|
  
   

| June
22, 2003 |
| June
15, 2003 |
| June
8, 2003 |
| June
1, 2003 |
| May
27, 2003 |
| May
18, 2003 |
| May
11, 2003 |
| May
4, 2003 |
| April
26, 2003 |
| April
13, 2003 |
| April
6, 2003 |
| March
30, 2003 |
| March
23, 2003 |
| March
16, 2003 |
| March
9, 2003 |
| March
2, 2003 |
| February
23, 2003 |
| February
23, 2003 |
| February
17, 2003 |
| February
9, 2003 |
| February
2, 2003 |
| January
26, 2003 |
| January
20, 2003 |
| January
12, 2003 |
| January
5, 2003 |

..Gary
Dretzka
..Leonard
Klady
..Emanuel
Levy
..David
Poland
..Doug
Pratt
..Ray
Pride

|
|

Weekend Finals
Global Market Share
Top Domestic Grosses
Wing! Wing! Someone Answer The Phone
"There's
got to be a lot of disappointment at Sony, don't you think?"
Those words were like a mantra early Sunday as box office trackers
concluded the studio's Charlie's Angels: Full Throttle
would handily take top spot for the weekend but be shy of a $40
million debut gross. Sony indeed opted to report a conservative
$38 million while MCN is projecting $39.2 million for the weekend.
Judged on
the sheer force of marketing, the film did appear to underperform.
There was no lack of ink spilled on the sequel, its titular stars,
the return of Demi Moore or the glittery premiere. Toss
in a summer season of retreads that opened to bigger numbers than
the originals and a media frenzy about $50 million plus weekend
chart toppers and one can see a scenario developing for dashed
expectations.
On the other
hand, a $38 million or $39 million box office for a movie with
not much story and a paucity of originality is more than anyone
ought to expect on a value- weighted scale. And while Full Throttle
was down slightly from the first outing's $40.1 million bow, early
overseas response - including a $6 million debut in Japan - has
the new chapter displaying 30% to 50% greater potency out of the
gate.
With the July
4th holiday looming, the current frame turned out to be a half
hearted and premature jump start to Wednesdays firepower of Terminator
3, Legally Blonde 2 and the animated Sinbad. Overall
business should inch to roughly $120 million, a 22% slide from
seven days earlier and a 17% drop from 2002 when Sony's $37.2
million bow of Mr. Deeds was considered very potent.
The Angels
may have been in a lower orbit, but not so the zombie madness
of 28 Days Later. The low-budget Brit scare fare bowed
to $9.3 million - almost double the gross anticipated entering
the weekend. And Bollywood's latest, the sentimental I Will
Love Him Till the End of Time, launched on 60 screens to a
better than respectable $230,000. Otherwise, it was three days
of movies soldiering on to what's envisioned as a sizzling mid-summer
holiday period.
The old adage
about the bigger they are, the harder they fall only proved to
be somewhat true. The Hulk saw its box office tumble 71%
in its second weekend in theaters. The rush to judgment is that
the film was not what comic book fans wanted to see in their green
skinned, misunderstood mutant and that a hipper, older crowd that
would better appreciate the film's drama and psychological complexity
could not be convinced to buy a ticket for the event picture.
Still, the
unreality of From Justin to Kelley, a commercial non-starter,
saw an even steeper sophomore decline of 74%. And last weekend's
premiere of Alex & Emma experienced a 60% plunge. The
combined commercial erosion simply could not be filled by the
incoming fare.
The short,
not necessarily happy, commercial lives of summer movies appear
to be getting even briefer post-Solstace. In its third weekend,
Hollywood Homicide is already ceding its matinees to a
Daddy Day Care that's pushing toward a very expensive $100
million gross. Attaining that vaunted box office figure has less
to do with success or failure than some psychological belief of
crossing a border from ignominy. Studios will spend more to push
across that $100 million barrier than they can ever hope to regain
financially. And the end result it winds up costing even more
money because many talent deals include bonus clauses once a film
goes into 7-figures.
