March 24, 2003
Commentary
by David Poland
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Independent
Spirit Awards
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SANTA
MONICA, Cal. - In the only movie awards ceremony this weekend to include
a stroll down the red carpet, Todd Hayne's Far From Heaven
walked away from the annual Independent Spirits beach party Saturday
with a nearly a clean sweep of top honors.
In his homage to
the Technicolor message films of the '50s, Haynes took veteran director
Douglas Sirk's cinematic formula and stood it on its head, by
adding contemporary comments on racism and sexual tolerance. Saturday,
under the Spirits' big top, the Universal Focus release went 5-for-5.
Besides Haynes'
award for Best Director, statuettes were handed out to star Julianne
Moore and Dennis Quaid, in the supporting category; cinematographer
Edward Lachman; and Jody Patton and Christine Vachon
for producing the Best Feature. No other picture won multiple awards.
Although the parade
past the paparazzi went ahead as planned, the tone of the afternoon's
festivities was struck early on, when Elvis Costello warmed up the crowd
by asking the musical question, What's So Funny ('bout Peace, Love
and Understanding). The song was greeted with loud applause.
While not dwelling
on the war in Iraq, master of ceremonies John Waters might inadvertently
have hit the nail right on the head, when he quipped, "Saddam
Hussein, George Bush ... nothing's going to stop me from
getting my gift bag." Anti-war sentiments were expressed briefly,
largely without rancor and almost exclusively in the second half of
the show.
Several of the presenters
and winners offered their wishes for peace and a quick exit from the
White House for George Bush. Not surprisingly, Best Documentary
winner Michael Moore was the most outspoken.
It's strange to
win a prize for a nonfiction film in a time when we have a fictitious
president conducting a war for fictitious reasons, Moore said. This
is a sad, sick and immoral lesson for the children of Columbine.
Don Cheadle
and Dawn Hudson, speaking for Independent Film Project/Los Angeles,
challenged audience members to use their independence, spirit and talent
to make their concerns known, and not accept the status quo.
Best Screenplay
winner Mike White (The Good Girl) echoed that sentiment, Let's use a
little of our spirit this year to get Bush out of office.
Gael Garcia Bernal,
co-star of Best Foreign Picture Y Tu Mama Tambien, commented,
"I come from a country that's always being told what to do. The
only way to stop this is (through people like) you."
The only real glitch
in the program came when an overly giddy Brittany Murphy, perhaps
channeling the speed-freak character she played in Spun, completely
bollixed up the reading of the nominees for Best Debut Performance.
Far more funny than worrisome, though, the moment probably will live
in infamy alongside Ally Sheedy's rambling acceptance speech,
in 1999, for her performance in High Art.
Later, Derek
Luke, Best Male Lead for Antwone Fisher, brought out the
tissues when he dragged his wife on stage with him and handed her his
trophy, in gratitude for her faith and support during their four-year
marriage. The former Sony gift shop worker added to drama by informing
the crowd that, four years ago, he was one of the waiters serving audience
members at the Spirits.
Otherwise, the afternoon
went by without controversy.
In other categories,
Best First Feature went to The Dangerous Lives of Altar Boys;
Best First Screenplay, to Erin Cressida Wilson, for Secretary;
Nia Vardalos, of My Big Fat Greek Wedding, as Best Debut
Performance; Emily Mortimer, as Best Supporting Female, for Lovely
& Amazing; Best Documentary to Bowling for Columbine;
Personal Velocity took the John Cassavetes Award; and
special grants went to the producers of Real Women Have Curves,
and the directors of Paradox and Love & Diane.