SONY PICTURES ENTERTAINMENT CAPTURES
THE MOST TROPHIES WITH SIX AT THE
32nd ANNUAL KEY ART AWARDS,
WHICH HONOR EXCELLENCE IN MOVIE ADVERTISING;
MIRAMAX PLACES SECOND WITH FOUR WINS
* Best Poster of the Year Winner (Best of Show Print)
Sony's "Adaptation" Comedy Poster
* Best Trailer of the Year Winner (Best of Show Audiovisual)
Miramax's "Chicago" Drama Trailer
* Best Movie Website Winner (Internet Advertising Category)
New Line's "The Lord of the Rings: The Two Towers"
(June
23, 2003 -- Los Angeles) At the 32nd Annual Key Art Awards Friday
night, Sony Pictures Entertainment placed as the overall winner with
six awards, including Best Poster of the Year, for its creative advertising
work in 2002. Miramax placed second with four awards, including Best
Trailer of the Year, and DreamWorks SKG came in third with three wins.
The event was held in the International Cultural Center's theater
in Los Angeles, where more than 1,700 entertainment industry professionals
gathered to pay tribute to the best creative minds in movie advertising.
The Key Art Awards were created and are sponsored by The Hollywood
Reporter.
On
hand were such stars as Sharon Stone, Tobey Maguire and Rob Schneider;
directors McG, Kevin Smith and Spike Jonze; writer Charlie Kaufman;
and producer Gale Anne Hurd. MGM's head of marketing Peter Adee played
host.
Sony
claimed trophies for work on "Spider-Man" and "Adaptation,"
while Miramax's wins were tied to work on "Chicago," "Gangs
of New York" and "Frida." DreamWorks scored with "Catch
Me If You Can," "Spirit: Stallion of the Cimarron,"
and "Road to Perdition."
For
the second year in a row, the audience voted on the best of show category.
Bemis Balkind's and Sony's "Adaptation" comedy poster walked
away with the Best Poster of the Year award (print best of show),
while The Ant Farm's and Miramax's "Chicago" drama trailer
took Best Trailer of the Year (best of show audiovisual). Attendees
were polled by paper ballots after all the awards had been given out;
the results were monitored and tabulated by National Research Group,
which, like The Hollywood Reporter, is owned by VNU.
Bemis
Balkind founder Peter Bemis was this year's Lifetime Achievement Award
winner. Balkind was introduced by Warner Bros.' Joel Wayne, who recalled
hiring him several decades ago at Grey Advertising.
Universal
vice chairman Marc Shmuger presented the awards to the student winners.
Meredith H. Carty of the Fashion Institute of Design & Merchandising
won for best poster (based on "Moulin Rouge"), while Oscar
Daniels of the American Film Institute won for best trailer (based
on "Beautiful Mind").
A
new honor was added this year, the Movie Marketer's Dream, which recognizes
the entire moviemaking team that contributes to the marketing success
of a film campaign. Sony marketing chief Geoffrey Ammer took the stage
to introduce Sony's Amy Pascal plus "Spider-Man" producers
Laura Ziskin and Avi Arad, along with star Tobey Maguire, to fete
the huge marketing and boxoffice success of that movie.
This
was the first year The Hollywood Reporter launched a Web site allowing
the public to vote on their favorites among the Key Art nominees.
The "By the People" results often differed from those of
the Key Art judges, though the trailer for "Chicago" was
a big hit with both panels. Disney marketing head Oren Aviv announced
the Web results, with about 60,000 votes cast.
The
Key Art Awards is the only competition in which working professionals
honor their peers for creating the motion picture advertising materials
that directly influence a film's financial success. Entrants vie for
top prize in 24 categories of posters, trailers, TV spots, standees
and print, outdoor, Internet and home entertainment advertising. A
panel of more than 200 industry judges viewed and ranked a record
1,200 entries received this year using a system designed and regulated
by PricewaterhouseCoopers Llc.
In
1972 The Hollywood Reporter founded the Key Art Awards to recognize
the artists whose work directly influenced a film's financial success.
In 1989 the Key Art Advisory Board was instituted to reflect the expertise
of industry professionals.
The
term "key art" refers to the singular, iconographic image
that is the foundation upon which a movie's marketing campaign is
built.
Visit
www.hollywoodreporter.com/keyarts for more information and a complete
list of winners.
The
Hollywood Reporter is published by Netherlands-based VNU, the world's
largest organization of entertainment-related publications and services.
www.hollywoodreporter.com.