|
  
   

| April
6,
2003 |
| March
30,
2003 |
| March
23,
2003 |
| March
16,
2003 |
| March
9,
2003 |
| March
2,
2003 |
| February
23, 2003 |
| February
23, 2003 |
| February
17, 2003 |
| February
9, 2003 |
| February
2, 2003 |
| January
26, 2003 |
| January
20, 2003 |
| January
12, 2003 |
| January
5, 2003 |

..Gary
Dretzka
..Leonard
Klady
..Emanuel
Levy
..David
Poland
..Doug
Pratt
..Ray
Pride

|
|

Weekend Estimates
Domestic Market Share
Top Canadian Grossers
Top Domestic Grossers
Curb
Your Enthusiasm?
When an audience
is thirsting for a movie it's not difficult to rope them into
theaters and Americans were hot under the collar for Anger
Management. The comic pairing of Adam Sandler and Jack
Nicholson exploded with an estimated $45.2 million, drawing
in close to half of weekend movie goers and setting records for,
among other things, the top gross for an April release.
However, apart
from niche and specialized fare that included the American indie
Better Luck Tomorrow and James Cameron's large screen
Ghosts of the Abyss, the rest of the marketplace was extremely
lackluster. Overall business - approaching roughly $100 million
for the frame - was up a slim 5% from seven days earlier and just
2% ahead of 2002 when the debut of Changing Lanes led the
field with $17 million.
The bow of
Anger Management dispelled any sense that the public was
too depressed or consumed with the Iraqi conflict to seek an entertaining
diversion. The reason business has been flagging can clearly be
placed on the shoulders of the generally mediocre fare in the
marketplace and that cancelled out any possibility of a significant
boost in attendance.
Last weekends
four freshmen collectively generated $38.5 million and this weekend
experienced a 212% drop in business that could not be overcome
by a single picture.
The only other
film to bow nationally was Lions Gate's acquisition of the gore
fest House of a 1000 Corpses. Originally set by Universal,
the directing debut of Rob Zombie was orphaned by the studio
following its completion. Lions Gate smartly limited its exposure
and generated solid per screens and a $3.7 million weekend. Still,
it won't linger long in movie houses.
The weekend's
other great surprise was the MTV production Better Luck Tomorrow,
a tale of reckless youth set among Asian American students that's
been drawing heat since its Sundance debut. The film grossed close
to $400,000 from 13 screens and a $30,000 theater average. Targeted
specifically to a youth crowd, it eluded mainstream trackers consumed
by higher profile fare.
Paramount
Classics' marketing chief David Dinerstein likened the
response to Spike Lee's She's Gotta Have It and
noted that initial exits indicate the film's opening weekend audience
was 60% Asian. The film will add dates in 12 cities next week.
Though Disney
was unable to provide an estimate for James Cameron's 3-D
large format Ghosts of the Abyss, anecdotal information
conservatively puts its debut at $1.3 million. The only other
limited launch was IFC's comedy drama XX/XY with about
a $17,000 box office at five locations.
While mainstream
holdover fare continued to experience sharp drops, a number of
specialized titles including Fox Searchlight's Bend It Like
Beckham and The Good Thief, Zeitgeist's Nowhere
in Africa and UA's Assassination Tango have managed
to build on good reviews and word of mouth to sustain on going
interest and box office.
Email Leonard
Klady
|
|
Weekend
Estimates - April 11-13, 2003
| Title |
Distributor
|
Gross
(average)
|
%
change
|
Theaters
|
Cume
|
| Anger
Management |
Sony
|
45.2
(12,720)
|
- |
3551 |
45.2 |
| Phone
Booth |
Fox
|
7.5
(3,030)
|
-50% |
2489 |
26.6 |
| What
a Girl Wants |
WB
|
6.5
(2,180)