Whale Rider
experienced another expansion wave and continued to maintain a
healthy theater average. However, the indie world's insistence
on using My Big Fat Greek Wedding as a commercial yardstick
is becoming quite tiresome. It could be a decade or more (or never)
before a film comes along to equal the potency of last year's
jaw dropping success.
- by Leonard
Klady
|
|
Weekend
Finals - June 27 - 29, 2003
|
|
Title |
Distrib
|
Weekend |
% Change
|
Theaters
|
Cume
|
Wks
|
|
1
|
New
|
Charlie's Angels:
Full Throttle |
Sony
|
37,634,221 |
- |
3459 |
37,634,221 |
1
|
|
2
|
1
|
The
Hulk |
Uni
|
18,847,620 |
-70% |
3674 |
100,593,300 |
2
|
|
3
|
2
|
Finding Nemo |
BVI
|
13,968,116 |
-34% |
3331 |
253,991,677 |
5
|
|
4
|
New
|
28 Days Later |
Fox
Searchlight
|
10,061,858 |
- |
1260 |
10,061,858 |
1
|
|
5
|
3
|
2 Fast 2 Furious |
Uni
|
6,225,570 |
-44% |
2817 |
113,996,055 |
4
|
|
6
|
4
|
Bruce Almighty |
Uni
|
6,190,085 |
-37% |
2651 |
221,329,795 |
6
|
|
7
|
5
|
The Italian
Job |
Par
|
5,462,902 |
-24% |
2021 |
76,758,011 |
5
|
|
8
|
6
|
Rugrats Go
Wild |
Par
|
3,639,293 |
-48% |
3008 |
30,979,792 |
3
|
|
9
|
8
|
Hollywood Homicide |
Sony
|
3,061,550 |
-48% |
2425 |
27,315,347 |
3
|
|
10
|
7
|
Alex &
Emma |
WB
|
2,622,483 |
-57% |
2310 |
11,539,947 |
2
|
|
11
|
10
|
The Matrix
Reloaded |
WB
|
2,575,427 |
-35% |
1488 |
268,979,763 |
7
|
|
12
|
13
|
Daddy Day Care |
Sony
|
2,302,668 |
117% |
1540 |
97,823,238 |
8
|
|
13
|
9
|
Dumb and Dumberer |
New
Line
|
1,665,283 |
-62% |
2102 |
24,158,991 |
3
|
|
14
|
15
|
Whale Rider |
Newmarket
|
977,791 |
62% |
163 |
2,303,543 |
4
|
|
15
|
12
|
X2: X-Men United |
Fox
|
932,196 |
-31% |
1150 |
211,317,905 |
9
|
|
16
|
New
|
Main Prem Ki
Diwani Hoon * |
Rajshri
|
672,891 |
- |
60 |
672,891 |
1
|
|
17
|
11
|
From Justin
to Kelley |
Fox
|
625,469 |
-77% |
1969 |
4,584,577 |
2
|
|
18
|
14
|
Bend It Like
Beckham |
Fox
Searchlight
|
566,929 |
-24% |
303 |
23,878,254 |
17
|
|
19
|
20
|
Holes |
BV
|
419,413 |
81% |
400 |
64,886,550 |
11
|
|
20
|
17
|
Winged Migration |
Sony
Classics
|
348,597 |
8% |
79 |
3,033,222 |
11
|
|
21
|
18
|
Spellbound |
Thinkfilm
|
329,688 |
-1% |
117 |
2,620,095 |
9
|
|
22
|
21
|
Capturing the
Friedmans |
Magnolia
|
251,602 |
14% |
60 |
1,111,503 |
5
|
|
23
|
16
|
Wrong Turn |
Fox
|
232,782 |
-54% |
252 |
14,134,191 |
5
|
|
24
|
40
|
Anger Management |
Sony
|
219,758 |
215% |
183 |
134,245,859 |
12
|
|
25
|
19
|
L'Auberge Espagnole |
Searchlight/Cristal
|
193,632 |
-20% |
95 |
