June 8, 2003
June 1, 2003
May 27, 2003
May 18, 2003
May 11, 2003
May 4, 2003
April 26, 2003
April 13, 2003
April 6, 2003
March 30, 2003
March 23, 2003
March 16, 2003
March 9, 2003
March 2, 2003
February 23, 2003
February 23, 2003
February 17, 2003
February 9, 2003
February 2, 2003
January 26, 2003
January 20, 2003
January 12, 2003
January 5, 2003


..Gary Dretzka
..Leonard Klady
..Emanuel Levy
..David Poland
..Doug Pratt
..Ray Pride





Weekend Estimates
Domestic Market Share

Top Limited Grosses

Hollywood and Bust

It was the weekend that saw the air go out of the box office balloon.

The audience dropped by a quarter, none of a trio of new movies worked commercially and there were no second act rallies for holdover titles. Still, it's not quite time to pass around the collection plate for the studios.

Disney/Pixar's Finding Nemo returned to the top of the charts with an estimated $29.5 million and last weekend's champ, 2 Fast 2 Furious, down shifted 62% to rank second with $18.9 million. There was also an excellent hold for Bruce Almighty and it and Nemo will both exceed a $200 million gross around Wednesday or Thursday.

And then there were the debuting movies in positions four, five and six.

Suffice it to say that categorizing any of the openings as best is mere window dressing. All three had lackluster theater averages and not one displayed any positive signs of a better tomorrow. Both Rugrats Go Wild and Dumb and Dumberer traded down on popular forbearers and experienced box office drops from Friday to Saturday. That was particularly chilling news for Rugrats which logically speaking should have rebounded with Saturday children's matinees.

Curiously, Finding Nemo didn't appear to benefit from Rugrats Go Wild's stumble. What seems to be evolving is a sort of summer transitioning that occurs as more teens and tweens segue from school to vacation. Traditionally, films playing to that crowd experience less potent weekend figures as the audience opts to see movies during mid-week. The shift tends to go from a 66%/34% weekend/weekday split to a 55%/45% breakdown.

The good news for Sony's Hollywood Homicide was that the film's box office had a slight 14% bump Saturday from opening day. The bad news was that the Harrison Ford-Josh Hartnett offbeat buddy cop movie failed to attract the core movie going crowd. It could well wind up with the dubious distinction of being tagged the season's biggest misfire.

Overall weekend business should clock in at roughly $125 million, a drop of 24% from last weekend and 27% less potent than for the same period in 2002. A year ago, the top three movies in the marketplace were all freshmen entries - Scooby Doo ($54.1 million), The Bourne Identity ($27.1 million) and Windtalkers ($13.5 million) - with two eventually grossing more than $100 million and the third earning a position of commercial ignominy.

The next three weekends will pretty much cement the fate of summer 2003 with each frame grounded in a highly anticipated title. They are respectively, The Hulk, Charlie's Angels: Full Throttle and T3: The Rise of the Machines.

In the specialized arena, there was also good news/bad news. On the plus side, there are quite a number of titles that are playing well in the niches as they broaden into secondary markets including the non-fiction Capturing the Friedmans and the audience pleaser Whale Rider from New Zealand.

However, more than a half dozen new entries came up short of the sort of initial business that can galvanize subsequent box office. Chalte Chalte, a remake of a popular 1976 Bollywood movie, had a very good $160,000 opening for new distributor Dreamz. However, the Hindi circuit is taking a beating as a result of rampant piracy and another new company, Media Partners, has already closed shop following just two releases including the relatively successful Kaante.

Also in limited debut, Film Movement's festival winner Manito struggled to about $22,000 from six screens, Miramax's classy French import Jet Lag grossed $20,000 from two venues and Russia's Tycoon mustered $13,000 also at two locations. Mexico's controversial/critical success Herod's Law did not follow in the footsteps of Y tu Mama Tambien or Padre Amaro with its opening salvo of $5,500 from a single screen.


