February
14 , 2004
For
Immediate Release
PRODUCER
DEBORAH SCHINDLER AND
FORMER N.Y. TIMES FILM CRITIC ELVIS MITCHELL
JOIN COLUMBIA TO OVERSEE EAST COAST
OPERATIONS AS EXECUTIVE PRODUCTION CONSULTANTS
Culver City, CA
February 14, 2005 Producer Deborah Schindler (Maid in Manhattan,
Mona Lisa Smile) and former New York Times film critic Elvis Mitchell
have joined Columbia Pictures to oversee the studio's New York development
and production office as executive production consultants, it was announced
today by Doug Belgrad and Matt Tolmach, Co-Presidents of Production
for Columbia Pictures.
Based at the studio's
corporate headquarters in Manhattan, Schindler will be Columbia's principal
liaison in New York, serving as a fully integrated member of the Los
Angeles production and development team. She will draw upon her longstanding
relationships with talent, filmmakers, writers, managers and agents
as she oversees the development of projects and supervises the studio's
East Coast-based productions. Schindler was pivotal in securing motion
picture remake rights to Dan Klores' acclaimed documentary Ring of Fire:
The Emile Griffith Story.
As for Mitchell,
Columbia will tap into his unique perspective and experiences as a former
film critic and creative executive. Mitchell will canvas the film festival
circuit and evaluate the Columbia library for potential remakes. Additionally,
Mitchell will use his vast network of contacts as he serves as a consultant
to the studio's acquisitions team. He will also operate as an executive
supervising projects.
"Establishing
a strong film presence in New York has been a longtime goal of mine
and I can't think of two people who can execute my vision better than
Deb and Elvis," said Amy Pascal, Chairman of the Sony Pictures
Entertainment Motion Picture Group. "Deb and Elvis have complementary
talents and a wide range of skills. Each is accomplished and respected
in their own right and each adds a powerful new voice to our process.
We couldn't be more thrilled to have them represent us in New York."
"Having Deb
as a member of our team is a coup for Columbia Pictures and this hire
says everything we want to say about our commitment to New York,"
said Tolmach. "She began her career working with Martin Scorsese
on Raging Bull and she has been a respected part of the New York film
community ever since. Her relationship with Dan Klores was critical
in our acquisition of Ring of Fire and this deal is a great example
of what we intend to accomplish together."
"Elvis has
one of the most discerning eyes in the industry today," continued
Belgrad. "He has an encyclopedic knowledge of our business and
there is no one who knows new and emerging talent better."
"Having worked
with Sony through my association with Revolution and Red Om, I saw first-hand
how this team works. For the past three years, they have been one of
the most successful studios in the business and they have created a
working atmosphere that is exciting and too irresistible to turn down,"
Schindler said.
Schindler was most recently head of the New York-based Red Om Films
and Julia Roberts' producing partner. Red Om Films was based at Revolution
Studios East where Roberts and Schindler worked in association with
Revolution Studios partner Elaine Goldsmith-Thomas, producing three
features Maid in Manhattan, Mona Lisa Smile and Little Black Book, as
well as the TV movie "American Girl/Samantha."
Previously, Schindler
produced How Stella Got Her Groove Back and Waiting to Exhale. Prior
to Red Om Films, Schindler enjoyed a 10-year relationship with 20th
Century Fox that began in 1990 when Joe Roth, then president of the
studio, made an overall deal with her. She had previously served as
Vice President of Creative Affairs, East Coast, for Columbia Pictures
under David Puttnam and as associate producer on Prelude to a Kiss.
Schindler began her film career as an assistant to Martin Scorsese,
with whom she worked on Raging Bull, The King of Comedy, The Last Temptation
of Christ and The Color of Money. She served as associate producer on
Scorsese's After Hours.
Mitchell was a film
critic for the New York Times for four years, starting in January 2000.
Prior to that, he was film critic for the Fort Worth Star-Telegram for
two years, starting in December 1997; there, he won the 1999 AASFE Award
for criticism. He was film critic for the Detroit Free Press, the LA
Weekly and California magazine. In 1993, he was nominated for a Writer's
Guild of America award for his contributions to "The AFI Achievement
Award Tribute to Sidney Poitier."
Mitchell is a Visiting
Lecturer on African and African American Studies and on Visual and Environmental
Studies at Harvard University. In October of 2002, at the invitation
of Dr. Henry Louis Gates, he gave the Alain Leroy Locke lectures for
the African American studies department at Harvard University.
A graduate of Wayne
State University with a degree in English literature, Mitchell hosts
the "Independent Focus" interview program for the Independent
Film Channel. And since April 1995, he has hosted KCRW's The Treatment.
He has been entertainment critic for NPR's Weekend Edition with Scott
Simon since the show's inception in 1985.
Mitchell was editor-at-large
for Spin magazine, and has also written for Interview, Esquire and the
New York Times Sunday Magazine.
About Columbia Pictures
Columbia Pictures,
part of the Columbia TriStar Motion Picture Group, is a Sony Pictures
Entertainment company. Sony Pictures Entertainment (SPE) is a subsidiary
of Sony Corporation of America (SCA), a subsidiary of Tokyo-based Sony
Corporation. SPE's global operations encompass motion picture production
and distribution; television production and distribution; digital content
creation and distribution; worldwide channel investments; home entertainment
acquisition and distribution; operation of studio facilities; development
of new entertainment products, services and technologies; and distribution
of filmed entertainment in 67 countries. Sony Pictures Entertainment
can be found on the World Wide Web at http://www.sonypictures.com.
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