|
  
   

| July
13, 2003 |
| July
6, 2003 |
| June
29, 2003 |
| June
22, 2003 |
| June
15, 2003 |
| June
8, 2003 |
| June
1, 2003 |
| May
27, 2003 |
| May
18, 2003 |
| May
11, 2003 |
| May
4, 2003 |
| April
26, 2003 |
| April
13, 2003 |
| April
6, 2003 |
| March
30, 2003 |
| March
23, 2003 |
| March
16, 2003 |
| March
9, 2003 |
| March
2, 2003 |
| February
23, 2003 |
| February
23, 2003 |
| February
17, 2003 |
| February
9, 2003 |
| February
2, 2003 |
| January
26, 2003 |
| January
20, 2003 |
| January
12, 2003 |
| January
5, 2003 |

..Gary
Dretzka
..Leonard
Klady
..Emanuel
Levy
..David
Poland
..Doug
Pratt
..Ray
Pride

|
|

Weekend Finals
Global Market Share
Top Domestic Grosses
3-D's a Crowd
with a Silver
Lining
The summer
has its first surprise hit as Miramax's Dimension label unleashed
Spy Kids 3-D: Game Over to an estimated $32.8 million to easily
outpace the competition. There was also good news for Universal's
thoroughbred Seabiscuit with per theater averages of more
than $10,000, but the Lara Croft sequel disappointed in its premiere.
Far from a
tired franchise, Spy Kids received a commercial boost by
employing the stereoptic gimmick and industry touts were blind-sided
by its appeal. One reason is the lackluster methods employed to
gauge movie-going habits of pre-teens. Still, there's also something
to be said about looking in the history books. Though 3-D's heyday
was a half century ago, the infrequent subsequent forays (Imax
notwithstanding) have mostly been successful including the dreary
1981 spaghetti western Comin At Ya! There's a new generation
that's completely unexposed to the process and they were lined
up around the blockbuster this weekend.
Conversely,
Lara Croft Tomb Raider: The Cradle of Life was tipped to
be the number one film in the marketplace (it will finish no better
than second) with double the gross of Spy Kids 3-D. It's
roughly $22 million weekend was a major disappointment and expectations
for its grossing power have been significantly lowered.
Though the
highly and critically embraced anticipated Seabiscuit crossed
the finish in fifth place, it displayed the power of a movie champion
in more than a 1,000 fewer theaters than the frame's other freshmen.
Still, to go the distance, word-of-mouth has to translate into
sustained interest and bring in a younger audience that doesn't
normally see historic dramas with a decidedly emotional component.
Weekend box
office should clock in with about $155 million in ticket sales
and nose past 2002's comparable weekend receipts by 2%. A year
ago Austin Powers in Goldmember was out of the gate with
a jaw dropping $73 million (roughly the combined gross of this
weekend's trio). Business was also about 3% better than last weekend.
A clear indication
of both the opening power and short shelf life of summer movies
was evidenced by $20 million plus grosses for the top five marketplace
titles. It's a first but expect more of it next summer.
The frame
was also chock-a-block with bows of specialized fare but only
IFC's Camp with a $54,000 debut from three screens showed
the kind of muscle that might translate into wider exposure. It's
sort of the summer recess version of Fame.
Other niche
debuts ranged from disappointing to fair including Fox Searchlight's
South American Lucia, Lucia with just shy of $70,000 in
49 locations. Its art house engagements out-paced dates aimed
at Latinos. It was also bad news for Miramax's politically sensitive
and oft-delayed Buffalo Soldiers that tested the waters
in six locations and grossed about $30,000. The Spanish hit Mondays
in the Sun averaged about $3,000 from seven screens while
Sony Classic's Masked and Anonymous headlining Bob Dylan
hooked the curious with a $32,000 box office from four and the
highly experimental Hotel from Mike Figgis grossed
$12,000 from single exclusives in New York and L.A.