2,816,313 |
15
|
|
26
|
23
|
Ghosts of the
Abyss |
BV
|
170,720 |
-13% |
49 |
12,095,128 |
12
|
|
27
|
24
|
The Man on
the Train |
Par
Classics
|
139,833 |
-25% |
77 |
1,704,988 |
8
|
|
28
|
25
|
Bringing Down
the House |
BV
|
139,619 |
-23% |
181 |
131,774,908 |
17
|
|
29
|
26
|
Nowhere in
Africa |
Zeitgeist/Mongrel
|
130,463 |
-24% |
76 |
5,697,212 |
17
|
|
30
|
29
|
Space Station |
Imax
|
128,633 |
-5% |
26 |
39,834,179 |
63
|
|
31
|
34
|
Mambo Italiano |
Equinox
|
114,542 |
2% |
73 |
1,412,514 |
4
|
|
32
|
30
|
Together |
MGM/TVA
|
108,025 |
-15% |
55 |
825,146 |
5
|
|
33
|
22
|
A Mighty Wind |
WB
|
104,743 |
-52% |
111 |
17,204,276 |
12
|
|
34
|
33
|
Phone Booth |
Fox
|
86,705 |
-26% |
137 |
46,347,216 |
14
|
|
35
|
31
|
Down with Love |
Fox
|
84,309 |
-33% |
139 |
20,082,722 |
8
|
|
36
|
59
|
Jet Lag |
Miramax
|
78,062 |
292% |
18 |
149,522 |
3
|
|
37
|
50
|
The Hard Word |
Lions
Gate
|
76,571 |
89% |
38 |
145,438 |
3
|
|
38
|
42
|
Les Invasions
barbares |
Alliance
|
76,072 |
15% |
66 |
3,983,946 |
8
|
|
39
|
44
|
Lord of the
Rings: The Two Towers |
New
Line
|
73,395 |
23% |
86 |
339,457,993 |
29
|
|
40
|
32
|
Lizzie McGuire:
The Movie |
BVI
|
68,793 |
-44% |
139 |
41,589,962 |
9
|
|
41
|
37
|
Chicago |
Miramax
|
63,836 |
-24% |
115 |
169,478,994 |
27
|
|
42
|
36
|
How to Lose
a Guy in 10 Days |
Par
|
63,291 |
-32% |
105 |
105,659,621 |
21
|
|
43
|
28
|
Chalte Chalte |
Eros
|
62,445 |
-59% |
61 |
802,632 |
3
|
|
44
|
38
|
Respiro |
Sony
Class/Seville
|
61,491 |
-23% |
27 |
534,139 |
6
|
|
45
|
41
|
T-Rex: Back
to the Cretaceous |
Imax
|
57,941 |
-16% |
10 |
44,239,925 |
245
|
|
46
|
51
|
Owning Mahowny |
Sony
Class/Odeon
|
57,402 |
42% |
18 |
362,591 |
9
|
|
47
|
27
|
The In-Laws |
WB
|
57,289 |
-66% |
118 |
20,058,847 |
6
|
|
48
|
39
|
Malibu's Most
Wanted |
WB
|
50,203 |
-37% |
109 |
34,232,821 |
11
|
|
49
|
43
|
The Eye |
Palm
|
35,879 |
-44% |
23 |
286,747 |
4
|
|
50
|
35
|
Identity |
Sony
|
35,798 |
-63% |
58 |
51,547,827 |
10
|
|
51
|
47
|
The Legend
of Suriothai |
Sony
Classics
|
34,202 |
-26% |
10 |
97,509 |
2
|
|
52
|
52
|
Russian Ark |
Wellspring/Seville
|
33,921 |
-13% |
18 |
2,630,929 |
29
|
|
53
|
49
|
The Dancer
Upstairs |
Fox
Searchlight
|
29,650 |
-29% |
37 |
2,282,798 |
9
|
|
54
|
55
|
Shackleton's
Antarctic Adventure |
WGBH
|
27,412 |
-16% |
9 |
14,853,085 |
124
|
|
55
|
46
|
House of 1000
Corpses |
Lions
Gate
|
26,071 |
-49% |
55 |
12,583,510 |
12
|
|
56
|
New
|
On _ Line |
Indican
|
25,658 |
- |
6 |
25,658 |
1