- by Leonard Klady


Weekend Finals - June 13-15, 2003

Title
Distributor
Gross (average)
% change
Theaters
Cume
Finding Nemo
BV
29.5 (8,610)
-37% 3425 192.6
2 Fast 2 Furious
Uni
18.9 (5,530)
-62% 3418 83.8
Bruce Almighty
Uni
13.7 (3,930)
-39% 3477 193.3
Rugrats Go Wild
Par
12.8 (4,220)
- 3041 12.8
Hollywood Homicide
Sony
11.6 (4,100)
- 2840 11.6
Dumb and Dumberer
New Line
11.1 (4,270)
- 2609 11.1
The Italian Job
Par
9.9 (3,680)
-25% 2697 55.7
The Matrix Reloaded
WB
5.7 (2,410)
-38% 2350 257.4
Daddy Day Care
Sony
2.1 (1,070)
-54% 1982 92.3
X2: X-Men United
Fox
1.6 (1,290)
-47% 1311 207.2
Wrong Turn
Fox
1.4 (1,320)
-46% 1073 12.5
Bend It Like Beckham
Fox Searchlight
.79 (2,040)
-16% 387 21.7
The In-Laws
WB
.71 (770)
-64% 921 19.4
-
Weekend Total ($500,000+ Films)
$119.80
% Change (Last Year)
-27%
% Change (Last Week)
-24%
-
Also Debuting/Expanding
Mambo Italiano
Equinox
.28 (3,180)
-22% 88 0.88
Spellbound
Thinkfilm
.26 (4,050)
-14% 65 1.55
Capturing the Friedmans
Magnolia
.23 (6,080)
228% 38 0.44
Whale Rider
Newmarket
.17 (15,360)
23% 11 0.36
Chalte Chalte
Dreamz
.16 (4,760)
- 33 0.16
Manito
Film Movement
22,400 (3,730)
- 6 0.02
Jet Lag
Miramax
20,250 (10,125)
- 2 0.02
The Heart of Me
Thinkfilm
20,050 (4,010)
- 5 0.02
Tycoon
New Yorker
13,000 (6,500)
- 2 0.01
The Hard Word
Lions Gate
9,700 (9,700)
- 1 0.01
Herod's Law
Venevision
5,500 (5,500)
- 1 0.01

 

Top Limited Release Grosses** - January 1- June 12, 2003

Title
Distributor
Gross
Bend It Like Beckham
Searchlight
20,945,183
The Quiet American *
Miramax
12,197,135
The Lion King * (Large Format)
BV
11,777,577
Ghosts of the Abyss
BV
11,127,334
Space Station *
Imax
9,147,967
Talk to Her *
Sony Class/Seville
7,521,024
Chasing Papi
Fox
6,130,049
Bowling for Columbine *
MGM/Alliance
5,787,225
Far from Heaven *
Focus
5,603,506
Frida *
Miramax
5,301,191
Rabbit-Proof Fence *
Miramax
5,046,467
Nowhere in Africa
Zeitgeist/Mongrel
5,035,513
City of God
Miramax
4,304,785
Better Luck Tomorrow
Par Classics
3,774,530
Laurel Canyon
Sony Classics
3,532,870
Les Invasions barbares
Alliance
3,483,492
The Good Thief
Searchlight/Allnce
3,334,313
The Guru
Uni
3,038,606
Seraphin *
Alliance
2,533,364
Russian Ark *
Wellspring/Seville
2,350,690
* does not include 2002 box office
** Fewer than 600 playdates

 

Domestic Market Share - January 1- June 12, 2003

Distributor (releases)
Gross (millions)
Market Share
Buena Vista (19)
643.5
16.70%
Warner Bros. (13)
569.9
14.80%
Sony (14)
465.4
12.10%
Fox (10)
463.8
12.10%
Paramount (10)
292.8
7.60%
Miramax (18)
273.7
7.10%
Universal (7)
271.9
7.10%
New Line (7)
267.7
7.00%
DreamWorks (6)
239.8
6.20%
MGM (14)
123.7
3.20%
Focus (4)
51.2
1.30%
Fox Searchlight (6)
44.2
1.20%
Lions Gate (12)
27.9
0.70%
Other * (127)
107.8
2.80%
-
3843.3
99.90%
* none greater than .5%
** rounding does not equal 100%

 

 


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