |
272 |
137,440,747 |
7
|
|
22
|
23
|
Lost in Translation |
Focus |
263,089 |
19% |
130 |
30,032,449 |
15
|
|
23
|
19
|
21 Grams |
Focus |
259,484 |
-19% |
71 |
3,308,691 |
5
|
|
24
|
34
|
The School
of Rock |
Par |
238,557 |
180% |
375 |
79,268,941 |
12
|
|
25
|
27
|
Radio |
Sony |
176,389 |
16% |
308 |
51,808,647 |
9
|
|
26
|
25
|
Big Fish |
Sony |
164,641 |
-21% |
6 |
562,525 |
2
|
|
27
|
24
|
The Station
Agent |
Miramax/Alliance |
153,755 |
-27% |
177 |
4,335,027 |
11
|
|
28
|
New
|
Calendar Girls |
BV |
151,393 |
|
24 |
151,393 |
1
|
|
29
|
14
|
Timeline |
Par |
135,474 |
-84% |
620 |
18,886,362 |
4
|
|
30
|
28
|
Nez rouge |
Cristal |
116,397 |
-23% |
69 |
1,043,939 |
4
|
|
31
|
22
|
Looney Toons:
Back in Action |
WB |
107,577 |
-53% |
253 |
19,903,764 |
6
|
|
32
|
26
|
Kal Ho Naa
Ho |
Yash Raj |
94,543 |
-41% |
37 |
1,787,378 |
4
|
|
33
|
29
|
Freaky Friday |
BV |
94,462 |
-37% |
173 |
109,888,964 |
20
|
|
34
|
31
|
Runaway Jury |
Fox |
86,872 |
-30% |
168 |
48,767,852 |
9
|
|
35
|
30
|
Blizzard |
Alliance |
83,279 |
-43% |
136 |
267,501 |
2
|
|
36
|
50
|
The Barbarian
Invasions |
Alliance/Miramax |
76,255 |
102% |
44 |
5,522,820 |
33
|
|
37
|
32
|
Girl with a
Pearl Earring |
Lions Gate |
71,051 |
-20% |
8 |
205,640 |
2
|
|
38
|
45
|
Space Station |
Imax |
59,591 |
28% |
16 |
45,738,765 |
88
|
|
39
|
47
|
The Triplets
of Belleville |
Sony Classics |
59,121 |
32% |
14 |
385,192 |
5
|
|
40
|
39
|
The Texas Chainsaw
Massacre |
New Line |
54,403 |
-26% |
113 |
80,148,261 |
10
|
|
41
|
New
|
Annie Brocoli
dans les fonds marin |
TVA |
48,174 |
|
55 |
48,174 |
1
|
|
42
|
New
|
House of Sand
and Fog |
DreamWorks |
45,572 |
|
2 |
45,572 |
1
|
|
43
|
40
|
Pieces of April |
MGM |
43,978 |
-38% |
70 |
2,313,443 |
10
|
|
44
|
38
|
Kill Bill Vol.
1 |
Miramax |
43,141 |
-46% |
64 |
69,508,791 |
11
|
|
45
|
New
|
The Fog of
War |
Sony Classics |
41,449 |
|
3 |
41,449 |
1
|
|
46
|
37
|
The Human Stain |
Miramax |
41,232 |
-51% |
68 |
5,311,526 |
7
|
|
47
|
35
|
Pirates of
the Caribbean |
BV |
40,528 |
-52% |
124 |
305,343,252 |
24
|
|
48
|
42
|
Spy Kids 3-D:
Game Over |
Miramax |
39,183 |
-40% |
128 |
111,547,510 |
22
|
|
49
|
New
|
Alexander's
Project |
Alliance |
37,078 |
|
10 |
37,078 |
1
|
|
50
|
36
|
Scary Movie
3 |
Miramax |
35,328 |
-58% |
121 |
109,065,331 |
9
|
|
51
|
33
|
Shattered Glass |
Lions Gate |
34,236 |
-61% |
62 |
1,998,855 |
7
|
|
52
|
41
|
The Gospel
of John |
Thinkfilm |
29,729 |
-57% |
43 |
3,044,854 |
13
|
|
53
|
44
|
Intolerable
Cruelty |
Uni |
26,759 |
-46% |
59 |
35,215,699 |
11
|