|
|
57
|
63
|
Man Without
a Past |
Sony
Classics
|
23,408 |
21% |
23 |
744,538 |
13
|
|
58
|
56
|
A Man Apart |
New
Line
|
23,278 |
-28% |
37 |
26,615,479 |
12
|
|
59
|
53
|
Head of State |
DreamWorks
|
23,138 |
-35% |
43 |
38,004,542 |
14
|
|
60
|
57
|
What a Girl
Wants |
WB
|
22,180 |
-27% |
63 |
36,093,584 |
13
|
|
61
|
60
|
Rivers and
Tides |
Roxie
|
21,813 |
-14% |
11 |
1,792,094 |
53
|
|
62
|
58
|
City of God |
Miramax
|
20,671 |
-29% |
9 |
4,410,540 |
24
|
|
63
|
48
|
Raising Victor
Vargas |
IDP
|
20,653 |
-53% |
19 |
1,861,851 |
14
|
|
64
|
69
|
Haunted Castle |
nWave
|
19,394 |
26% |
3 |
6,446,676 |
123
|
|
65
|
45
|
The Core |
Par
|
18,438 |
-67% |
49 |
31,093,059 |
14
|
|
|
*
|
I
Will Love Him Till the End of Time |
Weekend
Estimates - June 27 - 29, 2003
| Title |
Distributor
|
Gross (average)
|
% change
|
Theaters
|
Cume
|
| Charlie's
Angels: Full Throttle |
Sony
|
39.2
(11,340)
|
- |
3459 |
39.2 |
| The
Hulk |
Uni
|
18.1
(4,920)
|
-71% |
3674 |
99.8 |
| Finding
Nemo |
BV
|
13.9
(4,190)
|
-34% |
3331 |
253.9 |
| 28
Days Later |
Fox
Searchlight
|
9.3
(7,400)
|
- |
1260 |
9.3 |
| Bruce
Almighty |
Uni
|
5.7
(2,150)
|
-42% |
2651 |
220.8 |
| 2
Fast 2 Furious |
Uni
|
5.5
(1,940)
|
-51% |
2817 |
113.2 |
| The
Italian Job |
Par
|
5.2
(2,590)
|
-27% |
2021 |
76.5 |
| Rugrats
Go Wild |
Par
|
3.6
(1,190)
|
-49% |
3008 |
30.9 |
| Hollywood
Homicide |
Sony
|
2.9
(1,210)
|
-51% |
2425 |
27.2 |
| The
Matrix Reloaded |
WB
|
2.7
(1,810)
|
-32% |
1488 |
269.1 |
| Alex
& Emma |
WB
|
2.5
(1,060)
|
-60% |
2310 |
11.4 |
| Daddy
Day Care |
Sony
|
2.0
(1,320)
|
91% |
1540 |
97.5 |
| Dumb
and Dumberer |
New
Line
|
1.6
(770)
|
-64% |
2102 |
24.1 |
| Whale
Rider |
Newmarket
|
.93
(5,680)
|
55% |
163 |
2.2 |
| From
Justin to Kelley |
Fox
|
.63
(320)
|
-77% |
1969 |
4.6 |
| Bend
It Like Beckham |
Fox
Searchlight
|
.54
(1,790)
|
-27% |
301 |
23.9 |
| - |
| Weekend
Total ($500,000+ Films) |
$114.40
|
- |
| %
Change (Last Year) |
-
|
-17%
|
- |
| %
Change (Last Week) |
-
|
-22%
|
- |
| - |
| Also
Debuting/Expanding |
-
|
| Spellbound |
Thinkfilm
|
.32
(3,390)
|
-3% |
95 |
2.6 |
| Main
Prem Ki Diwani Hoon * |
Rajshri
|
.23
(3,800)
|
|
60 |
0.23 |
| Capturing
the Friedmans |
Magnolia
|
.22
(4,250)
|
0% |
51 |
1.1 |
| Legend
of Suriyothai |
Sony
Classics
|
29,520
(3,170)
|
-36% |
9 |
0.09 |
| *I
Will Love Him Till the End of Time |
Top
Global Grosses - January 1- June 26, 2003
| Title |
Distributor
|
Gross
|
| The
Matrix Reloaded |
WB
|
648,499,927 |
| |