|
-43% |
2964 |
20.2 |
| Bring
Down the House |
BV
|
4.6
(1,610)
|
-45% |
2830 |
117.7 |
| A
Man Apart |
New
Line
|
4.3
(1,720)
|
-61% |
2495 |
18.1 |
| Head
of State |
DreamWorks
|
3.9
(1,740)
|
-54% |
2256 |
30.9 |
| House
of 1000 Corpses |
Lions
Gate
|
3.7
(6,160)
|
- |
595 |
3.9 |
| Chicago |
Miramax
|
3.4
(1,610)
|
-34% |
2114 |
157 |
| The
Core |
Par
|
3.1
(1,020)
|
-50% |
3019 |
25.5 |
| Basic |
Sony
|
2.2
(1,000)
|
-58% |
2240 |
23.9 |
| Agent
Cody Banks |
MGM
|
1.6
(820)
|
-55% |
2007 |
42.5 |
| The
Pianist |
Focus/TVA
|
1.4
(1,630)
|
-34% |
842 |
28.1 |
| Piglet's
Big Movie |
BV
|
1.4
(770)
|
-49% |
1859 |
19 |
| Bend
It Like Beckham |
Fox
Searchlight
|
1.4
(6,390)
|
18% |
216 |
4.3 |
| Ghosts
of the Abyss |
BV
|
1.3
(13,150)
|
- |
97 |
1.3 |
| Dreamcatcher |
WB
|
1.2
(850)
|
-55% |
1401 |
32.2 |
| The
Hunted |
Par
|
.71
(650)
|
-62% |
1090 |
33.4 |
| Old
School |
DreamWorks
|
.58
(990)
|
-57% |
586 |
73.9 |
| How
to Lose a Guy in 10 Days |
Par
|
.51
(970)
|
-42% |
527 |
103.2 |
|
| Weekend
Total ($500,000+ Films)- |
$94.50
|
- |
| %
Change (Last Year) |
-
|
5%
|
- |
| %
Change (Last Week) |
-
|
2%
|
- |
|
| Also
Debuting/Expanding |
-
|
| Better
Luck Tomorrow |
Par
Classics
|
.38
(29,380)
|
- |
13 |
0.38 |
| The
Good Thief |
Fox
Search/Allnc
|
.36
(5,930)
|
174% |
61 |
0.55 |
| Nowhere
in Africa |
Zeitgeist
|
.28
(5,190)
|
-14% |
55 |
1.5 |
| Assassination
Tango |
MGM
|
.12
(3,580)
|
5% |
33 |
0.35 |
| XX/XY |
IFC
|
16,920
(3,380)
|
|
5 |
0.02 |
Top
Domestic Grossers - January 1- April 10, 2003
| Title |
Distributor
|
Gross
|
| Chicago
* |
Miramax
|
150,498,943
|
| Lord
of the Rings - Two Towers * |
New
Line
|
118,087,330
|
| Bringing
Down the House |
BV
|
113,112,511
|
| How
to Lose a Guy in 10 Days |
Par
|
102,681,164
|
| Catch
Me If You Can * |
DreamWorks
|
101,612,644
|
| Daredevil |
Fox
|
100,125,128
|
| Old
School |
DreamWorks
|
73,375,762
|
| Kangeroo
Jack |
WB
|
65,839,680
|
| About
Schmidt * |
New
Line
|
61,208,330
|
| Shanghai
Knights |
BV
|
59,199,325
|
Top Canadian Grossers - January 1- April 10, 2003
| Title |
Distributor
|
Gross
|
| Lord
of Rings - Two Towers * |
Alliance
|
34,540,388
|
| Chicago
* |
Alliance
|
17,502,552
|
| Catch
Me If You Can * |
DreamWorks
|
15,176,021
|
| How
to Lose a Guy in 10 Days |
Par
|
11,205,608
|
| Daredevil |
Fox
|
10,013,662
|
| About
Schmidt * |
Alliance
|
8,467,856
|
| The
Gangs of New York * |
Alliance
|
7,941,743
|
| Bringing
Down the House |
BV
|
7,438,241
|
| Old
School |
DreamWorks
|
6,450,496
|
| Just
Married |
Fox
|
6,337,468
|
| *
does not include 2002 box office |
| Distributor
(titles) |
Gross
(millions)
|
Mkt
Share
|
| Buena
Vista (15) |
337.4
|
15.70%
|
| Miramax
(14) |
252.1
|
11.70%
|
| New
Line (6) |
247.5
|
11.50%
|
| Paramount
(9) |
233.8
|
10.90%
|
| DreamWorks
(6) |
226.2
|
10.50%
|
| Warner
Bros. (9) |
222.7
|
10.40%
|
| Fox
(6) |
193.1
|
9.00%
|
| Sony
(11) |
183.4
|
8.60%
|
| MGM
(10) |
84.2
|
3.90%
|
| Focus
(3) |
45.7
|
2.10%
|
| Universal
(5) |
27.3
|
1.30%
|
| Fox
Searchlight (4) |
20.5
|
1.00%
|
| IFC
(3) |
18.4
|
0.90%
|
| Others
* (82) |
52.7
|
2.50%
|
|
1887.1
|
100.00%
|
Domestic Market Share - January 1- April 10, 2003
| Distributor
(titles) |
Gross
(Millions)
|
Market
Share
|
| Buena
Vista (15) |
337.4
|
15.70%
|
| Miramax
(14) |
252.1
|
11.70%
|
| New
Line (6) |
247.5
|
11.50%
|
| Paramount
(9) |
233.8
|
10.90%
|
| DreamWorks
(6) |
226.2
|
10.50%
|
| Warner
Bros. (9) |
222.7
|
10.40%
|
| Fox
(6) |
193.1
|
9.00%
|
| Sony
(11) |
183.4
|
8.60%
|
| MGM
(10) |
84.2
|
3.90%
|
| Focus
(3) |
45.7
|
2.10%
|
| Universal
(5) |
27.3
|
1.30%
|
| Fox
Searchlight (4) |
20.5
|
1.00%
|
| IFC
(3) |
18.4
|
0.90%
|
| Others
* (82) |
52.7
|
2.50%
|
|
1887.1
|
100.00%
|
|