Last weekend's
trio of freshmen - Bad Boys II, Johnny English and How
to Deal - all experienced the terrible twos with 50% to 60%
box office erosions and that was pretty much the fate for the
marketplace's high profile titles with the exception of Pirates
of the Caribbean.
The weekend's
other successful gimmick was Fox Searchlight's switcheroo ending
of 28 Days Later. Though its box office dipped slightly,
its screen average climbed and the low budget horror item should
wind up with a neat $45 million domestic gross. It should also
translate into increased interest when the film goes out in DVD.
Disney/Pixar's
Finding Nemo came up less than $200,000 short of The
Lion King's domestic tally of $312.9 million and will claim
the all-time animated box office crown Monday. However, not to
diminish the achievement, the 1994 release hit that level when
the average ticket price was about 60% less than current levels.
- by Leonard
Klady
|
|
Weekend
Finals - July 25 - 27, 2003
|
|
Title |
Distrib
|
Weekend
|
%
Change
|
Theaters
|
Cume
|
Wks
|
|
1
|
New
|
Spy
Kids 3-D: Game Over |
Miramax
|
33,417,739 |
- |
3344 |
33,417,739 |
1
|
|
2
|
2
|
Pirates
of the Caribbean |
BVI
|
23,136,029 |
-32% |
3416 |
176,838,155 |
3
|
|
3
|
1
|
Bad
Boys II |
Sony
|
22,051,422 |
-53% |
3202 |
88,503,074 |
2
|
|
4
|
New
|
Lara
Croft: The Cradle of Life |
Par
|
21,783,641 |
- |
3222 |
21,783,641 |
1
|
|
5
|
New
|
Seabiscuit |
Uni
|
20,854,735 |
- |
1989 |
20,854,735 |
1
|
|
6
|
3
|
League
of Extraordinary Gentlemen |
Fox
|
5,070,971 |
-50% |
2532 |
52,927,018 |
3
|
|
7
|
4
|
Terminator
3: Rise of the Machines |
WB
|
5,063,450 |
-46% |
2660 |
137,459,813 |
4
|
|
8
|
6
|
Finding
Nemo |
BVI
|
4,391,650 |
-40% |
2025 |
313,119,898 |
9
|
|
9
|
5
|
Johnny
English |
Uni
|
4,327,130 |
-53% |
2236 |
18,435,985 |
2
|
|
10
|
7
|
Legally
Blonde 2 |
MGM
|
2,707,034 |
-56% |
2120 |
82,171,969 |
4
|
|
11
|
10
|
28
Days Later |
Fox
Searchlight
|
2,341,887 |
-8% |
915 |
37,304,321 |
4
|
|
12
|
8
|
How
to Deal |
New
Line
|
2,308,713 |
-60% |
2319 |
11,469,731 |
2
|
|
13
|
9
|
Charlie's
Angels: Full Throttle |
Sony
|
1,460,418 |
-63% |
1270 |
93,073,452 |
5
|
|
14
|
15
|
Whale
Rider |
Newmarket
|
1,085,258 |
-20% |
491 |
9,577,687 |
8
|
|
15
|
12
|
The
Italian Job |
Par
|
1,001,029 |
-42% |
529 |
94,030,450 |
9
|
|
16
|
16
|
Swimming
Pool |
Focus
|
919,103 |
8% |
206 |
3,756,408 |
4
|
|
17
|
14
|
Bruce
Almighty |
Uni
|
718,900 |
-50% |