|
54
|
55
|
Bubba Ho-Tep |
Vitagraph |
25,325 |
-13% |
18 |
1,144,668 |
14
|
|
55
|
49
|
Elephant |
New Line |
23,718 |
-38% |
33 |
1,189,207 |
9
|
|
56
|
59
|
Gloomy Sunday |
Menemsha |
22,259 |
-12% |
16 |
348,937 |
27
|
|
57
|
54
|
The Statement |
Sony Class/Think |
21,980 |
-36% |
7 |
72,263 |
2
|
|
58
|
53
|
Under the Tuscan
Sun |
BV |
20,027 |
-43% |
60 |
42,976,432 |
13
|
|
59
|
New
|
The Hebrew
Hammer |
Strand |
19,539 |
|
8 |
19,539 |
1
|
|
60
|
52
|
Once Upon a
Time in Mexico |
Sony |
19,096 |
-47% |
56 |
56,330,657 |
14
|
|
61
|
51
|
Secondhand
Lions |
New Line |
18,062 |
-51% |
57 |
42,023,715 |
12
|
|
|
|
|
|
|
|
|
|
Weekend
Estimates - December 19-21, 2003
| Title |
Distributor
|
Gross
(average)
|
%
change
|
Theaters
|
Cume
|
| Lord
of the Rings: Return of King |
New
Line
|
73.5
(19,860)
|
- |
3703 |
124.9 |
| Mona
Lisa Smile |
Sony
|
11.3
(4,240)
|
- |
2677 |
11.3 |
| Something's
Gotta Give |
Sony
|
10.7
(3,990)
|
-34% |
2677 |
32.7 |
| The
Last Samurai |
WB
|
7.1
(2,420)
|
-49% |
2938 |
58.8 |
| Elf |
New
Line
|
5.2
(2,100)
|
-15% |
2451 |
154.6 |
| Stuck
on You |
Fox
|
5.1
(1,690)
|
-46% |
3007 |
16.8 |
| Bad
Santa |
Miramax
|
4.4
(1,970)
|
-27% |
2225 |
43.5 |
| Haunted
Mansion |
BV
|
3.9
(1,600)
|
-37% |
2414 |
58.7 |
| Love
Don't Cost a Thing |
WB
|
3.7
(1,990)
|
-42% |
1844 |
11 |
| Honey |
Uni
|
2.5
(1,350)
|
-49% |
1824 |
23.4 |
| The
Cat in the Hat |
Uni
|
2.3
(1,090)
|
-45% |
2121 |
93.9 |
| Master
and Commander |
Fox
|
1.3
(1,240)
|
-45% |
1050 |
78.3 |
| Gothika |
WB
|
1.2
(1,130)
|
-56% |
1055 |
56.1 |
| Love
Actually |
Uni
|
1.1
(1,190)
|
-49% |
905 |
54.1 |
| Brother
Bear |
BV
|
.50
(680)
|
-25% |
724 |
81.1 |
|
| Weekend
Total ($500,000+ Films) |
$133.80
|
- |
| %
Change (Last Year) |
-
|
-4%
|
- |
| %
Change (Last Week) |
-
|
58%
|
- |
| Also
Debuting/Expanding |
| In
America |
Searchlight
|
.45
(3,050)
|
64% |
146 |
1.4 |
| Big
Fish |
Sony
|
.15
(24,500)
|
-29% |
6 |
0.55 |
| Calendar
Girls |
BV
|
.14
(5,790)
|
- |
24 |
0.14 |
| Girl
with a Pearl Earring |
Lions
Gate
|
.06
(7,650)
|
-32% |
8 |
0.19 |
| House
of Sand and Fog |
DreamWorks
|
39,020
(19,510)
|
- |
2 |
0.04 |
| The
Fog of War |
Sony
Classics
|
37,900
(12,640)
|
- |
3 |
0.04 |
Top Limited Releases - January 1- December 18, 2003
| Title |
Distributor
|
Gross
|
| Whale
Rider |
Newmarket
|
20,779,666 |
| Space
Station * |
Imax
|
15,749,653 |
| Ghosts
of the Abyss |
BV
|
15,204,926 |
| The
Quiet American * |
Miramax
|
12,645,055 |
| The
Lion King * (Large Format) |
BV
|
11,777,577 |
| Swimming
Pool |
Focus | |