553 |
237,531,380 |
10
|
|
18
|
13
|
The
Hulk |
Uni
|
518,085 |
-66% |
560 |
129,538,175 |
5
|
|
19
|
18
|
The
Matrix Reloaded |
WB
|
511,327 |
-29% |
168 |
276,231,510 |
11
|
|
20
|
19
|
La
Grande Seduction |
Alliance
|
475,773 |
-1% |
78 |
2,926,445 |
3
|
|
21
|
11
|
Sinbad:
Legend of the Seven Seas |
DreamWorks
|
390,254 |
-79% |
865 |
25,260,946 |
4
|
|
22
|
17
|
2
Fast 2 Furious |
Uni
|
368,715 |
-53% |
380 |
124,813,080 |
8
|
|
23
|
20
|
Winged
Migration |
Sony
Classics
|
337,296 |
-20% |
148 |
5,497,145 |
15
|
|
24
|
35
|
Daddy
Day Care |
Sony
|
333,468 |
223% |
262 |
100,647,340 |
12
|
|
25
|
22
|
Bend
It Like Beckham |
Fox
Searchlight
|
223,567 |
-27% |
119 |
26,307,646 |
21
|
|
26
|
23
|
Spellbound |
Thinkfilm
|
200,046 |
-23% |
98 |
4,459,720 |
13
|
|
27
|
28
|
Space
Station |
Imax
|
163,244 |
2% |
23 |
41,472,320 |
67
|
|
28
|
26
|
Capturing
the Friedmans |
Magnolia
|
136,722 |
-25% |
75 |
2,370,574 |
9
|
|
29
|
31
|
I
Capture the Castle |
IDP
|
133,896 |
6% |
42 |
404,405 |
3
|
|
30
|
36
|
Northfork |
Par
Classics
|
124,035 |
20% |
41 |
359,857 |
3
|
|
31
|
32
|
Dumb
and Dumberer |
New
Line
|
122,160 |
-6% |
151 |
25,909,184 |
7
|
|
32
|
25
|
Lizzie
McGuire: The Movie |
BVI
|
120,056 |
-37% |
209 |
42,330,401 |
13
|
|
33
|
21
|
Rugrats
Go Wild |
Par
|
119,051 |
-70% |
356 |
38,243,303 |
7
|
|
34
|
27
|
X2:
X-Men United |
Fox
|
118,149 |
-32% |
155 |
214,411,695 |
13
|
|
35
|
24
|
Holes |
BV
|
117,370 |
-46% |
204 |
67,018,593 |
15
|
|
36
|
33
|
Ghosts
of the Abyss |
BV
|
112,856 |
-9% |
34 |
13,231,151 |
16
|
|
37
|
29
|
Chicago |
Miramax
|
105,211 |
-33% |
172 |
170,306,377 |
30
|
|
38
|
37
|
Dirty
Pretty Things |
Miramax
|
100,588 |
1% |
8 |
260,222 |
2
|
|
39
|
30
|
Wrong
Turn |
Fox
|
92,993 |
-32% |
95 |
15,044,311 |
9
|
|
40
|
42
|
T-Rex:
Back to the Cretaceous |
Imax
|
71,936 |
4% |
10 |
45,001,214 |
249
|
|
41
|
New
|
Lucia,
Lucia |
Fox
Searchlight
|
70,773 |
- |
49 |
70,773 |
1
|
|
42
|
48
|
Alex
& Emma |
WB
|
68,105 |
38% |
171 |
14,070,101 |
5
|
|
43
|
34
|
Anger
Management |
Sony
|
66,761 |
-37% |
101 |
135,377,854 |
15
|
|
44
|
38
|
Bringing
Down the House |
BV
|
58,288 |
-41% |
60 |
132,541,238 |
21
|
|
45
|
44
|
L'Auberge
Espagnole |
Searchlight/Cristal
|
57,317 |
-14% |
42 |
3,510,134 |
19
|
|
46
|
39
|
Nowhere
in Africa |
Zeitgeist/Mongrel
|
55,945 |
-33% |
60 |
6,343,437 |
21
|
|
47
|
New
|
Camp |
IFC
|
54,294 |
- |
3 |
54,294 |
1
|
|
48
|
56
|
The
Housekeeper |
Palm
|
53,014 |
71% |
22 |
167,540 |
3
|
|
49
|
40
|
The
Man on the Train |
Par
Classics
|
45,372 |
-44% |
50 |
2,316,487 |
12
|
|
50
|
41
|
Hollywood
Homicide |
Sony
|
45,198 |
-37% |
93 |
30,013,346 |
7
|
|
51
|
43
|
Identity |
Sony
|
42,491 |
-36% |
73 |
51,958,117 |
14
|
|
52
|
45
|
Owning
Mahowny |
Sony
Class/Odeon
|
40,760 |
-36% |
20 |
688,026 |
13
|
|
53
|
50
|
Mambo
Italiano |
Equinox
|
35,697 |
-16% |
16 |
2,304,742 |
8
|
|
54
|
54
|
The
Magdalene Sisters |
Alliance
|
33,562 |
7% |
17 |
112,198 |
2
|
|
55
|
58
|
Les
Invasions barbares |
Alliance
|
31,805 |
15% |
13 |
4,382,240 |
12
|
|
56
|
55
|
The
Hard Word |
Lions
Gate
|
31,354 |
1% |
26 |
400,844 |
7
|
|
57
|
New
|
Buffalo
Soldiers |
Miramax
|
30,977 |
- |
6 |
30,977 |
1
|
|
58
|
New
|
Masked
and Anonymous |
Sony
Classics
|
30,783 |
- |
4 |
37,120 |
1
|
|
59
|
51
|
The
Legend of Suriothai |
Sony
Classics
|
29,560 |
-28% |
17 |
322,948 |
6
|
|
60
|
49
|
Jet
Lag |
Miramax
|
29,066 |
-37% |
23 |
460,279 |
7
|
|
61
|
60
|
Haunted
Castle |
nWave
|
27,696 |
9% |
3 |
6,685,939 |
127
|
|
62
|
46
|
The
In-Laws |
WB
|
24,447 |
-58% |
59 |
20,440,627 |
10
|
|
63
|
59
|
Respiro |
Sony
Class/Seville
|
23,816 |
-9% |
15 |
856,059 |
10
|
|
64
|
New
|
Darna
Mana Hai |
Eros
|
23,419 |
- |
22 |
23,419 |
1
|
|
65
|
103
|
The
Weather Underground |
Shadow
|
23,108 |
311% |
5 |
129,863 |
8
|
|
66
|
57
|
Lord
of the Rings: The Two Towers |
New
Line
|
22,680 |
-22% |
32 |
339,734,454 |
33
|
|
67
|
New
|
Mondays
in the Sun |
Lions
Gate
|
22,401 |
- |
7 |
22,401 |
1
|
|
68
|
62
|
The
Holy Land |
Cavu
|
22,095 |
1% |
4 |
88,122 |
3
|
Weekend
Estimates - July 25 - 27, 2003
| Title |
Distributor
|
Gross
(average)
|
%
change
|
Theaters
|
Cume
|
| Spy
Kids 3-D: Game Over |
Miramax
|
32.8
(9,810)
|
- |
3344 |
32.8 |
| Pirates
of the Caribbean |
BV
|
22.4
(6,570)
|
-34% |
3416 |
176.1 |
| Lara
Croft: The Cradle of Life |
Par
|
22.3
(6,930)
|
- |
3222 |
22.3 |
| Bad
Boys II |
Sony
|
21.9
(6,850)
|
-53% |
3202 |
88.4 |
| Seabiscuit |
Uni
|
20.2
(10,150)
|
- |
1989 |
19.7 |
| Terminator
3: Rise of the Machines |
WB
|
4.9
(1,840)
|
-48% |
2660 |
137.3 |
| League
of Extraordinary Gentlemen |
Fox
|
4.6
(1,800)
|
-55% |
2532 |
52.4 |
| Johnny
English |
Uni
|
4.2
(1,860)
|
-54% |
2236 |
18.3 |
| Finding
Nemo |
BV
|
3.9
(1,940)
|
-46% |
2025 |
312.7 |
| Legally
Blonde 2 |
MGM
|
2.5
(1,210)
|
-58% |
2120 |
82 |
| How
to Deal |
New
Line
|
2.3
(980)
|
|